Music & Arts 7 Q4 W3 D3 presentation for lectures (1).pptx

presentation for lectures

1. Southeast Asian Arts and Festivals A journey through the vibrant traditions, art forms, and cultural festivals of the Philippines and Southeast Asia. This presentation explores the integrative Music and Arts of the Philippines and selected Southeast Asian countries, highlighting the customs, traditions, and cultural expressions that make this region unique.

2. Content Standards and Performance Standards Content Standards The learners demonstrate understanding of the interrelationships among integrative Music and Arts of the Philippines and selected Southeast Asian countries. Performance Standards The learners integrate their informed understanding of the customs and traditions of the Philippines and selected Southeast Asian countries using relevant conventional, contemporary, and/or emerging concepts, processes, and/or practices in Music and Arts.

3. Learning Competencies and Objectives Learning Competency Discuss the influence of traditional concepts, principles, beliefs, traditions, and/or ideas on contemporary performing and visual art forms. Learning Objectives Compare and contrast different art forms/festivals across Southeast Asia based on their characteristics. Learning Objectives Explain how these art forms/festivals reflect the values, beliefs, and traditions of Southeast Asian societies.

4. Theme and Course Information Name of School: Quarter: 4th Quarter Grade Level & Section: Grade 7 Week: Week 3 Day 3 Subject: MAPEH Date and Time: Topic: "Integrative Creative Works of Selected Philippine/ Southeast Asian Music and Arts" Teacher:

5. Shadow Puppetry in Southeast Asia 1 Introduction to Shadow Puppetry Shadow puppetry is a traditional Southeast Asian art form that combines storytelling, music, and intricate puppet designs. 2 Historical Context This art form has deep cultural roots in the region, evolving over centuries to reflect local traditions and narratives. 3 Regional Variations Two notable examples are Carillo from the Philippines and Wayang Kulit from Indonesia, each with distinctive styles and cultural significance.

6. Carillo: Philippine Shadow Play 1 Origins Carillo (also known as "Shadow Play" in the Philippines) was introduced during the Spanish colonial period. 2 Materials and Design It uses cardboard cutouts to depict characters, projected onto a white screen with a light source. 3 Performance Context Often performed in rural areas, Carillo tells folk stories, religious narratives, and moral lessons. 4 Regional Source Hailing from the Ilocos region, Carillo features intricately carved puppets made from translucent animal horn, usually carabao (water buffalo) horns.

7. Carillo: Artistic Elements Puppet Construction The figures are painted with vibrant colors and intricate designs, often depicting epic tales like the "Biag ni Lam-ang" (Life of Lam-ang). Performance Technique Performances take place behind a white cloth screen, illuminated by an oil lamp or candlelight, casting the puppets' magnified shadows onto the screen. Visual Effects This creates a mesmerizing interplay of light and darkness, where the puppets seem to come alive with dramatic gestures and narration by the "magdalita" (manipulator).

8. Wayang Kulit: Indonesian Shadow Theater Regional Diversity In Indonesia, Wayang Kulit encompasses diverse regional styles, each with its own distinct characteristics. 1 Puppet Construction The puppets are typically crafted from buffalo hide, intricately cut and painted with elaborate patterns and ornaments. 2 Performance Elements Performances involve a "dalang" (puppeteer) manipulating the figures behind a white screen, accompanied by musical instruments like the gamelan orchestra. 3 Narrative Content Stories range from Hindu epics like the Ramayana and Mahabharata to local folktales and legends, captivating audiences with their intricate narratives and cultural symbolism. 4

9. Comparing Carillo and Wayang Kulit Feature Carillo (Philippines) Wayang Kulit (Indonesia) Materials Cardboard cutouts or carabao horn Buffalo hide Puppeteer "Magdalita" "Dalang" Stories Folk tales, religious narratives, moral lessons, "Biag ni Lam-ang" Ramayana, Mahabharata, local legends Musical Accompaniment Simple traditional instruments Gamelan orchestra Cultural Influence Spanish colonial influence Hindu-Javanese influence

10. Carillo: Visual Example Puppet Design Traditional Carillo puppets feature distinct character designs representing heroes, villains, and mythological figures from Filipino folklore. Performance Setup The shadow play requires a simple yet effective arrangement with a white cloth screen and appropriate lighting to create the dramatic shadows. Cultural Impact Carillo performances typically take place during community gatherings and festivals, serving both entertainment and educational purposes.

11. Learning Resources: Carillo YouTube Resource: Kwentong Pambata: Carillo (Shadow Play) – Si Pagong at si Matsing - https://www.youtube.com/watch?v=njRk9BV02qc

12. Lesson Purpose 1 Cultural Reflection Appreciate the role of festivals in preserving Southeast Asian identity 2 Compare & Contrast Identify similarities and differences between Sinulog and Thingyan 3 Describe Artistic Elements Recognize dance, music, costumes, and visual arts in festivals 4 Identify Origins Understand the meanings and traditions of the festivals

13. Southeast Asian Festivals Overview Annual Celebrations Southeast Asian festivals typically occur on specific dates each year, often aligned with religious or agricultural calendars. Community Gatherings Festivals serve as important community events that strengthen social bonds and cultural identity. Cultural Heritage These celebrations preserve and showcase the rich cultural heritage of Southeast Asian nations. Artistic Expression Music, dance, costumes, and visual arts are integral components of festival celebrations.

14. Sinulog Festival: Philippines 1 Religious Significance A famous cultural and religious festival in the Philippines honoring the Santo Niño (Child Jesus). 2 Historical Context Celebrates the arrival of Christianity in the Philippines, centered around the Santo Niño statue. 3 Cultural Expression Features vibrant street dance performances, colorful costumes, and religious processions. 4 Community Celebration Takes place in Cebu City annually, bringing together thousands of devotees and spectators.

15. Sinulog Festival: Key Elements 1 Santo Niño A revered religious image of the Child Jesus, central to the Sinulog Festival. 2 Procession A religious parade where devotees walk to honor the Santo Niño. 3 Street Dance A vibrant performance featuring synchronized movements and colorful costumes. 4 Festival Queen The lead dancer who represents the Santo Niño in the Sinulog street parade. 5 "Pit Señor!" A common chant during Sinulog, meaning "Hail, Señor Santo Niño!"

16. Sinulog Festival: Dance and Music Dance Movements The Sinulog dance is inspired by the movement of ocean waves, featuring a distinctive two-steps-forward, one-step-back pattern that mimics the currents of the sea. Musical Accompaniment Drumbeats provide rhythmic sounds that accompany the Sinulog dance, creating an energetic atmosphere throughout the celebration. The tempo guides dancers and creates the festive mood.

17. Sinulog Festival: Costumes and Visual Arts Tribal Costumes are traditional outfits worn by performers during the Sinulog Festival, often featuring bright colors and elaborate designs that reflect both indigenous Filipino culture and Catholic religious symbolism.

18. Thingyan Festival: Myanmar Festival Origins The Burmese New Year Water Festival, celebrated with water-throwing and prayers, marking the Buddhist New Year. Water Symbolism Water splashing is a key tradition where people throw water to cleanse sins and welcome the new year, symbolizing a fresh start. Community Activities Features temporary stages called pandals where people gather to enjoy traditional performances and music. Religious Aspects Includes almsgiving, the act of offering food and donations to monks as a sign of goodwill to begin the new year positively.

19. Thingyan Festival: Key Elements Water Splashing The most recognizable aspect of Thingyan, where water symbolizes washing away the previous year's misfortunes. Pandals Temporary stages where people gather to enjoy traditional performances and music during the festival. Almsgiving Offering food and donations to monks as a way to earn merit and begin the new year positively. Nat Pwe Traditional Burmese dance and theater performances that take place during the festival celebrations.

20. Thingyan Festival: Cultural Practices Thanaka A natural paste used on the face for cooling and sun protection, often worn during Thingyan celebrations as both practical protection and decorative element. Mingalabar A common Burmese greeting used during celebrations, meaning "blessings" or "hello," exchanged frequently during the festive period. Parade A lively procession featuring floats, dancers, and musicians that travels through towns and cities as part of the New Year celebrations. Good Deeds Acts of kindness, such as releasing fish or feeding the poor, done to start the new year positively and generate merit according to Buddhist beliefs.

21. Comparing Sinulog and Thingyan Festivals Feature Sinulog Festival (Philippines) Thingyan Festival (Myanmar) Primary Purpose Religious celebration honoring Santo Niño New Year celebration with cleansing ritual Main Activity Street dancing and processions Water splashing Timing January Mid-April Location Cebu City, Philippines Throughout Myanmar Common Greeting "Pit Señor!" "Mingalabar!"

22. Similarities: Sinulog and Thingyan Festivals 1 2 3 4 5 Festive Atmosphere Both festivals feature lively music, colorful costumes, street dancing, and large crowds participating in celebrations. Community Gathering Both festivals serve as a time for communities to come together, reconnect, and celebrate. Ritualistic Elements While the rituals differ, both festivals incorporate symbolic actions as part of the celebrations. Cultural Preservation Both festivals help maintain cultural traditions and pass them to younger generations. Artistic Expression Both celebrations showcase regional music, dance, and visual arts traditions.

23. Differences: Sinulog and Thingyan Festivals Religious Focus Sinulog is deeply rooted in Christianity, with the Santo Niño statue as the central figure, while Thingyan has Buddhist influences but is primarily a secular New Year celebration. Water Rituals Thingyan is prominently known for its water-pouring tradition, where people playfully splash water on each other, symbolizing cleansing and new beginnings, while the Sinulog Festival does not have such a prominent water-based ritual. Timing Sinulog is celebrated in January, coinciding with the feast of the Santo Niño, whereas Thingyan takes place in mid-April according to the Burmese calendar, marking the Myanmar New Year. Cultural Context While both celebrate cultural heritage, Sinulog represents the Christianization of the Philippines, while Thingyan connects to Buddhist and pre-Buddhist traditions in Myanmar.

24. Key Takeaways: Philippines and Myanmar Festivals 1 Religious Significance Festivals often reflect the dominant religious traditions of the region - Catholicism in the Philippines and Buddhism in Myanmar. 2 Cultural Expression Each festival provides a platform for unique cultural expressions through dance, music, costume, and ritual. 3 Community Cohesion Both Sinulog and Thingyan serve to bring communities together and reinforce cultural identity. 4 Historical Context The festivals are deeply rooted in the historical and cultural development of their respective countries.

25. Traditional Southeast Asian Theatrical Forms 1 Shadow Puppetry Including Carillo (Philippines) and Wayang Kulit (Indonesia), using light and translucent materials to create shadow performances. 2 Dance Drama Formal theatrical performances combining dance, music, and narrative, often depicting ancient epics and legends. 3 Mask Theater Performances using elaborate masks to portray characters, often with religious or mythological themes. 4 Opera Forms Including Hát bội (Vietnam), combining singing, acting, and stylized movements with elaborate costumes.

26. Epic Narratives in Southeast Asia Definition An epic is a lengthy narrative poem, typically derived from oral tradition, narrating the adventures and achievements of heroic or legendary figures or the history of a nation. Cultural Significance Epic narratives preserve cultural values, explain natural phenomena, establish moral codes, and strengthen national or ethnic identity. Performance Context Originally transmitted orally by specialized performers, many epics are now incorporated into various theatrical forms including shadow puppetry, dance drama, and opera. Regional Examples Notable Southeast Asian epics include the Biag ni Lam-Ang (Philippines), Ramakien (Thailand), and stories used in Wayang Kulit performances (Indonesia).

27. Biag ni Lam-Ang: Philippine Epic The Hero Lam-Ang is the protagonist of this Ilocano epic, known for his extraordinary abilities from birth, including speaking immediately after being born and displaying unusual strength and wisdom. Key Episodes Notable episodes include Lam-Ang's quest to find his father, his battle with tribal enemies, his courtship of Ines Kannoyan, and his death and resurrection with the help of his magical pets. Cultural Impact This epic reflects pre-colonial Filipino values, beliefs, and social structures, and continues to be an important part of Filipino cultural heritage, particularly in the Ilocos region.

28. Ramakien: Thailand's National Epic Origin The Ramakien is Thailand's national epic, adapted from the Hindu epic Ramayana but with distinctly Thai elements, characters, and settings. 1 Narrative It tells the story of Phra Ram (Rama), his wife Sida (Sita), and his brother Phra Lak (Lakshmana) in their struggle against the demon king Thotsakan (Ravana). 2 Artistic Influence The Ramakien has profoundly influenced Thai art, literature, dance, and theater, appearing in numerous art forms including temple murals, classical dance, and puppet theater. 3 Cultural Significance As Thailand's national epic, it embodies Thai cultural identity and values, with versions created under royal patronage maintaining its importance in Thai society. 4

29. Key Vocabulary: Sinulog Festival 1 Sinulog A famous cultural and religious festival in the Philippines honoring the Santo Niño (Child Jesus). 2 Santo Niño A revered religious image of the Child Jesus, central to the Sinulog Festival. 3 Procession A religious parade where devotees walk to honor the Santo Niño. 4 Street Dance A vibrant performance featuring synchronized movements and colorful costumes. 5 Festival Queen The lead dancer who represents the Santo Niño in the Sinulog street parade.

30. Key Vocabulary: Thingyan Festival 1 Thingyan The Burmese New Year Water Festival, celebrated with water-throwing and prayers. 2 Buddhist New Year The religious occasion that marks the start of the new year in Myanmar. 3 Water Splashing A key tradition where people throw water to cleanse sins and welcome the new year. 4 Pandals Temporary stages where people gather to enjoy traditional performances and music. 5 Nat Pwe Traditional Burmese dance and theater performances during the festival.

31. Assessment: Understanding Sinulog Festival Festival Purpose Location Dances Chants The evaluation section includes 5 questions focused on the Sinulog Festival covering its religious purpose, famous street dance performances, location in Cebu City, dance movements inspired by ocean waves, and the common chant "Pit Señor!" Students should be familiar with all these key aspects of the festival.

32. Assessment: Understanding Thingyan Festival Country Main Activity Symbolism Customs Greetings The evaluation section includes 5 questions about the Thingyan Festival focusing on its location in Myanmar, the tradition of water splashing, the symbolism of cleansing sins and new beginnings, common practices like offering food to monks, and the traditional greeting "Mingalabar!" Students should understand these fundamental aspects of the celebration.

33. Learning Resources and References This lesson draws from numerous academic and cultural resources including ASEAN Main Portal, UNESCO Asia-Pacific Regional Office publications, National Geographic features on Water Festivals, and various YouTube educational videos. For the complete list of references, please refer to the detailed bibliography provided in the lesson plan.

34. Synthesis and Reflection Cultural Appreciation Southeast Asian festivals and theatrical forms represent the rich cultural heritage of the region, preserving traditions while adapting to contemporary contexts. Artistic Expression From shadow puppetry to elaborate festival performances, Southeast Asian arts demonstrate diverse approaches to storytelling, music, dance, and visual design. Community Identity Both traditional theatrical forms and festivals serve to strengthen community bonds and reinforce cultural identity across generations. Educational Value Studying these traditions helps students understand the historical and cultural contexts that have shaped Southeast Asian societies.