The mazurka ( Polish : mazur or mazurek ) is a Polish musical form based on stylised folk dances in triple meter , usually at a lively tempo, with character defined mostly by the prominent mazur 's "strong accents unsystematically placed on the second or third beat ". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin . The mazurka (in Polish mazur , the same word as the mazur ) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form .
In the 19th century, the form became popular in many ballrooms in different parts of Europe. " Mazurka" is a Polish word, it means a Masovian woman or girl. It is a feminine form of the word "Mazur", which — until the nineteenth century — denoted an inhabitant of Poland's Mazovia region ( Masovians , formerly plural: Mazurzy ). The similar word "Mazurek" is a diminutive and masculine form of "Mazur". In relation to dance, all these words ( mazur, mazurek, mazurka ) mean "a Mazovian dance". Apart from the ethnic name, the word mazurek refers to various terms in Polish, e.g. a cake , a bird and a popular surname. Mazurek is also a rural dance identified by some as the oberek . It is said oberek is a danced variation of the sung mazurek , the latter also having more prominent accents on second and third beats and less fluent of a rhythmical flow, which is so characteristical of oberek .
Latin America Brazil In Brazil , the composer Ernesto Nazareth wrote a Chopinesque mazurka called "Mercedes" in 1917. Heitor Villa-Lobos wrote a mazurka for classical guitar in a similar musical style to Polish mazurkas . Cuba In Cuba , composer Ernesto Lecuona wrote a piece titled Mazurka en Glisado for the piano, one of various commissions throughout his life . Nicaragua In Nicaragua , Carlos Mejía Godoy y los de Palacaguina and Los Soñadores de Saraguasca made a compilation of mazurkas from popular folk music, which are performed with a violin de talalate , an indigenous instrument from Nicaragua .
— Curaçao In Curaçao the mazurka was popular as dance music in the nineteenth century, as well as in the first half of the twentieth century. Several Curaçao-born composers, such as Jan Gerard Palm , Joseph Sickman Corsen , Jacobo Palm , Rudolph Palm and Wim Statius Muller , have written mazurkas . Mexico In Mexico , composers Ricardo Castro and Manuel M Ponce wrote mazurkas for the piano in a Chopin fashion, eventually mixing elements of Mexican folk dances . Philippines In the Philippines , the mazurka is a popular form of traditional dance . The Mazurka Boholana is one well-known Filipino mazurka . Portugal In Portugal the mazurka became one of the most popular traditional European dances through the first years of the annual Andanças , a traditional dances festival held nearby Castelo de Vide .