M2 PART 2.pptx contemporary arts from the region

Module 2 Quarter 1 CPAR

1. Z AMERICAN COLONIAL ART PERIOD 1898-1946

2. The American brought in Education and Values Formation, with both following the "American way of life" (Alice Guillermo, Sining Biswal , 1994, p. 4)  

3. Art Illustration, Advertising and Commercial Design gained popularity and incorporated in Fine Arts.

4. Painting themes still largely favored Genre Paintings, Landscapes and Still Life. Portraits are reserved for high ranking officials with a more academic approach to make the subject more formal.

5. Popular Art Style during the Philippine American Colonial Period

6. Neoclassical architecture is characterized by grandeur of scale, simplicity of geometric forms, Roman detail, dramatic use of columns, and a preference for blank walls . Neoclassicism Architecture

7. The White House It was designed by Irish-born architect James Hoban

8. Neoclassical buildings are symmetrical shape, tall columns, triangular pediment and have a domed roof. Neoclassicism Architecture in the Philippines

9. Manila City Hall By: Antonio Manalac Toledo

10. Art Deco buildings have a sleek, linear appearance with stylized, often geometric ornamentation. The primary façade of Art Deco buildings often feature a series of set backs that create a stepped outline. Art Deco

11. Low-relief decorative panels can be found at entrances, around windows, along roof edges or as string courses. Art Deco

12. Crysler Building

13. The style used linear motifs, thick, geometrical patterns, and zig-zags  meant to represent the 1920s to the 1930s machine age. Art Deco in Philippine Architecture

14. Metropolitan Theater

15. A style of decorative art, architecture, and design prominent in western Europe and the US from about 1890 until World War I and characterized by intricate linear designs and flowing curves based on natural forms. Art Nouveau

16. It is also called style modern, a movement in the decorative arts and architecture that originated in the 1920s and developed into a major style in western Europe and the United States during the 1930s. Art Nouveau

17. Art Nouveau style is inspired by the natural world, characterized by sinuous, sculptural, organic shapes, arches, curving lines, and sensual ornamentation. Art Nouveau Architecture

18. Common motifs include stylized versions of leaves, flowers, vines, insects, animals, and other natural elements. Art Nouveau Architecture

19. Bruxelles

20. It is characterized by simple, clean shapes, often with a "streamlined" look ornament that is geometric or stylized from representational forms; and unusually varied, often expensive materials. Art Nouveau in Philippines Architecture

21. Uy -Chaco Building

22. Notable Artist

23. Fabian Dela Rosa

24. Fabian dela Rosa (1869 – 1937) was the first painter of note for the 20th century. He was noted for his realistic portraits, genre, and landscapes in subdued colors. Fabian Dela Rosa

25. He was enrolled at the Escuela de Bellas Artes y Dibujo and took lessons from Lorenzo Guerrero. De la Rosa is often considered the brightest name in Filipino painting and certainly the most important for the first quarter of the century. Fabian Dela Rosa

26. Woman working in a Rice Field

27. It tells us the Filipino experience from the fields of labor. It directly identifies the subject in the painting. It is a link of 'interpretation of Filipino life' with the process of self-discovery and self-awareness. Woman working in a Rice Field

28. Fernando Amorsolo

29. His paintings, bursting with yellow-orange and golden sunlight, captured the Philippine landscape in all its glory.

30. If de la Rosa’s work were of subdued, cool colors, then Amorsolo’s landscapes are bathe in the glorious Philippine sunlight.

31.  He is the first and among the few Filipino painters who have captured the different striking colors and character of the country’s magnificent sunlight.

32. Besides his landscapes, Amorsolo also idealized the rural life of the working men and women.

33.  He depicted farmers and fisher folks doing their work without much effort, seemingly enjoying themselves in their arduous tasks.

34. Amorsolo was able to show the ideal beauty of the Philippine landscape, the Philippine rural life and the Filipinas.

35.   Dabbled into advertising , design and new forms brought by the Americans, Amorsolo made several book and magazine cover designs.

36. He also designed for commercial products, the most famous of which is the “ Markang Demonyo ” for Ginebra San Miguel, a local alcoholic drink

37. Dalagang Bukid (1892-1972 )

38. The " Dalagang Bukid " is one of Fernando Amorsolo's best-known paintings. The painting, or rather its subject, was  Amorsolo's attempt to depict Filipina beauty as opposed to the typical Maria Clara image commonly associated with local women.

39. Guillermo Tolentino

40. Won The National Artist Awards for Sculpture in 1973 He is consider as the "Father of Philippine Arts" because of his great works.

41. Tolentino was born on July 24, 1890 in  Malolos ,  Bulacan . Before being interested in sculptures, he learned how to play the guitar, a skill which he inherited from his father.

42. The young Tolentino showed an early talent in sculpting, having been able to mold figures of horses and dogs out of clay.

43. Bonifacio Monument

44. The Bonifacio Monument, which was sculpted by Guillermo Tolentino in 1933 The Bonifacio Monument recalls the Philippine Revolution it symbolizing Filipinos cry for freedom.

45. The Oblation

46. It serves as the iconic symbol of the University of the Philippines. It depicts a man facing upward with arms outstretched, symbolizing selfless offering of oneself to his union or signifying academic freedom.

47. Emergence of Philippine Pre- Moderm Art: T riumvirate of Philippine Modern Art

48. Victorio Edades , Carlos " Botong " Francisco, Galo B. Ocampo introduced the Modern Art styles such as pop art, maximalism , minimalism, abstraction, expressionism, constructivism, magic realism, and environmental art before the World War II.

49. Victor Edades

50. National Artist for painting (1967) He is the Father of Modern Art

51. Victorio Edades was born on December 23, 1895 in Barrio Bolosan , Dagupan , Pangasinan . He introduced the modern style in the Philippine Art.

52. The Sketch

53. Carlos Batong Francisco

54. Was Born on November 4, 1912 in Angono Rizal, Philippine Islands. He Painted in Modern style, as seen in the mural, The Code of Kalantiao . Carlos Batong Francisco

55. He is the Second Filipino who receive the tittle of National Artist Painting in 1973 after Fernando Amorsolo . Carlos Batong Francisco

56. Bonifacio Mural

57. Galo B. Ocampo

58. He was the first Filipino to study heraldry and was a member of the International Institute of Genealogy and Heraldry in Madrid. Ocampo was born in Santa Rita, Pampanga. In 1929, he studied Fine Arts at the University of the Philippines in Manila.

59. Ocampo work featured strong Filipino elements such a brown Maddona , Formed part of the Edades -Francisco Ocampo Triumvirate. Galo B. Ocampo

60. Brown Madonna

61. The Legend of the 13 Modern Art

62. Victorio Edades Carlos Francisco Galo B. Ocampo Hernando R. Ocampo Cesar Legaspi Diosdado Lorenzo

63. Vicente Manansala Anita Magsaysay- Ho Demetrio Diego Ricarte Purugunan Bonifacio Cristobal Arsenio Capili

64. POST COLONIAL PERIOD 1946-1986 Philippine Modern Art 1946-1970

65. The study of determining what is Philippine Contemporary Art Period is still being determined since it has been used loosely even during the American Colonial Period.

66. However, some Philippine art historians/critics have always been a follower of the Western Art Style and its trends at that point and thus, suggested that this was actually the point where Philippine Modern Art Period started but went only full swing only after the war.

67. This is set by the creation of the Art Association of the Philippines (AAP) that in a way has a strong leaning with the Modernist than the Conservatives (the traditional art also termed as the Amorsolo School).

68. Philippine Post Modern Art (1970 1980s )

69. The support of the Philippine Government for the arts via the creation of the Cultural Center of the Philippines during 1969 gave a venue for all artists to experiment and explore different art medium tying closely to the Post Modern Art Period of the West with Pop Art, Installation Art, Performance Art, dominating the scene.

70. In contrast, social realism became a heavy theme by most Filipino Artist as a social commentary of the problem brewing in the Philippine political and social landscape.

71. Philippine Contemporary Art (1980s to Present)

72. It was on the on-set of the sudden rise of personal computers and new technology created a new art medium for the arts and human expression. But there were also countless revivals of old styles being done. This started a new direction for the arts thus, setting the name momentarily, the Philippine Contemporary Period.

73. Modern Art

74. It is characterized by the artist's intent to portray a subject as it exists in the world, according to his or her unique perspective and is typified by a rejection of accepted or traditional styles and values.

75. POST MODERN ART

76. It is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath.

77. In general, movements such as intermedia , installation art, conceptual art and multimedia, particularly involving video are described as postmodern.

78. bochins.paw CONTEMPORARY ARTS CHARACTERISTICS

79. Contemporary art as the work of artists who are living in the 21st century. Contemporary art mirrors contemporary culture and society, offering the general audience a rich resource through which to consider current ideas and rethink the familiar.

80. The work of contemporary artists is a dynamic combination of materials, methods, concepts, and subjects that challenges traditional boundaries and defies easy definition.

81. Diverse and eclectic, contemporary art is distinguished by the very lack of a uniform organizing principle, ideology, or ism.

82. "In a globally influenced, culturally diverse, and technologically advancing world, contemporary artists give voice to the varied and changing cultural landscape of identity, values, and beliefs.