History of interior architecture PRESENTATION PRESENTED BY : JAVERIA MUZAFFAR PRESENTATION PRESENTED TO : Dr. FARYAL ABDULLAH ROLL NO : 66 SECTION : B SEMESTER : 04 DEPARTMENT OF INTERIOR DESIGN HISTORY OF INTERIOR ARCHITECTURE
MAZAR-E-QUAID Also known as Jinnah Mausoleum and National Mausoleum . Construction started in 1960s and ended in 1970 . The mausoleum complex also contains the tomb of Jinnah's sister, Māder -e Millat ("Mother of the Nation") Fatima Jinnah , as well as those of Liaquat Ali Khan and Nurul Amin , the first and eighth Prime Ministers of Pakistan respectively. The tomb of Sardar Abdur Rab Nishtar , a stalwart of the Muslim League from Peshawar , is also located there. President Ayub Khan laid the foundation stone for the monument on 31 July 1960. It was inaugurated by Yahya Khan on 18 January 1971. The gardens surrounding the mausoleum were not completed until 24 December 2000. In 1954, an Indian architect was selected to design the mausoleum, but was later dismissed. In 1955, a Turkish architect was hired, but his plan was rejected as well. In 1957, the Government of Pakistan held an international competition to design a new mausoleum for Jinnah. The competition was initially won by British architect William Whitfield , of the Raglan Squire and Partners firm. The state's efforts to select a design were paralleled by the efforts of the Jinnah's sister, Fatima Jinnah , who sought input from the public in the design of a monument to her brother. Fatima Jinnah effectively vetoed the 1957 proposal, and assumed control of the QMF. She then commissioned architect Yahya Merchant , a B ombay based architect who was a personal friend of Jinnah, to design the monument.
MAZAR-E-QUAID The design of the Mazar-e-Quaid was influenced by the Samanid Mausoleum in Bukhara , Uzbekistan , built between 892 and 943 CE. The plan called for an avant-garde neo-futurist mausoleum mounted on an elevated platform in a neo-Mughal garden, with a central parabola and point eddges at its six corners reaching out "in an exuberant motion towards the sky.“ The use of white marble to suggest purity, and pure geometric forms, are designed to portray Jinnah as a larger-than-life figure. The location and style of the monument both serve to inspire passersby.
MAZAR-E-QUAID LOCATION: The mausoleum is located in a prominent and highly visible location in the Jamshed Quarters locality of central Karachi , along the northern edge of the colonial-era core at the end of Muhammad Ali Jinnah Road . The mausoleum is surrounded by a large garden laid out in a neo-Mughal style in the dense city, with large traffic rotaries at three of its four corners. FLOOR PLAN: