Pride and Prejudice: Symbols - place, letters and balls

EmmaSinclair 3,197 views 12 slides May 02, 2016
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About This Presentation

Exploring symbolism within the novel.
References from The British Library and www.pemberley.com


Slide Content

L.O : To explore the significance of symbolism within the novel.

In your pairs, decide on a definition of a ‘symbol’ and why it is important to have symbols in texts? Be ready to give your response

. Symbolism Noun 1. the use of symbols to express or represent ideas or qualities in literature, art, etc. 2. the particular idea or quality that is expressed by a symbol

Austen’s England is small – the main focus of the novel is Hertfordshire and most often Longbourn . When characters travel it is always of significance to the plot. Places

Consider: Bingley and Darcy’s arrival in Hertfordshire. Jane’s visit to Netherfield. Mr Collins’ arrival in Hertfordshire. Bingley’s removal to London. Charlotte’s removal to Kent (as Mrs Collins) Jane’s visit to her Aunt and Uncle Gardiner in Cheapside, London Elizabeth’s visit to Kent (and Rosings ) Lydia’s visit to Brighton Elizabeth and her aunt and uncle touring Derbyshire Their visit to Pemberley. Mr Bennet and Mr Gardiner in London Lydia and Wickham’s visit to Longbourn (then removal to Newcastle) Bingley and Darcy’s return to Hertfordshire. Lady Catherine’s visit to Longbourn Places as plot devices

1.In chap. 7: Caroline Bingley to Jane, inviting her to come to Netherfield . 2.In chap. 7: Jane to Elizabeth, reporting her illness. 3.In chap. 13: Mr. Collins to Mr. Bennet, proposing to visit Longbourn . 4.In chap. 21: Caroline Bingley to Jane, informing her that the Netherfield party have all gone to London. 5.In chap. 26: Jane in London to Elizabeth, before seeing Caroline Bingley. 6.In chap. 26: Jane in London to Elizabeth, still has hopes of Caroline Bingley after visiting her. 7.In chap. 26: Jane in London to Elizabeth, admitting Caroline Bingley's perfidy. 8.In chap. 35: Darcy's famous letter to Elizabeth (hand-delivered at Rosings ), explaining his conduct. 9.In chap. 46: Jane's misdirected letter to Elizabeth at Lambton, breaking the news of Lydia's elopement. 10.In chap. 46: Jane's second letter to Elizabeth at Lambton, with new fears about Lydia's elopement. 11.In chap. 47: Lydia to Mrs. Forster, announcing the elopement. 12.In chap. 48: Mr. Gardiner in London to Mrs. Gardiner at Longbourn , on inquiries after Lydia and Wickham. 13.In chap. 48: Mr. Collins to Mr. Bennet (opened by Jane), -- he "condoles" the Bennets about Lydia. 14.In chap. 49: Mr. Gardiner to Mr. Bennet, announcing the settlement of negotiations with Wickham. 15.In chap. 50: Mr. Gardiner to Mr. Bennet, containing further particulars of Wickham's affairs. 16.In chap. 51: Elizabeth to Mrs. Gardiner, inquiring why Darcy was at Lydia's wedding. 17.In chap. 52: Mrs. Gardiner to Elizabeth, giving the story behind Lydia's marriage. 18.In chap. 57: Mr. Collins to Mr. Bennet, advising against an Elizabeth-Darcy match. 19.In chap. 60: Elizabeth to Mrs. Gardiner, allowing her to give loose to her fancy and indulge her imagination. 20.In chap. 60: Mr. Bennet to Mr. Collins, troubling him for congratulations. 21.In chap. 61: Mrs. Wickham to Mrs. Darcy, -- Lydia begs Elizabeth on behalf of Wickham. letters

In Austen's fiction, as in many novels of the 19th century, a ball is the ultimate occasion for a heady kind of courtship – a trying out of partners that is exciting, flirtatious and downright erotic. Couples perform together, feeling each other’s physical proximity (though both men and women wore gloves throughout) while being watched by others. Many of the dances were physically demanding: a ball might last for six hours or more, and end only as dawn approached. See more at: http://www.bl.uk/romantics-and-victorians/articles/the-ball-in-the-novels-of-jane-austen#sthash.NO9m1o7q.dpuf Balls and dancing

In reality, Austen loved balls, which were the most exciting events in provincial life. In Pride and Prejudice , the mutual attraction of Elizabeth Bennet and Mr Darcy is established through their behaviour towards each other at a succession of balls. They approach and retreat, tease and repel each other, as in an elaborate dance. At the assembly ball (where anyone who pays for a ticket can take part) Mr Darcy fancies himself above it all. With extraordinary rudeness, he lets Elizabeth overhear his description of her as ‘tolerable; but not handsome enough to tempt me ’ ( ch. 3 ). He later tastes his own medicine when he offers himself as Elizabeth’s dance partner at the Lucases and is turned down . Finally, at the Netherfield ball (a grand occasion, entry by invitation only), he suddenly asks for ‘her hand’ and ‘without knowing what she did’ she accepts ( ch. 18). ‘Without knowing what she did’ because at the ball Austen shows us Elizabeth’s unconscious interest in Mr Darcy . Codified behaviours

Codes of behaviour were exacting. At the Netherfield ball Elizabeth must dance with Mr Collins because if a woman turns down one request for a dance she must turn down all others. Say no to Mr Collins and you must stand out for the whole evening. Elizabeth’s first two dances (the maximum you were allowed with the same partner) are therefore ‘dances of mortification’. Mr Collins, ‘often moving wrong without being aware of it’, gives her ‘all the shame and misery which a disagreeable partner for a couple of dances can give’ ( ch. 18). He, of course, thinks that he has done brilliantly, the dance being a preparation for his proposal of marriage the next day .

When Elizabeth Bennet and Mr Darcy do eventually dance together they also have their most erotically charged conversation, a kind of verbal fencing match. It is a verbal intimacy to parallel their physical closeness. In the crowded room, everything seems to narrow to these two people. Once these two have danced together, they are destined for each other. Anyone in that ballroom should have been able to see it, even if they did not see it themselves. Talking to your partner

Consider: The Meryton assembly Evening at Lucas lodge (with dancing) The Netherfield ball How do each of these function within the plot and themes of the novel as a whole? balls

Which themes and characters do these symbols link to? How would you use them in a whole text response? Write a paragraph exploring the significance of each theme. Linking to whole text questions
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