EDUCATION:- After spending most of his childhood in Babaria , Raza moved to Damoh at the age of 13 ,he completed his formal school education there at a Government High School . He received his formal training in painting at the Nagpur School of Art (Nagpur). Thereafter, he learnt the nuances of oil painting at Sir J. J. School of Art, Bombay. During his stay at Sir J.J. School of Art, he co-founded the famous Bombay Progressive Artists’ Group, which would later go on to become an influential set of modern artists . S.H. Raza experimented with the Western Modernism, which was moving away from expressionism and towards abstraction . Thereafter, he moved to France in order to pursue his studies at the Ecole nationale superieure des Beaux-Arts of Paris. He was awarded with a scholarship from the government of France, which encouraged him to pursue his higher studies there in Paris . CAREER:- Initially, Syed Haider Raza’s paintings mainly revolved around expressionistic landscapes. His very first show was held at Bombay Art Society, even before he moved to France. Though he finished his education in 1953, he chose to remain in Paris, as he thought that his works would receive appreciation from the European art lovers. For this reason, he even travelled across most parts of Europe. In 1962, he started serving as a visiting lecturer at the University of California, Berkeley, USA. There, he influenced many American painters and taught them the nuances of incorporating interesting Indian elements into modern art. RETURN TO INDIA:- Seeking more inspiration and a whiff of fresh air, Raza returned to India in the 1970s, as he needed a new direction, not only in his work but also in his personal life. He visited many parts of the country including the majestic caves of Ajanta and Ellora . He even visited places like Gujarat, Rajasthan and Benaras . His search of something that would go on to play a major role in his works , finally came to an end after he realized that the ‘ Bindu ’ (a dot) that plays a significant role in Hinduism, is the source of creation and existence. In 2000, he started incorporating concepts like Kundalini energy and the Nagas in his works. He also focused more on incorporating stories of Mahabharata into his art works and paintings.