Identifying-Representative-Texts-from-the-Regions.pdf

Identifying-Representative-Texts-from-the-Regions.pdf

1. Identifying Representative
Texts from the Regions

2. VISUAL (EYES)
•Veronicawasdressedto
impress.Thescantyscarletlace
dressclungtoeverycurve.

3. AUDITORY (EARS)
•Sheawoketothechirpingof
birdsandthesoftwhisperofa
breezeasitpassedthroughthe
treeoutsideherwindow.

4. OLFACTORY (NOSE)
•Thesweetfragranceof
honeysucklealwaysreminded
Jennyofhermother'sperfume.

5. TACTILE (SKIN)
•Agustofcoldairblewoverher,
causingherbodytoshiver.

6. GUSTATORY (TONGUE)
•Theexquisite,subtle,salty
flavorofthecaviarmadePenny
rememberwhysheloved
comingtotherestaurant.

7. In poetry, what do we call
those senses?
•Imagery

8. IMAGERY
•a poetic element that tries to
create a picture in the mind of
the reader or a mental image
through the use of figurative
language.

9. IMAGERY
•representsobjects,places,
ideas,orevenactionsthat
appealtothesensesofthe
readers.

11. Let’s try to identify the imagery
used by Carlos A. Angeles in his
poem entitled Gabu.

12. Carlos A. Angeles
•bornonMay25,1921inTacloban
Leyte.
•wonaCarlosPalancaMemorial
Awardin1963withhiswritingA
StunofJewelswhichiscomposed
of47poems.

13. Unlocking of Difficulties:
•Restlessness–lackingor
denyingrest
•Havocs–wideandgeneral
destruction
•Bashing–tostrikeviolently

14. Unlocking of Difficulties:
•Brine-watersaturatedor
stronglyimpregnatedwith
commonsalt
•Habiliments–apparel,cloth,
trappings

15. Unlocking of Difficulties:
•Splendour –great brightness
•Forfeited –given up because
of some errors

16. Gabu
by Carlos Angeles
The battering restlessnessof the sea
Insists a tidal fury upon the beach
At Gabu, and its pure consistency
Havocsthe wasteland hard within its
reach.

17. Brutal the daylong bashingof its
heart
Against the seascape where, for
miles around,
Farther than sight itself, the rock-
stones part
And drop into the elemental wound.

18. The waste of centuries is grey and dead
And neutral where the sea has beached
its brine,
Where the split salt of its heart lies
spread
Among the dark habilimentsof Time.

19. The vital splendormisses.For here
At Gabuwhere the ageless tide
recurs
All things forfeitedare most loved
and dear.
It is the sea pursues a habit of
shores.

20. GENRE and PERSONA
•Lyric Poem
•Probably someone on a
beach at Gabu, watching the
rough sea, contemplating life

21. THEME
•Lifecanberestlesslikethesea;
temporal,but desires
permanence.

22. MEANING AND IMAGERY
The battering restlessness of the
sea
Insists a tidal fury upon the beach
At Gabu, and its pure consistency
Havocsthe wasteland hard within
its reach.
IMPERMANENT LIFE

23. Brutalthe daylong bashingof its
heart
Against the seascape where, for
miles around,
Farther than sight itself, the rock-
stones part
And drop into the elemental wound.
LIFE’S CHAOS
DEPTHS OF THE SEA

24. The waste of centuries is grey and dead
And neutral where the sea has beached
its brine,
Where the split salt of its heart lies
spread
Among the dark habiliments of Time.
PAST
BAD LUCK

25. LESSON
•Lifecanberough,likethesea.
Butwecanbelievethatifthe
seacanfindstabilityonceit
meetstheshore,wecanfindit
too.

26. A TASTE OF PHILIPPINE
POETRY.

27. •LocatedinthenorthwestofLuzon,theIlocos
RegionorRegion1iscomprisedoffour
provinces,namely:IlocosNorte,IlocosSur,La
Union,andPangasinan.
•Bordered:
TothewestbytheturbulentSouthChinaSea
TotheeastbytheCordilleraAdministrative
Region
TothenortheastandsoutheastbyCagayan
ValleyandtheSouthbyCentralLuzon.

28. •MostoftheinhabitantsoftheIlocano
homelandareconcentratedalonga
narrowcoastalplain.
•Becauseofgeographicalboundaries,
thesepeopleoftenexperienceheavy
rainsandviolenttyphoons,especially
duringrainyseasons.

29. •The region, then, takes pride in long
stretches of white sand and clear waters
alongside its rich cultural heritage
•REPRESENTATIVE TEXT: Gabuby Carlos
A. Angeles
•It depicts a coastline in Ilocosthat is
constantly experiencing the battering
restlessness of the sea.

30. A TASTE OF TAGALOG
ESSAY

31. •Morepopularlyknownnowasthe
CALABARZONreferringtothe
provincesofCavite,Laguna,
Batangas,Rizal,andQuezon.
•RegionIV-AishometoTagalog
speakingpeopleinthePhilippines.

32. •Recognizedalloverthecountryfortheir
braveryandfearlessnessinbattles,
CALABARZONhasparticipatedactivelyin
thecountry’sfightforfreedomand
democracy.
•ItishometomanyPhilippineheroes
foremost,andamongthemareRizalof
Laguna,MabiniofBatangas,and
AguinaldoofCavite.

33. •REPRESENTATIVETEXT:
ElAmorPatrio(TheLoveofCountry)
byJoseRizal:writteninthesummerof
1882,itwaspublishedinDiarong
TagaloginAugust.Heusedthepen
name“LaongLaan”(everprepared).
HesentittoMarceloH.DelPilarfor
tagalogtranslation.

34. •REPRESENTATIVETEXT:
ThePhilippineRevolutionby
ApolinarioMabini:anaccountand
critiqueofthemovementthat
establishedthefirstPhilippine
Republic,aswellasofthefirstyearsof
thePhilippinesasaself-governing
nation.

35. •REPRESENTATIVETEXT:
TrueVersionofthePhilippine
RevolutionbyEmilioAguinaldo:
Authoredin1899tocounterclaimof
thosewhofeltthat,aftertheSpanish-
AmericanWar,theUnitedStatescould
rightfullyacquirethePhilippinesrather
thanliberatingthepeoplefromSpanish
dominion.

36. A TASTE OF CREATIVE
NON-FICTION

37. •TheislandofVisayasisoneofthe
majorgeographicaldivisionsin
thePhilippines,theothertwo
beingLuzonandMindanao.
•ItisdividedintoWestern,Central,
andEasternVisayas.

38. •TheVisayasRegioniscomprised
ofseveralislandscirclingthe
VisayanSea.Itspeople,therefore,
shareasea-basedcultureand
traditionthatmayberootedina
strongreligiousfoundation.

39. •Thedwellingplaceofmany
festivalssuchastheAti-Atihan,Di-
nagyang,Sinulog,Pintados,and
Maskara.
•TheVisayasmayindeedbe
consideredasoneofthecradlesof
Philippinecivilization.

40. ModernEastVisayanliterature
(WARAY)revolvesaroundpoetry
anddrama1900sandthepresent.
Localpublicationsstartedin1901
withthepublicationofAn
Kaadlawon,thefirstWaray
newspaper.

41. InSamar,EcodeSamaryLeyte,
alongrunningmagazinein1900s,
publishedarticlesandliterary
worksinSpanish,Warayand
English.Anoteworthyfeatureof
thispublicationwasitspoetry
section,AnTadtaran.

42. Theperiod1900tothelatefiftieswitnessed
thefinestWaraypoemsofCasianoTrinchera,
IlluminadoLucente,EduardoMakabenta,and
theemergenceofthepoetryofAgustinEl
O’Mora,PabloRedulla,TomasGomezJr.,
FilomenoQuimboSingzon,PedroSepara,
FranciscoAurillo,andEleuterioRamoo.
Trinchera,Lucente,andMakabentawere
particularlyattheirbestwhentheywrote
satiricalpoetry.