Volume – 4, Issue – 8, November, 2015 ISSN: 2278-9545
EDULIGHT – Multi-disciplinary, Peer Reviewed Print Journal 116
Major Folk Theatre Forms of South Bengal: A Socio-Cultural and Psychological Study
Dr. Sujay Kumar Mandal
Associate Professor & Head, Department of Folklore, University of Kalyani
Kalyani-741235, Nadia, West Bengal, India, E-mail:
[email protected]
ABSTRACT
One of the major genres of folklore is traditional folk theatre, which is the reflection of the folk society. This
tradition plays vital role in the folk society. West Bengal is very rich in the field of traditional folk theatre. In
West Bengal, there are different folk theatre forms prevalent in different regions: Gambhira, Domni, Kushan,
Khan, Chor-Churni, Haluya-Haluyani, Mecheni, Palatia etc. in North Bengal and Alkup, Leto, Bolan, Machani,
Bhar Jatra, banobibir pala, Gajan Pala, Manasha Pala etc. in South Bengal. Major and popular traditional folk
theatre forms are Bolan, Alkup and Leto of the southern parts of West Bengal. The genres portray socio-
religious, cultural and psychological aspects and characters and are the mirror of the folk-life as well as
different aspects of man, family, and society. In this paper, I have tried to focus on three folk theatre forms i.e.
Bolan, Alkup and Leto as major traditional folk theatre forms of South Bengal. The paper also has analyzed the
socio-cultural context and psychological aspect of these forms.
Key Words: Folk Theatre, Traditional, Socio-cultural, Bolan, Alkup, Leto, Function
1. Introduction:
One of the major genres of folklore is traditional folk theatre, which is the reflection of the folk
society. This tradition plays vital role in the folk society. The people of folk society participate in folk
theatres for entertainment and also to get relief from the hardship of their daily life. This folk
performing art form is a combination of dance, song, music, gesture, mime, dialogue and acting. In
Bengali, this genre is called ‘Lokonatya’ or ‘Palagan’. West Bengal is very rich in the field of
traditional folk theatre. Many folk theatre groups perform in rural and urban settings in almost all
areas of West Bengal. Folk theatre forms in West Bengal are prevalent in numerous forms. Even
today, these traditions continue to retain its most distinctive features because of its built-in capacity to
adjust with changing situation. It is basically rural-oriented, which reflects the picture of rural Bengal.
Major and popular traditional folk theatre forms are Bolan, Alkup and Leto of the southern parts of
West Bengal. In this paper, I have tried to focus on three folk theatre forms i.e. Bolan, Alkup and
Leto as major traditional folk theatre forms of South Bengal. The paper also has analyzed the socio-
cultural context of these forms.
2. Traditional Folk Theatre Forms of West Bengal:
Each region has its own particular variety. The forms are essentially alike but are known under
different names in different regions. In West Bengal, there are different folk theatre forms prevalent
in different regions: Gambhira, Domni, Kushan, Khan, Chor-Churni, Haluya-Haluyani, Mecheni,
Palatia etc. in North Bengal and Alkup, Leto, Bolan, Machani, Bhar Jatra, banobibir pala, Gajan
Pala, Manasha Pala etc. in South Bengal. Traditional folk theatres have different characteristics and
various distinguishing features. According to Wakil Ahmed: “Folk drama usually has a two-part
presentation. The first part has a preamble, instrumental choir and prayer to the gods, while the
second part contains the acting, song, dance, narration, dialogue, instrumental music, buffoonery, etc.
Subjects that are most common in folk drama are stories of Rama and Sita, Arjun and Draupadi,
Radha and Krishna, Nimai Sannyas, Behula and Laksindar, Isha Khan Dewan, Firoz Dewan, Zainab
and Hasan, Sakhina and Kasem, Hanifa and Jaigun, Rahim Badsha, Rupban, Baidyani etc. Folk
dramas usually have a mythical, historical, religious and political flavour. They contain imaginary
events, worldly wisdom and comic elements. Apart from descriptions of joy and sorrow, repression,
struggle, conflict, love and greed, etc, folk dramas, in addition to entertaining, also educate people