3rd yr-ARTS IN DAILY LIVING-Drawing.pptx

bled 3rd yr Arts In Daily Living

1. Objectives At the end of the lesson, the students are expected to: a. Identify the different types drawing styles; b. Value the importance of element and principle of design; and c. Create an art piece of their own.

2. Drawing

3. The earliest known drawings date from 30,000 to 10,000 B.C.. They were found on the walls of caves in France and Spain. Other examples of early drawing are designs that were scratched, carved, or painted on the surfaces of primitive tools. During the Stone Age, human artists began to experimenting with a new form of visual art which is the drawing. From the ancient rubble that accumulated on the floor of South African cave comes The earliest-known example – an abstract, crayon-on-stone piece created about 73,000 years ago. Drawing in art history is a method of giving visual form to a concept or through using various techniques. Drawing

4. Drawing in art includes characteristics such as line, shape, form, value , perspective, and composition. An art drawing may include materials such as paper , ink, graphite, and charcoal. The principal element of drawing is the line . Through the entire development of Western drawing, this figure, essentially abstract, not present in nature, and appearing only as a border setting of bodies, colors, or planes, has been the vehicle of representational more or less illusionist rendition of objects. The line has been conceived of as an autonomous element of form, independent of an object to be represented

5. Conscious and purposeful drawing represents a considerable mental achievement, for the ability to reduce the spatial objects in the world around one to lines drawn on a plane presupposes a great gift for abstraction. The identification of the motif of a drawing by the viewers is no less achievement, although it is mastered by practically human being. The visual interpretation of a line as a representation of a given objects is made possible through certain forms of the line that call forth associations. The angular meeting of two line may be considered as representing the borders of a plane; the addition of a third line can suggest the idea of a cubic body. Vaulting line stand for arches, convergent lines for depth.

6. The simple outline-sketch – Greek legend has it that the first “picture” originated from copying the shadows on the sand – represents one of the oldest and most popular possibilities of graphic rendition. Egyptian drawing and the archaic art of Greece, the outline sketch became the chief vehicle of artistic communication in late antiquity and the Middle Ages. Used in a variety of ways in the early Renaissance, it became dominant once again in Neoclassicism, as it is, for the matter, in the classicist period of a given artist’s total work. The outline sketch is elaborated into the detailed drawing by means of the line, which differentiates between the plastic and the spatial values of the object.

7. The free beginning, the disappearance, or the interruption of a line provides opportunities for gradually slurring an edge until it becomes a plane, for letting color transitions fade away, for having the line vanish in the depth. The thickening and thinning of a line can also be used to indicate, spatially or by means of color, a change in the object designated by that line. Even light-and-shadow values may be rendered by differences in stroke strength.

8. Elements and Principles of Art Design The elements and principle of art design are the foundation of the language we use to talk about art. The elements of art are the visual tools that the artist uses to create a composition. These are line, shape, color, value, form, texture, and space. The principles of art represent how the artist uses the elements of art to create an effect and to help convey the artist intent. The principles of art and design are balance, contrast, emphasis, movement, pattern, rhythm, and unity/variety/harmony . The use of these principles can help determine whether a painting is successful, and whether or not the painting is finished. These provide a framework for artists to express their ideas and create aesthetically pleasing compositions.

9. The 7 Elements of Drawing Line – A continuous mark made on a surface. Line can vary in length, thickness, direction, and style, playing a crucial role in defining shapes and conveying movement. Shape – A two-dimensional area with recognizable boundary. Shapes can be geometric or organic and form the basic building blocks of drawings. Color – The visual sensation produced by the way an object reflects or emits light. While not always applicable in traditional black-and-white

10. Form – The form describe objects in three-dimensional space. All forms have, height, width and depth. Artist use shading and perspective to create the appearance of depth and solidity in their drawing. Texture – It is another element, like form or space, that can be real. The surface quality or feel of an object. Artist use various techniques to depict different textures, enhancing the visual and tactile qualities of their drawings. Value – It is the degree of lightness or darkness in a drawing. Proper use of values adds dimensions, realism, and a sense of volume to drawings.

11. Space – The area around, between, and within objects. Effective use of space creates a sense of depth, perspective, and balance in drawings.

12. Principles of Art and Design Balance refers the visual weight of the elements of the composition. It is a sense that the painting feels stable and “feels right.” Imbalance causes a feeling of discomfort in the viewer. Balance can be achieved in 3 different ways. Symmetry , in which both sides of a composition have the same elements in the same position, as in a mirror- image, or the two side of a face. Asymmetry , in which the composition is balanced due to the contrast of any of the elements of art. For example, a large circle on one side of a composition might be balanced by a small square on the other side.

13. Radial symmetry which elements are equally spaced around a central point, as in the spokes coming out of the hub of a bicycle tire. Contrast is the difference between elements of art in a composition, such that each element is made stronger in relation to the other. When placed next to each other, contrasting elements command the viewer’s attention. Areas of contrast are among the first places that viewer’s eye is drawn. Contrast can be achieved by juxtapositions of any of the elements of art. Negative/Positive space is an example of contrast. Complementary colors placed side by side is an example of contrast. Notan is an example of contrast.

14. Contrast Emphasis Movement

15. Emphasis is when the artists creates an area of the composition that is visually dominant and commands the viewers attention. This i s often achieved by contrast. Movement is the result of using the elements of art such that they move the viewer’s eye around and within the image. A sense of movement can be created by diagonal or curvy lines, either real or implied, by edges, by illusion of space, by repetition, by energetic mark-making.

16. Pattern is the uniform repetition of any of the elements of art or any combination thereof. Anything can be turned into a pattern through repetition. Some classic patterns are spirals, grid, weaves. Example of different pattern types see the Atlandia Glossary of pattern design . A popular drawing practice is Zentangle , in which an abstract or representation outline is divided into different areas, each of which contains a unique pattern.

17. Rhythm is created by movement implied through the repetition of elements of an art in a non-uniform but organized way. It is related to rhythm in music. Unlike pattern, which demands consistency, rhythm relies variety.

18. Unity/Variety You want your painting or drawing to feel unified such that all elements fit together comfortably. Too much unity creates monotony, too much variety creates chaos. You need both. Ideally, you want areas of interest in your composition along with places for your eyes to rest.

19. Relationships between drawing and other art forms The bond between drawing and other art forms is of course very close, because the preliminary sketch was for a long time the chief purpose of the drawing. A state of mutual dependence exists in particular between painting and drawing, above all, in the case of sketches and studies for the composition of a picture. The relationship is closest with preliminary sketches of the same size as the original, the so-called cartoons whose contours were pressed through or perforated for dyeing with charcoal dust. Once transferred to the painting surface, the sketch had served its purpose.

20. The  artistic elements shared  by painting and drawing  demonstrate their intimate relationship. Painting and drawing  are similar  in many  aspects  of form and content. Formal criteria  that  apply to both art forms  include  measurements, figure proportions, the relationship  between  the figure and surrounding space, the distribution of the theme within the composition  based  on static order, symmetry, and equilibrium of the masses, or dynamic contrasts, eccentric vanishing points, and  over-accentuation   of individual elements; rhythmic order in separate pictorial units in contrast to continuous flow of  lines. Drawing and painting share a  similar  stylistic  aspect, but  drawing  frequently expresses  it less  strongly  because of the  natural  flow of the artist's  unrestricted  stroke, or "handwriting," and the  battle.

21. Still closer, perhaps, is the bond between drawing and  engraving , which works with the same artistic means, with monochrome linearity as its main formal element and with various tone and plane methods closely related to those of drawing . Drawing is more independent than  sculpture  because sculpture uses a three-dimensional model. As a result, sculptors’ drawings can always claim a greater degree of  autonomy . (For the special position of the architectural sketch,  see below   Subject matter of drawing .) Even in earlier times, the absorbent Japan paper made of mulberry bark enjoyed great popularity. Handmade paper, stronger and free of wood, with an irregular edge, has remained to this day a favourite surface for drawings. 

22. Vellum , delicate and without veins,  resembles  parchment in its smooth surface. Modern  watercolour  paper is a pure linen paper glued in bulk and absolutely free of fat and alum; its two surfaces are of different grain. For  pastel  drawings, a firm, slightly rough surface is indicated, whereas pen drawings are best done on a very smooth paper. Granulated and softer drawing tools, such as charcoal, chalk, and  graphite  are not as dependent on a particular type of paper; but, because of their slight adhesiveness, they often require a stronger bond with the foundation as well as some form of surface protection.

23. In pastels especially, the manifold prismatic effects of finely powdered colored crayons are thus lost, and the bright and airy surface is turned into an amorphous, heavy layer. Pastels, which brush off easily, are therefore best preserved under glass. Tools and techniques Such varied tools as slate pencils, charcoal, metal styli, and chalks may be used for drawing as well as all writing utensils, including pens, pencils, and brushes. Indeed, even chisels and diamonds are used for drawing, not to mention saws, drills, and fire . Modern drawing mediums that combine both possibilities, such as fountain pens, ball-point pens, and fiber-tipped pens, were invented in the 20 th century.

24. Artists have always been able to attain the desired effect with a variety of techniques. Dry mediums, for example, are predestined for clear lines, liquid ones for plane application. Yet extremely fine strokes can also be made by brush, and broad fields can be marked in with pencil or crayon. Some mediums, including charcoal, one of the oldest, if not the oldest of all, allow both extremes . Chalk is a powdery drawing tool made from naturally occurring minerals. Often manufacturers add other pigments to create color besides red, white and black. Chalk is a suitable tool for blending and shading and works on many surfaces. It’s easily transferable among surfaces.

25. Wax crayons add color to drawings in a non-transferable way. Because of their construction, crayons are less likely to transfer surfaces, but are also more difficult to use for blending and shading.

26. Graphite is a metallic gray powder that in pencils and sticks. It’s often used for line drawing, blending and shading. Like other tools, it may transfer among surfaces

27. Pastels are sticks of powdered pigment made from oil water-based materials. They’re excellent for blending but can transfer to other surfaces.

28. Ink a liquid pigmentation, usually fills pens and markers for drawing. White additives, ink may come in a variety of colors and consistencies. Ink may help in line drawing and blending. It’s transferable when wet.

29. Charcoal is a crumbly black material made of carbon. In art, it’s often sold in sticks or pencils. It’s an excellent tool for shading and blending because its easily smudged.

30. Colored Pencils are wood shells with wax or oil pigmented centers. They come in a variety of colors and hues. Unlike other materials, they’re less like to smudge but still blend easily.

31. Different Types of Drawing Style Line Drawing use contours without shading to create a memorable sketches. If you really want to exercise your drawing skills, try continuous line drawing. In this exercise, the pen or pencil never leaves the sheet of paper, so the end result is formed from one single line

32. Doodling as a mindless past time, this type of drawing is a wonderful way of let your subconscious mind flow. Great artist like Leonardo da Vinci are known for their doodles, which populate the margins of his notebook.

33. Cartooning have a long history, dating back to print magazines in the 19 th century when they used as satirical and comical illustration. Cartoon illustration is a large category, having evolved over time. Some different cartoon styles include caricature, anime or manga, and classic Disney.

34. Pointillism with the post-impressionist paintings of Georges Seurat, it’s a technique and style that also works well for drawing. By stippling hundreds, or even thousands, of tiny dots, artists are able to build up light and shadow. The results can often be shockingly realistic, with viewers only realizing that dots-not lines-were used when looking at the finished artwork closely.

35. Photorealism/Hyperrealism For artists working in a photorealistic drawing style, patience is the key. Hundred of hours can be passed in front of any artwork in order to polish to a level where it looks like a photograph. For instance, artist CJ Hendry uses colored pencil to draw colorful blobs on paint that look so real.

36. Architectural This type of drawing can be extremely technical, but no less artistic. While architectural drawing is a skill often honed in the design world, non-architects are still able to create stunning artwork. Whether drawing an exact replica of a historical building like Notre Dame. An understanding of perspective drawing are necessary.

37. Anamorphic 3D drawing require mastery of perspective to create depth and illusion. While it may take some practice to get the hang of, the results are stunning and surprising works of art that will delight viewers. This drawing id often called Anamorphic.

38. Fashion used by designers to get their ideas down on paper, fashion illustration often calls for quick, gestural drawings that convey the essence of a garment. These works typically feature long, elongated figure drawing to mimic the height of models and, as the focus is on the clothes, not the face, facial features are often lacking or minimal. In fashion there many different styles, some rougher and others more polished.

39. Activity:

40. Thank you!