acting classes in pune with fees

Acting is a one of a kind course to realize where each individual has their very own one of a kind style. It is vital for a performer perform and hold its characteristic impulses in acting. A total performers are the individuals who can profoundly apply the characteristics of human practices in their acting.

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1. 1. Vocal & Physical
 Tongue Exercises
 Jaw's Exercises
 Throat Exercises
 Eyes Exercises
 Face Exercises
 Body Modification
 Walking With Characters Nature
 Body Languages With Characters Nature
 Gestures
 Speed Maintaining Of V/O & Physical Business
2.How to Read A Dialogues
 Pause Between Line
 Expression During Sentence
 Importance Of Symbols In Dialogue
 Meaning Of Symbols
 Up & Down While Reading A Sentence
 Meaning Of Theme, Paragraph, Scene & Dialogue
 Feelings Of Lines
 Understanding A Nature Of Line
 Feel Of Producing Dialogue
 Relation Between Two & More Than Two Lines
 Mistakes & Correction Of Written Sentence
 Mistakes & Correction Of Performing Sentence
3. Difference between Stage & Camera Facing
 Introduction Of Cinema
 Introduction Of Stage
 Reacting In Both The Medium ( Film & Stage )
 Audience Facing
 Camera Facing
 Techniques Of Film & Stage
 Loudness & Softness Between Two Medium
 Performing With Film Equipment’s
 Performing With Play Equipment’s
 Camera , Lights & Sound Sense
 Stage, Lights & Sound Sense
 What Is Scene & Entry
 What Is Shot
 Powerful Entries
 Powerful Angles
4. Nine Emotions (NineRasa)
 Shrungar
 Hasaya

2.  Shant
 Karun
 Adbhut
 Bibhats
 Veer
 Raudra
 Bhay
 Shades Of Each Rasa
 How To Use Nine Rasa During Performance
 Needs Of Rasa
 Feelings Of Each Rasa
5.One Short Film Project
 Nature Of Short Film
 Experience Of Acting In A Short Film
 Phases Of Film Making
 Types Of Work In All Phases
 Introduction Of All Departments
 Practical From Scripting To Shooting
 Finalizing A Short Film & Its Screening
6.One Street-Play Project
 Introduction Of Street Play
 Nature Of Dialogues In Street Play
 Needs Of Props In Street Play
 Following Rules & Regulations ( Types Of Rules & Agreement )
 Preparation For Best Performance
 Character & Script Study
 Maintain A Character
 Healthy Relationship Towards Crew & Others
 Time Management
 Dates & Commitments
7.Audition Techniques
 Process Of Audition
 How To Face Audition
 Preparation For Audition
 Confidence & Dearing
 Use Of Mark
 Look During Audition
 Camera Shots In Audition Room
 Self-Introduction In Audition Room
 Needs Of Profiles
 Types & Rounds Of Audition
 Behavior During Audition
 Understanding & Performing Dialogues in Audition Room.
 Maintain Naturality During Audition

3.  Success Ratio Of Audition + & - Points of Audition
8. Responsibilitiesofan Artist
 Continuity: Actions, Costumes, Make-Up & Dialogues.
 Following Rules & Regulations ( Types Of Rules & Agreement )
 Preparation For Best Performance
 Character & Script Study
 Maintain A Character
 Healthy Relationship Towards Crew & Others
 Time Management
9. Film Grammar
 Language Of Film
 Directors Order's
 Technical Terms & Definition
 Names Of Shots
 Make Unknown Word's To Known
 Dialogues Variation
 Shades Of Dialogues
 Applying Emotions
 Tone Variety
 Speed & Duration
 Up & Downs
 Feelings & Nature
 Diction, Dialects & Pronunciation
 Dialogues Purity & Clarity
10.Difference between Stage & Cinema
 Stage Is A One Take Medium
 Cinema Is A Retake Medium
 Live & Motion Picture
 Applying & Non Applying Shots
 Acting In Camera Frame
 Acting In Front Of Audience Eyes
 Action & Reaction
 Workflow Of Both The Medium
11. On Screen Acting
 How To Give Look Positions
 Camera Terms
 Frame In Out & Mark Point&#;s
 Figure Dimensions
 Loudness & Softness
 Going Through Film Equipment’s
 How To Maintain Continuity

4.  Take Mood & Rehearsal Mood
 Character Switch In Switch Out
 Naturality During Take
 How To Maintain Scene Tempo, Mood & Flow
 Difference Between Scene, Shot & Take
 Coordination Sense
12. On Stage Acting
 Live Action Reaction With The Co-Artist & Audience
 How To Involve Audience In Play
 Entry & Exit Points
 Building A Character
 How To Give An Correct Performance
 Two Way Communication At The Performance Tine
 Preparation For A Play Or Stage
 How To Maintain Props, Make Up & Character
 Calls Of Technical Devices
 Which Are The Powerful Entry Point&#;s
 How To Stand On The Stage
 How To Ho Easy With The Character
 Importance Of A Co-Artist During Stage Performance
 Introduction Of TheatreDepartments
13. Skit Practice
 How To Perform On Given Situationoduction Of TheatreDepartments
 Performance On Given Script
 Practice Of To Minutes Subject On Stage & On Screen
 Giving Practice To Two Or More Than Two Artist Of A Skit
 How To Make A Skit
14.Voice Modulation
 Levels Of Voice
 Variety Of Voice
 Languages By Profession
 Languages By Class & Religion
 Languages By Character
 Insertion Of Filling In Dialogues
 How To Improvise Voice Quality
 Voice Difference Between During Reading & During Performance
 How To Produce Voice Variety Through Range & Speed
15. Type of Senses
 Camera
 Lights
 Sound
 Audience

5.  Co-Artist
 Timing
16. Types of Continuities
 Action
 Costumes
 Make Up
 Hair Style
 Property
 Dialogues
 Scene
 Voice
17. Typesof Shots
 Basic Shots
 Advance Shots
 Definition Of Shot
 Different Between Shot & Scene
 Difference Between Shots & Angle
18. Situational Act
 Creating Dialogue On Situation
 Performing On Situation
 Act Without Script
 Act With Script
19. Introduction of Film Making
 Concept
 Research
 Development
 Pre-Production
 Production
 Post Production
 Distribution
 Marketing, Advertisement, Promotional Activities & Publicity
 Media Coverage
 Departments Wise Introduction
20. Stage Instruction
 Section Of On Stage
 Departments Of Back Stage
 Cast, Crew And Their Work
 Introduction & Work Of Technical Aspects
 Flow Of Scripting To On Stage
 Types Of Stage

6.  Types Of Plays
21. Aspects of Acting
 Theory & Practical
 Script
 Dialogues
 Scene
 Co-Artist
 Props & Make Up
 Equipment’s
 Platform Or Stage Or Screen
 Business Workspace
 Body Language & Expression
 Feelings & Meaning Through The Vocally & Physically
 Easiness
 Confidence
 Dearing
 Look
 Eye Contact
 All Senses (Test, Smell, Touch, Sound, Ear, Sight, Speak Etc.)
 Building A Character
 Language
 Footwork
 Gesture
 Coordination
 Directors Guidelines
 Self-Study
 Observation
 Reading
 Listening
 Watching
 Analyzing
 Comparison
 Improvisation
 Stitching To The Goal
22. Body Language, Gesture & Face Expression
 Movements Of Hole Body
 Movements Of Foot & Hands
 Movements Of Eyes, Lips, Checks, Jaw&'s, Nose, Forehead, Ear & Teeth
 Sense Of Touch
24. Dubbing
 How To Dub Dialogue
 Workflow Of Dubbing Studio
 Carrying Natural Feel While Dubbing

7.  Matching Lips With Dialogues & Visuals
 Culture Of Voice
25. Play
 Making Of A Play Or One Act Play
 Experience Of Proper Drama Production
 Experience As An Artist In Drama
26. Short Films
 Making Two Short Films During Course
 Experience Of Proper Film Making Production
 Experience As An Artist In Both The Short Films
27. Study Tour
 Actual Experience On Film, Short Film Or Serial Set
 Visiting Film Production House Or Film Organization
 Visiting Film Exhibition
28. Experience of Two Act Play
 Total Drama Production
 Covering Syllabus Of Each Departments Of Drama
 Giving Experience As An Actor Actress Or As A Technician
29. Four Short Films
 Film Production
 Experience Of All Departments As Technical Person And As An Actor
 Screening Of Short Film
30. Building A Network
 How To Build Network For Making Chance In Film, Serials Or In Drama
 Providing Audition Links ( For Starting Work )
 How To Make Won Network
31. Building a Character
 How To Build A Character
 Tricks For Character Building
 Improvisation Of Natural Acting
 Importance Of Props, Make Up & Other Technical Devices In Building A Character
 Importance Of Voice Culture In Building A Character
 Importance Of Business In Building A Character
32. Theatre, Film & Cinema

8.  Difference Of These Three Mediums
 How To Act In Three Medium
 Structure Of These Three Medium
33.More Practical Experience
 Task For Making A Individual Project
 Extra Practice For Screen & Play
 Internship Program
34.Types Of Plays
 One Act Play
 Two Act Play
 Mahanatya
 Short Length Play
 Street Play
 & Other Types Of Play's
35. Types of Film Joiners
 Drama
 Art
 Suspense
 Thriller
 Action
 Biopics
 Historical
 Mythological
 & Others
36. Film Appreciation
 How To Watch Cinema As An Artist
 Analysis Of Film
 Parts Of Film
37. Departments of Film & Play
 Individual Work Experience Of All Aspects Of Cinema & Play
 Yoga
 Diet Plan
 Dance
 Communication Skills
 Portfolio
 Show Reel
 Artist Card