2nd century AD when the capital was moved to Peshawar. An important Buddhist shrine
helped to make the city a center of pilgrimage until the 7th century. Pushkalavati in
the Peshawar Valley is situated at the confluence of the Swat and Kabul rivers, where
three different branches of the River Kabul meet. That specific place is still called Prang
(from Prayaga) and considered sacred and where local people still bring their dead for
burial. Similar geographical characteristics are found at the site of Prang in Kashmir and
at the confluence of Ganges and Yamuna, where the sacred city of Prayag is situated
west of Benares. Prayaga (Allahabad) one of the ancient pilgrim centers of India as the
two rivers are said to be joined here by the underground Sarasvati River, forming a
Triveni, a confluence of three rivers.
The Gandharan Buddhist texts are both the earliest Buddhist and South Asian
manuscripts discovered so far. Most are written on birch bark and were found in labeled
clay pots. Panini has mentioned both the Vedic form of Sanskrit as well as what seems
to be Gandhari, a later form (bhasa) of Sanskrit, in his Ashtadhyayi. Gandhara’s
language was a Prakrit or “Middle Indo-Aryan” dialect, usually called Gandhari. Texts
are written right-to-left in the Kharosthi script, which had been adapted for Indo-Aryan
languages from a Semitic alphabet, the Aramaic alphabet. Gandhara was then
controlled by the Achaemenid dynasty of the Persian Empire, which used the Aramaic
script to write the Iranian languages of the Empire. Semitic scripts were not used to
write South Asian languages again until the arrival of Islam and subsequent adoption of
the Persian-style Arabic alphabet for New Indo-Aryan languages
like Urdu, Punjabi, Sindhi, and Kashmiri. Kharosthi script died out about the 4th century.
However, the Hindko and the archaic Dardic and Kohistani dialects, derived from the
local Indo-Aryan Prakrits, are still spoken, though the Afghan Pashto language is the
most dominant language of the region today.
Gandhara is noted for the distinctive Gandhara style of Buddhist art, which developed
out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This
development began during the Parthian Period (50 BC- 75 AD). The Gandharan style
flourished and achieved its peak during the Kushan period, from the 1st to the 5th
century. It declined and suffered destruction after the invasion of the White Huns in the
5th century. Stucco, as well as stone, was widely used by sculptors in Gandhara for the
decoration of monastic and cult buildings. Stucco provided the artist with a medium of
great plasticity, enabling a high degree of expressiveness to be given to the sculpture.
Sculpting in stucco was popular wherever Buddhism spread from Gandhara – India,
Afghanistan, Central Asia, and China.
Though the marks and ruins of Gandhara civilization can be found throughout Northern
Pakistan, its heritage has been saved more in true form in Taxila, Peshawar, and Swat
valley. According to Wikipedia, evidence of Stone Age human inhabitants of Gandhara,
including stone tools and burnt bones, was discovered at Sanghao near Mardan in area
caves. The artifacts are approximately 15,000 years old. This Civilization is primarily a
symbol of human development in the area of human knowledge, religion, art, and
history for the world to come to a great extent.