L3 - Digital Storytelling (Video Project).pptx

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digital story telling


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MEDIA AND INFORMATION LITERACY (MIL) 6. Media and information languages (part 2) I-digital storytelling: A. Video Project Camera techniques Treatment Storyboard II-Performance Task A. Video Project

Objectives At the end of the lesson, the learners should be able to: discuss the different camera techniques in film making; produce a video treatment and a storyboard for a 30-50 seconds story applying the different camera techniques;

Objectives At the end of the lesson, the learners should be able to: shoot and edit the video using a smartphone (mobile applications); share their video in the class; and value the importance of video treatment and storyboard in video project.

What is digital storytelling? Digital storytelling is the practice of combining narrative with digital content, including images, sound, and video, to create a short movie, typically with a strong emotional component.

What is digital storytelling? Sophisticated digital stories can be interactive movies that include highly produced audio and visual effects, but a set of slides with corresponding narration or music constitutes a basic digital story. Digital stories can be instructional, persuasive, historical, or reflective.

What is a storyboard? A storyboard is a graphic representation of how your video will unfold, shot by shot. Think of it as sort of a comic book version of your script.

STORYBOARD FOR A SHOE ADVERTISEMENT

TREATMENT consists of a written condensation of a proposed film or TV dramatic production written in the present tense, using active language and often read like a short story What is a video treatment?

TREATMENT covers the basic ideas and issues of the production as well as the main characters, locations, and story angles covers the full story sequence, typically contains some key scenes What is a video treatment?

TREATMENT EXAMPLE (McDonald’s TV Commercial) A Commercial Treatment by John Mastromonaco “Chain Reaction” is all about how one simple moment can spark a continuous, natural series of events. When we open the spot, we’re mid-stride, a woman on her way to work as she crosses the street. It’s morning, it’s a nice day—we’re right in stride with her.

TREATMENT EXAMPLE (McDonald’s TV Commercial) A Commercial Treatment by John Mastromonaco (cont.) A simple camera move or cut reveals to us what she sees—in the stopped car she passes at the red light, the passenger is eating an Egg McMuffin . For just a moment, we move in slowly—now we see the Egg McMuffin in its wrapper, familiar golden arches unmistakable.

Now we know it’s morning. Then when we cut back to the woman, she’s at a subway platform, enjoying her Egg McMuffin as the subway pulls into the station. So with a few simple shots—we’ve started our Chain Reaction. TREATMENT EXAMPLE (McDonald’s TV Commercial) A Commercial Treatment by John Mastromonaco (cont.)

From there, our job is to let our continuing series of vignettes unfold as effortlessly and as simply as that. As the subway pulls into the station, we see a teenager who is inside, he sees the woman eating, enjoying her Egg McMuffin . TREATMENT EXAMPLE (McDonald’s TV Commercial) A Commercial Treatment by John Mastromonaco (cont.)

When we cut back to the teenager, we’ve shifted time and place again with minimal intrusion. Our teenager’s now stepping off the elevator inside a large, modern building—and he’s enjoying his Egg McMuffin . Cut to well-dressed businessman who sees the teenager steeping off the elevator. TREATMENT EXAMPLE (McDonald’s TV Commercial) A Commercial Treatment by John Mastromonaco (cont.)

When we next see him (businessman) he is sitting in a beautiful European garden on a bench, eating an Egg McMuffin . In turn, the gardener notices the businessman then—chain reaction. The next time we see the gardener he’s selling fresh flowers with one hand, holding an Egg McMuffin in the other. And so it goes. TREATMENT EXAMPLE (McDonald’s TV Commercial) A Commercial Treatment by John Mastromonaco (cont.)

Short Film TAYA - A Cinemalaya short film by Adi Bontuyan and Francis Beltejar .(2014). Adi Bontuyan . Youtube . Retrieved Sept. 23, 2016, from https://www.youtube.com/watch?v=28j1RnrhmSY

Formative Assessment Group Activity Go to your respective groups. Write a video treatment for a 30-50 seconds story. Draw a storyboard for your story applying the different camera techniques.

Formative Assessment Group Activity Shoot the scenes using your smartphone. Use a video editing mobile application to edit and create a 30- 50 seconds video clip. Present your work to the class next meeting.
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