Elements of the Painting and materials pptx

Elements of Painting

1. P aintings GROUP 3

2. Elements of Painting Painting is a style of creating an expression by applying colors to a flat surface or any mediums like canvas, clay, glass, paper, walls, leaf, paper, or woods. Abstraction or composition, drawing, and other aesthetics may serve to manifest the expressive and conceptual intention of the artists. It is an unspoken and mostly unrecognized dialogue, where paint speaks silently in masses and colors, and the artist responds in moods. Paint records the most delicate gesture. It tells whether the painter sat or stood or crouched in front of the canvas . It loaded with narrative content, symbolism, or emotion.

3. A beautiful painting is not made by photographic likeness, but rather by good composition. For the artist, the harmony in his/her artwork will depend on the selection of appropriate devices, peculiar to the medium and the use of certain principles to relate them. A unique style emerges when an artist recognizes his or her personal preference of dominant design elements and consciously or unconsciously emphasizes these dominant elements.

4. 1. Line It is the simplest element in the painting. It has a continuous marking made by a moving point to outlines shape and can contour areas within those outlines. It can suggest movement (vertical, horizontal, diagonal, and curved). Each line has its meaning vertical line stress action, strength, dynamism, horizontal hex means serenity, calmness, stability, diagonal line express tension, movement, curved lines appear softness, flexibility, gentleness.

5. 2. Color The Artists used colors to convey feelings and moods within their painting. It is the result of wavelengths of lights reflecting of objects. It is composed of three distinct qualities such as the hue, saturation, and vale. Hue is merely the name of the color Red, yellow, and the blue are the primary color. Their mixture that produces the secondary colors are green, orange, and purple.

6. 3. Texture I s  the perceived surface quality of a work of art. It may be perceived physically, through the sense of touch, or visually, or both. It is used to describe the way a three-dimensional work feels when touched. In two-dimensional models, such as painting, it may refer to the visual "feel" of a piece (Isaac, 2017).

7. 4. Perspective It is an art technique for creating an illusion of three-dimension with depth and space. Its real goal is creating a viewpoint for the audiences that will best communicate the subject and serve its particular message. Perspective is the same as " viewpoint“ and position. It is what makes a painting seem to have form, distance and look "real" . It is projected according to its levels namely: foreground, middle ground, and background .

8. 5. Shapes An element of art that is two-dimensional, flat, or limited to height and width. It help express ideas, to interact, and independently evoke agitation, purposeful energy, direction, etc. They maybe circles, rectangles, ovals, or square. It is an area with defined boundary created by a variety of color, value or texture of the areas adjacent to it.

9. 6. Symbols S ymbol is usually a solid, recognizable thing—an animal, a plant, an object, etc. —that stands for something that would be hard to show in a picture or a sculpture. The Artists often include symbolic objects in their paintings that have a special meaning or a special message. It is used to express ideas such as death, hope, life, etc.

10. The Color Wheel and its Categories Colors play a fundamental role in our lives and how we respond to our environment. It is the visual perceptual property corresponding in humans to the categories called blue, green, red, and others. It has two main types, warm and cool colors

11. Significantly, a color wheel (also known as a color circle) is a visual representation of color arranged based to their chromatic relationship It is a circle shape that is divided evenly into 12 segments which display different color according to its pigment value. It also shows the relationship between the primary colors, secondary colors, and complementary colors Other colors can also be categorized based on the following:

12. Complementary Colors These colors sit contrary to each other on the color wheel. Because they are opposites , they tend to look lively when used together. When you put complementary colors together, each color seems more noticeable. Examples of these colors are yellow and purple. Complementary Colors

13. Analogous colors This colors sit next to each other on the color wheel. The tend to look pleasant together because they are closely related. Orange, yellow-orange, and yellow are an example of analogous colors. Analogous Colors

14. Neutral colors Neutral colors are most clearly defined as hues that appear to be without color, and that don't typically appear on the color wheel. Neutral colors, therefore, do not compete with primary and secondary colors and instead compliment them. They are sometimes called "earth tones." wheel. These colors include black, white, gray, and occasionally brown and beige .

15. Warm Colors These colors are made with orange, red, yellow or some combination of these. O ften  evoke feelings of happiness, optimism and energy. However, yellow, red and orange can also have an attention grabbing effect and signal danger or make you take action (think stop signs, hazard warnings and barrier tape). Red can also increase a person's appetite.

16. Cool Colors These colors are made with blue, green, purple or some combination of these. These colors make you think of cool and peaceful things, like winter skies and still ponds.

17. Symbolism and Meaning of Primary Colors Colors can affect our actions and emotions and on how we respond to various people, things, and ideas. Much has been studied and written about color and its impact on our daily lives.

18. Red Color This is noted as the warmest of all types of colors. It is most chosen by extroverts and one of the top choices among males. It is a color which is associated with fiery heat and warmth and has strong symbolism about life and vitality. It is also essential to human life because : It increases enthusiasm and interest . It gives more energy. It reinforces action and confidence. It protects us from fears and anxieties.

19. Blue Color This is known as the calmest color like that of the sky and ocean. It is the color of inspiration, sincerity, and spirituality and often the chosen color by conservative people. This color is important to human life because : It is a sign of calmness and relaxation. It opens the flow of communication. It broadens our perspective in learning new information. It implies solitude and peace.

20. Yellow Color This is considered as the easiest color to recognize. It is symbol creativity and intellectual vitality . It also symbolizes wisdom, happiness and brings awareness and clarity. The yellow color is vital to human life because : It helps us in making decisions. It relieves us from burnout, panic, nervousness, exhaustion. It sharpens our memory and concentration skills. It protects us from depression.

21. Mediums in Painting There are different mediums in paintings used today. It helps to describe the elements that bind the colors in the paint (Martin, 2004). The following are examples of the methods used in painting:

22. 1. Oil It is the type of slow-drying paint that consists of particles of pigment suspended in drying oils such as linseed oil, poppy seed oil, safflower oil and walnut oil.

23. 2. Pastel It is an art medium in the shape of a stick or crayons. It consists of pure powdered color and a binder. Dry pastel can be classified as soft pastels, pan pastels, hard pastels, and pastel pencils.

24. 3. Acrylic It is fast drying paint containing pigment suspension in acrylic polymer emulsion which becomes water-resistant when dry.

25. 4. Watercolor It is the medium which the paints are made of colors suspended in a water-soluble vehicle. It is usually transparent and appears luminous because the pigments are laid down in a relatively pure form with few types of filler obscuring the pigment colors .

26. 5. Ink It is a liquid that contains colors and dyes and is applied to a surface to produce an image, text, or design. It is for drawing with a brush, or pen.

27. 6. Encaustic It is heated beeswax to which colored stains are added. The paste is then applied to a wood- based canvas .

28. 7 . Fresco It refers to any of several related mural painting types, executed on walls, ceilings or any other kind of flat surface. The term fresco comes from the Italian word "affresco" which means "fresh ”.

29. 8. Gouache It is a water-based paint consisting of pigment and other materials designed to be used in an opaque painting technique .

30. 9. Enamel It is a paint that air dries to a durable, usually glossy and solid finish. coating surfaces or otherwise subject to variations in temperature .

31. 10. Spray paint It is the type of paint that comes in a sealed pressurized battle and released in a fine spray.

32. 11 . Tempera It is a permanent, fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder method .

33. Classifications of Painting Styles Part of the desire in painting particularly in the 21st century is the variety of available art styles. The style in painting is in two senses: it can refer to the distinctive visual elements, techniques, and methods that characterized one's artwork, and can refer to the movement or school that associated to the artists. Such classifications include the following styles:

34. A . Western Styles Abstraction It is an art in painting which does not attempt to represent an accurate depiction of a visual reality but instead use colors, shapes, forms and gestural marks to achieve its effect. It may be formed by reducing the observable phenomenon, typically to retain only information which is relevant for a particular purpose .

35. Expressionism It is sometimes called emotional realism. In this style, the artists sought to express meaning or emotional experience rather than physical truth.

36. Baroque It is characterized by dynamism (a sense of motion), which is augmented by extravagant effects (e.g., sharp curves, rich decoration). Among the most significant Baroque painters are Caravaggio, Rembrandt, Rubens , Velazquez, Poussin, and Vermeer.

37. Impressionism It is a type of art presenting the real-life subject with emphasis on the impression left in the artist's perception, particularly the effect of light on the object used as a subject.

38. Modernism It is characterized by a cautious rejection of the styles of the past and emphasizing innovation and experimentation of materials and techniques instead to create better artworks.

39. B. Modern Styles Realism It is a style of painting practiced before the invention of the camera, where artists depicted landscapes and humans with as much attention to detail and precision as possible. The artist's primary goal is to describe accurately and truthfully as possible what is observed .

40. Symbolism It is an art that represents the subject symbolically. For instance, the "Spolarium" painting of Juan Luna depicts the suffering of the Filipino people from the hands of the Spaniards. Many works of art included by some writers who cover the Symbolist era were produced in the middle of the century, or even before. Spolarium by Juan Luna

41. Fauvism It refers to art that used brilliant primary colors or color illumination on subjects like pictures to emphasize comfort, joy, and leisure. It comes from the French word fauves, meaning "wild beasts" (this name refers to a small group of painters in Paris who exhibited works notable for the bold and expressive use of pure color ).

42. Cubism It is a form of abstraction wherein the object is first reduced to cubes and then flattened into two- dimensional shapes. It has been considered the most influential and powerful art movement during the 20th century in Paris established by Georges Braque and Pablo Picasso .

43. THANK YOU