Elements and Principles of Art for first year college

Power point presentation for art appreciation

1. Elements and Principles of Art

2. LINE

3. Line A line refers to a point moving at an identifiable path- it has length and direction. It also has width. It is one-dimensional, however, it has the capacity to either define the perimeters of the artwork (edges) and/or become a substantial component of the composition. Although a line is "simple," it has variations in view of its orientation/direction, shape, and thickness.

4. Keith Haring first executed the public mural " Todos juntos podemos parar el sida " (Together We Can Stop AIDS) in Barcelona in 1989. In 2014 , it was recreated at the foyer of the Museu d'Art Contemporani de Barcelona (Barcelona Museum of Contemporary Art) to commemorate it.

5. Line oRITALZONH and CALTIERV lines Horizontal and vertical lines – refers to the orientation of the line. Horizontal lines are normally associated with rest or calm. Landscapes often contain these elements as works like these often connote a visual sense of being parallel to the ground

6. Line NAlGOADI and ROOKEC lines Diagonal and crooked lines – diagonal lines convey movement and instability, although the progression can be seen. Crooked or jagged lines, on the other hand are reminiscent of violence, conflict, or struggle.

7. Line VEDCRU lines Curved lines – these are lines that bend or coil. They allude to softness, grace, flexibility, or even sensuality.

8. Francisco de Goya “ Porque esconderlos ? Why hide them?

9. He made use of this medium to articulate his political views about the ills of society, war scenes, and even the dreamlike and grotesque while still engaging with what was happening around him. As with most etchings and other types of prints, lines are dominant visual components.

10. SHE PEE AND FART

11. Shape and Form Shape refers to two dimensions: height and width, while form refers to three dimensions: height, width, and depth. Even if shapes are part of a bigger picture, each can be identified by breaking the visual components apart and making distinctions based on what we know and what we have seen. – these shapes find origin in mathematical propositions. As such, its translation and use are often man-made. These include shapes such as squares, triangles, cubes, circles, spheres, and cones, among others. Geometric

12. Mondrian, Composition with color planes and gray lines, 1918

13. Shape and Form Organic – organic shapes are those readily occurring in nature, often irregular and asymmetrical.

14. space It is usually inferred from a sense of depth, whether it is real or simulated. Real space is three-dimensional. Like what has been previously mentioned, sculptures are a perfect example of artworks that bear this element.  the area inside and outside of the shapes and forms of a piece of visual art.

15. “Cloud Gate”

16. PASS IT eVE !

17. In two-dimensional artworks, they may be implied: Positive and negative space – usually identified with the white space is the negative space. The positive space, on the other hand, is the space where shadow is heavily used. positive space refers to the part of the picture that represents the subject, or main focus of attention. Negative space, in contrast, represents the empty space that functions to support and otherwise construct the meaning of the foreground image

18. In two-dimensional artworks, they may be implied: Three-dimensional space – can be simulated through a variety of techniques such as shading. An illusion of three-dimensionality can be achieved in a two-dimensional work.

19. CALL HER!

20. Color Color is perhaps one of the elements that enhances the appeal of an artwork. Its effect has range, allowing the viewer to make responses based on memory, emotion, and instinct, among others. This element is a property of light, as it is reflected off the object. Color is not intrinsic to an object and without light, one cannot perceive color.

21. HISTORY OF COLOR WHEEL

22. Color The color wheel corresponds to the first property of color, hue. – this dimension of color gives its name. It can be subdivided into Primary colors – red, yellow, and blue Secondary color – green, orange, and violet Tertiary color – six in total, these hues are achieved when primary and secondary colors are mixed Hue

23. Color Value – this refers to the brightness or darkness of color. Often, this is used by artists to create the illusion of depth and solidity, a particular mood, communicate a feeling, or in establishing a scene (e.g. day and night). Light colors – taken as the source of light in the composition Dark colors – the lack or even absence of light

24. Color Value – this refers to the brightness or darkness of color. Often, this is used by artists to create the illusion of depth and solidity, a particular mood, communicate a feeling, or in establishing a scene (e.g. day and night). Light colors – taken as the source of light in the composition Dark colors – the lack or even absence of light

25. Color NITT TINT– this is a lighter color than the normal value (e.g., pink for red) dEASH Shade – this is a darker color than the normal value (e.g., maroon for red)

26. IN Tennessee

27. Color Intensity – this is the color's brightness or dullness. It is identified as the strength of color, whether it is vivid or muled . To achieve a specific intensity of a color, one may add either gray or its complementary color. Bright or warm colors – positive energy Dull or cool colors – sedate/soothing, seriousness or calm To better understand intensity of color, color harmonies are to be considered In interior

28. Color Monochromatic harmony uses one hue, and various tints, tones, and shades associated with that hue. A tint is defined as a hue mixed with White. A tone is a hue mixed with Gray

29. Color Complementary harmonies – involve two colors opposite each other in the color wheel. Since they are at contrary positions, the reaction is most intense.

30. Color Analogous harmonies – make use of two colors beside each other in the color wheel.

31. Texture This element in an artwork is experienced through the sense of touch (and sight). This element renders the art object tactile. Textures in the two-dimensional plane texture can be implied using one technique or a combination of other elements of art. By creating this visual quality in the artwork, one can imagine how the surface will feel if it was to be touched Some of the words used to describe texture are the following rough or smooth, hard or soft, hairy, leathery, sharp or dull, etc. Surface texture refers to the texture of the three-dimensional art object.

32. Principle of art

33. BALANCE This principle refers to the distribution of the visual elements in view of their placement in relation to each other. There are three forms of balance: Symmetrical – the elements used on one side are reflected to the other. This offers the most stable visual sense to any artwork. Asymmetrical – the elements are not the same (or of the same weight) on each side, putting the heaviness on one side.

34. the Oblation

35. BALANCE This principle refers to the distribution of the visual elements in view of their placement in relation to each other. There are three forms of balance: Radial – there is a central point in the composition, around which elements and objects are distributed.

36. Skill and promotion

37. Scale and Proportion Scale pertains to the size in relation to what is normal for the figure or object in question the overall physical size of an artwork or objects in the artwork. Proportion , on the other hand, is the size of the components, or of objects in relation to one another when taken as a composition or a unit. This can also refer to values such as amounts or number of elements or objects in the composition. Proportion is largely about the relationship of the size of one element when compared to another.

38. Leonardo da Vinci's "Vitruvian Man" is an exploration on the ideas of the Roman architect Vitruvius, in which the human body is an example of a classical proportion in architecture. For da Vinci, man's body can be used to better understand the symmetry that exists in nature and the universe.

39. Scale and Proportion Proportion can be: Natural – relates to the realistic size of the visual elements in the artwork, especially for figurative artworks. When it is the accuracy in relation to the real world that the artist is after, this is now referred to as the principle of scale.

40. Scale and Proportion Proportion can be: Exaggerated – refers to the unusual size relations of visual elements, deliberately exaggerating the immensity or minuteness of an object. (diminutive) when an element is smaller than expected (monumental)-when something appears to be larger than what is presumed

41. Scale and Proportion Proportion can be: Idealized – most common to those that follow canons of perfection, the size-relations of elements or objects, which achieve the most ideal size-relations.

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43. Emphasis and Contrast Emphasis allows the attention of the viewer to a focal point(s), accentuating or drawing attention to these elements or objects. This can be done through the manipulation of the elements or through the assistance of other principles, especially that of contrast.

44. Emphasis and Contrast   Contrast is the disparity between the elements that figure into the composition. One object may be made stronger compared to other objects (hence, emphasis). creating major visual differences between multiple elements.  It is achieved by bringing opposite components together and drawing the audience's attention to their variation.

45. UNITY AND VARIETY   unity -compositions are intended to imbue a sense of accord or completeness from the artwork. separate parts working together in a composition. In an artwork, unity creates a sense of harmony and wholeness by using similar elements and placing them in a way that creates a feeling of “oneness.”

46. HARMONY   unity and variety is related to the principle of harmony, in which the elements or objects achieve a sense of flow and interconnectedness. Harmony in art refers to the use of colors, shapes, and other elements to create a pleasing or balanced effect.

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48. RYTHYM This is created when an element is repeated, creating implied movement. Variety of repetition helps invigorate rhythm as depicted in the artwork

49. ripototoun end pettirn ropututuan ind pittorn rupatataen ond potturn rapetetein und puttarn Guess the gibberish Read and sound out the gibberish words in order to turn them into correct phrases/word.

50. REPITITION AND PATTERN Lines, shapes, colors, and other elements may appear in an artwork in a recurring manner This is called repetition In addition, the image created out of repetition is called pattern , With repetition, there is a sense of predictability that is conveyed, which in turn imbues the feelings of security and calmness.