CHAPTER 8 NOLI ME TANGERE PUBLISHED IN BERLIN 2.pptx

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1. • Fortunately Elias had disappeared, and the Guardia Civil went away empty-handed. During the picnic also, Ibarra received a telegram from the Spanish authorities notifying him of the approval of his donation of a schoolhouse for the children of San Diego . • The next day, Ibarra visited old Tasio to consult him on his pet project about the schoolhouse. He saw the old man's writings were written in hieroglyphics. Tasio explained to him that he wrote hieroglyphics because he was writing for the future generations who would understand them and say, "Not all were asleep in the night of our ancestors!"

2. • Tasio was pessimistic about the project of Ibarra to build a schoolhouse at his own expense. However, the construction of the schoolhouse continued under the supervision of the architect called Ñor Juan . •Meanwhile, San Diego was merrily preparing for it's annual fiesta, in honor of it's patron saint San Diego de Alcala, whose feast day is the 11th of November. On the eve of the fiesta, hundreds of visitors arrived from the nearby towns, and there were laughter, music, exploding bombs, feasting and moro-moro . The music was furnished by five brass band (including the famous Pagsanjan Band owned by the escribano Miguel Guevara) and three orchestras.

3. • In the morning of the fiesta there was a high Mass in the church, officiated by Padre Salvi . Padre Damaso gave the long sermon, in which he expatiated on the evils of the times that were caused by certain men, who having tasted some education, spread pernicious ideas among the people . • After Padre Damaso's sermon, the Mass was continued by Padre Salvi . Elias quietly move to Ibarra, who was kneeling and praying by Maria Clara's side, and warned him to be careful during the ceremony of the laying of the cornerstone of the schoolhouse because there was a plot to kill him.

4. • Elias suspected that the yellow man, who built the derrick, was a paid stooge of Ibarra's enemies. True to his suspicion, later in the day, when Ibarra, in the presence of a big crowd, went down into the trench to cement the cornerstone, the derrick collapsed. Elias, quick as a flash, pushed him aside, thereby saving his life. The yellowish man was the one crushed to death by the shattered derrick.

5. • At the sumptuous dinner that night under a decorated kiosk, a sad incident occurred. The arrogant Padre Damaso , speaking in the presence of many guests, insulted the memory of Ibarra's father. Ibarra jumped from his seat, knocked down the fat friar with his fist, and then seized a sharp knife. He would have killed the friar, were it not for the timely intervention of Maria Clara .

6. • Ibarra's attack on Pedro Damaso produced two results: (1) his engagement to Maria Clara was broken and (2) he was excommunicated. Fortunately, the liberal-minded governor general visited the town and befriended Ibarra. He told the young man not to worry. He persuaded Captain Tiago to accept Ibarra as son-in-law and promised to see the Archbishop of Manila to lift the ban of excommunication .

7. • The fiesta over, Maria became ill. She was treated by the quack Spanish physician, Tiburcio de Espadaña , whose wife, a vain and vulgar native woman, was a frequent visitor in Captain Tiago's house. This woman had hallucinations of being a superior Castillan , and, although a native herself, she looked down on her own people as inferior beings. She added another "de" to her husband's surname in order to be more Spanish. Thus she wanted to be called " Doctora Doña Victorina de los Reyes de De Espadaña .“

8. She introduced to Captain Tigo a young Spaniard, Don Alfonso Linares de Espadaña , cousin of Don Tiburcio de Espadaña and godson of Padre Damaso's brother-in-law. Linares was a penniless and jobless, fortune hunter who came to the Philippines in search of a rich Filipino heiress. Both Doña Victorina and Padre Damaso sponsored his wooing of Maria Clara, but the latter did not respond because she loved Ibarra.

9. • A touch of comedy in the novel was the fight between two ludicrous señoras -Doña Consolacion , the vulgar mistress of the Spanish alferez , and Doña Victorina , the flamboyantly dressed wife of a henpecked Spanish quack doctor. Both insulted each other in gutter language, and, not satisfied with their verbal warfare, they squared off to come to blows. The timely arrival of Padre Salvi stopped the fight, much to the regret of the curious onlookers.

10. • The story of Elias, like that of Sisa , was a tale of pathos and tragedy. He related it to Ibarra. Some 60 years ago, his grandfather, who was then a young bookkeeper in a Spanish commercial firm in Manila, was wrongly accused of burning the firm's warehouse. He was flogged in public and was left in the street, crippled and almost dead. His wife, who was pregnant, begged for alms and became a prostitute in order to support her sick husband and their son. After giving birth to her second son and the death of her husband, she fled, with her two sons, to the mountains.

11. • Years later the first boy became a dreaded tulisan named Balat . He terrorized the provinces. One day he was caught by the authorities. His head was cut off and was hung from a tree branch in the forest. On seeing this gory object, the poor mother ( Elia's grandmother ) died .

12. • Balat's younger brother, who was by nature kindhearted, fled and became a trusted laborer in the house of a rich man in Tayabas . He fell in love with the master's daughter. The girl's father, enraged by the romance, investigated his past and found out the truth. The unfortunate lover ( Elia's father) was sent to jail, whir the girl gave birth to twins, a boy (Elias) and a girl. Their rich grandfather (father of their mother) took care of then, keeping secret their scandalous origin, and reared them as rich children.

13. . Elias was educated in the Jesuit College in Manila, while his sister studied in La Concordia College. They lived happily until one day, owing to certain dispute over money matters, a distant relative exposed their shameful birth. They were disgraced. An old male servant, whom they used to abuse, was forced to testify in court and the truth came out that he was their father.

14. • Elias and his sister left Tayabas to hide their shame in another place. One day the sister disappeared. Elias roamed from place to place, looking for her. He heard later that a girls answering to his sister's description, was found dead on the beach of San Diego. Since then, Elias lived a vagabond life, wandering from provence to province- until he met Ibarra.

15. • Ibarra's enemies left no stone unturned to bring about his ruin. They engineered an attack on the barracks of the Guardia Civil, at the same time warning the alferez to alert his men that night. They received the attackers by telling them that the mastermind was Ibarra. So that when the attack failed and the surviving attackers were caught. Ibarra was blamed for the catastrophe.

16. • Elias, learning of Ibarra's arrest, burned all the papers that might incriminate his friend and set Ibarra's house on fire. Then he went to prison and helped Ibarra escape. He and Ibarra jumped into a banca loaded with sacate ( grass). Ibarra stopped at the house of Captain Tiago to say goodbye to Maria Clara. In the tearful last scene between the two lovers, Ibarra forgave Maria Clara for giving up his letters to her to the Spanish authorities who utilized them as a evidence against him. On her part, Maria Clara revealed that those letters were exchanged with a letter from her late mother, Pia Alba, which Padre Salvi gave her. From this letter, she learned that her real father was Padre Damaso .

17. • After bidding Maria Clara farewell, Ibarra returned to the banca . He and Elias paddled up the Pasig River toward Laguna de Bay. A police boat, with the Guardia Civil on board, pursued them as their banca reached the lake. Elias told Ibarra to hide under the zacate . As the police boat was overtaking the banca , Elias jumped into the water and swam swiftly toward the shore. In this way, he diverted the attention of the soldiers on his person, thereby giving Ibarra a chance to escape.

18. • The soldiers fired at the swimming Elias, who was hit and sank. The water turned red because of his blood. The soldiers, thinking that they had killed the fleeing Ibarra returned to Manila. Thus Ibarra was able to escape. • Elias, seriously wounded, reached the shore and staggered inti the forest. He met a boy, Basilio , who was weeping over his mother's dead body. He told Basilio to make a pyre on which their bodies (his and Sisa's ) were to be burned to ashes. It was Christmas eve , and the moon gleamed softly in the sky. Basilio prepared the funeral pyre. As life's breath slowly left his body. Elias looked toward the east and murmured: "I die without seeing the dawn brighten over my native land! You, who have it to see, welcome it-and forget not those who have fallen during the night!"

19. • The novel has an epilogue which recounts what happened to the other characters. Maria Clara, out of her loyalty to the memory of Ibarra, the man she truly loved, entered the Santa Clara nunnery. Padre Salvi left the parish of San Diego and became a chaplain of the nunnery. Padre Damaso was transferred to a remote province, but the next morning he was found dead in his bedroom. Captain Tiago, the former genial host and generous patron of the church, became an opium addict and a human wreck. Doña Victorina , still henpecking poor Don Tiburcio , had taken to wearing eye-glasses because of weakening eyesight. Linares, who failed to win Maria Clara's affection, died of dysentery and was buried in Paco cemetery.

20. • The alferez , who successfully repulsed the abortive attack on the barracks, was promoted major. He returned to Spain, leaving behind his shabby mistress, Doña Consolacion . • The novel ends with Maria Clara, an unhappy nun in Santa Clara nunnery-forever lost to the world. The " Noli " Based on Truth. The Noli Me Tangere , unlike many works of fictional literature, was a true story of Philippine conditions during the last decades of Spanish rule. The places, the characters, and the situations really existed . "The facts I narrate there," said Rizal, "are all true and have happened; I can prove them."

21. The characters-Ibarra, Maria Clara, Elias, Tasio , Capitan Tiago, Padre Damaso , Padre Salvi , etc.- were drawn by Rizal from person who actually existed during his time. maria Clara was Leonor Rivera, although in real life she became unfaithful, unlike the heroine of the novel, and married an Englishman. Ibarra and Elias represented Rizal himself. Tasio the philosopher was his elder brother, Paciano . Padre Salvi was identified by Rizalists as Padre Antonio Piernavieja , the hayed Augustinian friar in Cavite who was killed by the patriots during the Revolution. Captain Tiago was Captain Hilario Sunico of San Nicolas. Doña Victorina was Doña Augustina Medel . The two brothers Basilio and Crispin were the Crisostomo brothers of Hagonoy . Padre Damaso was typical of a domineering friar during the days of Rizal, who was arrogant, immoral, and anti-Filipino.

22. Missing Chapter of the Noli . In the original manuscript of Noli Me Tangere , there was a chapter entitled "Elias and Salome" which follows Chapter XXIV-"In the Woods". This particular chapter on Elias and Salome was deleted by Rizal so that it was not included in the printed novel. His reason for doing so was definitely economic. By reducing the pages of the manuscript, the cost if printing would correspondingly be reduced. The missing chapter runs as follows:

23. In a nipa hut by the placid lake, Salome, a winsome girl in her teens, sat on a bamboo batalan , sewing a camisa of bright colors. She was waiting for Elias to arrive. She was beautiful "like the flowerets that grow wild not attracting attention at first glance but whose beauty is revealed when we examine them carefully". When she heard footsteps, she laid aside her sewing, went to the bamboo stairway where Elias stood carrying a bundle of firewood and a bunch of bananas which he places on the floor, while he handed a wiggling dalag to the girl.

24. Salome noticed her lover was sad and pensive. She tried to console him; asking about the girls at the picnic which the Guardia Civil soldiers disturbed, looking for him. He told her in a gay mood that there were many beautiful girls, among whom was Maria Clara, the sweetheart of a rich young man who had just returned from Europe.

25. Afterwards, Elias arose, preparing to leave. Speaking in a soft voice, he said: "Good-bye, Salome. The sun is setting, and it won't appear good for the people to know that night overtook me here." He paused for a moment, then continued: "But you've been crying. Don't deny it with your smile. You've been crying."

26. She was crying, for soon she would leave this house where she grew up. She explained: "It is not right for me to live alone. I'll go to live with my relatives in Mindoro. Soon I'll be able to pay the debt my mother left me when she dies. . . to give up this house in which one was born and had grown up is something more than giving up one's being. A typhoon will come, a freshet, and everything will go to the lake. . ."

27. Elias remained silent for a moment; then he held her hands, and asked her: "Have you heard anyone speak ill of you? Have I sometimes worried you? Not that either? Then you are tired of my friendship and want to drive me away. . ." She answered "No, don't talk like that. I am not tired of your friendship. God knows that I am satisfied with my lot. I only desire health that I may work. I don't envy the rich, the wealthy, but. . ." "But what?" "Nothing. I don't envy them as long as I have your friendship."

28. "Salome," replied the youth with bitter sorrow. "You know my cruel past and that my misfortune is not of my own making. If not for the fatality that at times keeps me thinking, with bitterness, if it were not that I don't want my children to suffer what my sister and I suffered, you would have been my wife in the eyes of God. But for the sake of this very love, for the sake of this future family, I have sworn to end with myself the misfortune that we have been inheriting from father to son, and it is better that it should be so, for neither you nor I would wish to hear our children lament our love, which would only bequeath them misery. You do well to go to the house of your relatives. Forget me, forget a love so mad and futile. Perhaps you'll meet there one who is not like me."

29. "Elias," exclaimed the girl reproachfully. "You have misunderstood me. In my words, there is no complaint against you. Take my advice, go home to your relatives. . . Here you have no one but me, and the day when I fall into the hands of my pursuers, you will be left alone for the rest of your life. Improve your youth and beauty to get a good husband, such as you deserve, for you don't know what it is to live among men." "I was thinking that you might go with me," Salome said softly.

30. "Alas," rejoined Elias snaking his head. "Impossible, and more so than ever. . . I haven't yet found what I came here to seek-it's impossible. Today, I forfeited my liberty." Elias then narrated what happened earlier at the picnic that morning; how he was saved by Ibarra from the jaws of a crocodile. To show his gratitude, he vowed to repay the good deed done by Ibarra, even to the extent of sacrificing his life. He explained that anywhere he would go, even to Mindoro, the past would still be discovered, sooner or later.

31. "Well then," Salome said, looking at him tenderly: "At least when I'm gone, live here, stay in this house. It will make you remember me; and I will not think in that distant land that the hurricane had carried my hut to the lake. When my thoughts turn to these shores, the memory of you and of my house will appear to me together. Sleep where I have slept and dream-it will be as thought I were beside you .“ "Oh," exclaimed Elias, waving his hand in desperation, "Woman, you'll make me forget."

32. After disengaging himself from her tender embrace, he left with a heavy heart, following the lonely path lined with the shadows of somber tress in the twilight. She followed him with her gaze, listening sadly to the fading footsteps in the gathering darkness . Rizal's Friends Praise the Noli . The friends of Rizal hailed the novel, praising it in glowing colors. As to be expected, Rizal's enemies condemned it. Rizal anticipated the vitriolic attacks of his enemies, who were sire to be told the truth of their evil ways. As he told Blumentritt : "The government and the friars will probably attack the work, refuting my statements, but I trust in the God of Truth and in the persons who have actually seen our sufferings."

33. Of the numerous congratulatory letters received by Rizal from his friends about the Noli , that from Blumentritt was significant. "First of all," wrote Blumentritt ," accept my cordial congratulations for your beautiful novel about customs which interests me extraordinary. Your work, as we Germans say, has been written with the blood of the heart, and so the heart also speaks. I continue reading it with much interest, and I shall beg to ask you now and then for an explanation when I find words unknown to me; for instance, the word filibustero must have certain meaning in the Philippines that I do not find in the Spanish of the Peninsulars nor in that of the Spanish peoples of America."

34. "I knew already," continued Blumentritt , "that you were a man of extraordinary talent (I had said it to Pardo de Tavera , and this could also be seen from the marvelous short time in which you have acquired my difficult and rough mother tongue); but in spite of this, your work has exceeded my hopes and I consider myself happy to have been honored with your friendship. Not only I but also your people can also be called lucky for having in you a son and a loyal patriot. If you will continue thus, you can become one of those great men who will exert a definite influence on the spiritual development of your people."

35. In London, Dr. Antonio Ma. Regidor , Filipino patriot lawyer who had been exiled due to his complicity in the Cavite Mutiny of 1872, read avidly the Noli and was very much impressed by its author. On May 3, 1887, he felicitated Rizal, saying: "If the Quixote immortalizes its author because it exposes to the world the ailments of Spain, your Noli Me Tangere will bring you an equal glory. With your modesty and your voracious and able appraisal, you have dealt a mortal blow to that old tree full of blemishes and decay. Every Filipino patriot will read your book with avity and upon discovering in every line a veracious idea and in every word a fitting advice, he will be inspired and he will regard your book as the masterpiece of a Filipino and the proof that those who thought us incapable of producing great intellects are mistaken out lying".

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