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5. SCEPTICISM, KNOWLEDGE,
AND FORMS OF REASONING

6. Also by John Koethe
Philosophy
The Continuity ofWittgenstein's Thought
Poetry
Blue Vents
Domes
The Late Wisconsin Spring
Falling Water
The Constructor
North Point North: New and Selected Poems
Sally's Hair
Criticism
Poetry at One Remove: Essays

7. Scepticism, Knowledge,
and Forms of Reasoning
JOHN KOETHE
CORNELL UNIVERSITY PRESS
ITHACA AND LONDON

8. Copyright© 2005 by Cornell University
All rights reserved. Except for brief quotations in a review, this book, or
parts
thereof, must not be reproduced in any form without permission in writing
from the publisher. For information, address Cornell University Press,
Sage House,
512 East State Street, Ithaca, New York 14850.
First published
2005 by Cornell University Press
Printed
in the United States of America
Library of Congress Cataloging-in-Publication Data
Koethe, John.
Scepticism, knowledge, and forms of reasoning
I John Koethe.
p.cm.
Includes bibliographical references and index.
ISBN-13: 978-o-8014-4432-6 (cloth: alk. paper)
ISBN-10: o-8014-4432-2 (cloth: alk. paper)
1. Skepticism. 2. Knowledge, Theory of. 3· Epistemics. 4· Reasoning.
I. Title.
B837.K66 2005
121-dc22
Cornell University Press strives to use environmentally responsible suppliers and
materials to the fullest extent possible in the publishing of its books. Such materials
include vegetable-based, low-VOC
inks and acid-free papers that are recycled,
totally chlorine-free,
or partly composed of non wood fibers.
For further information, visit
our website at www.cornellpress.cornell.edu.
Cloth printing
10 9 8 7 6 5 4 3 2 1

9. To my son,
fohn Robert

11. CONTENTS
Preface ix
Introduction 1
CHAPTER 1. Sceptical Arguments and the
Transmission Principle 10
1. Dreaming-type Arguments 11
2. Some Other Sceptical Arguments 14
3· An Alternative Reconstruction of Dreaming-type Arguments 18
4· Sceptical Arguments as Schematic 2 5
CHAPTER 2. Knowledge and Possibility 29
1. The Evolution of Epistemic Possibility 30
2. Some Accounts of Epistemic Possibility 32
3· Knowledge 37
4· Knowledge and Possibility as Duals 41
5· Knowledge and Mental States 43
6. Social Dimensions of Knowledge 46
7· Some Vagaries of the First Person 48
8. Sceptical Arguments Revisited 50
CHAPTER 3· The Status of the Sceptic's Premises 53
1. The Seductiveness of Sceptical Hypotheses 54
2. Moore's Response 57
3· A Possible Wittgensteinian Response 61
vii

12. 4· A Coherentist Response 66
5· The Contextualist Response 69
CHAPTER 4· Epistemological Realism 79
I. Epistemological Realism and Sceptical Arguments So
2. The Communicative Role of Epistemic Terms 84
3· A Semantics for Knowledge and Possibility 9I
Appendix: Realism and the Scope of Knowledge 96
CHAPTER 5· The Status of the Transmission Principle 104
1. Principles and Practice I05
2. A Direct Case for the Validity of the Transmission Principle Io8
3· Explaining Knowledge by Deduction 112
4· Restricting the Transmission Principle 118
Appendix: Hawthorne on Knowledge and Lotteries I23
CHAPTER 6. Sceptical Arguments and Forms of Reasoning 130
I. Sceptical Arguments as Anomalous I3I
2. Conditions Conducive to the Anomaly 139
3· Moral Luck and Freedom I43
4· Agreement and Generality I 52
Index I59
viii Contents

13. PREFACE
Many years ago I tried to develop a version of the idea, which origi­
nates with Thompson Clarke, that there is nothing straightforwardly
"wrong"
with arguments for scepticism, arguments that embody pat­
terns of reasoning about knowledge that
we find unexceptional in every­
day life. But I was not at all happy with the way that idea was developed
then,
and for several decades set scepticism aside while I pursued other
philosophical interests. I started thinking about
it again in the late 1990s,
and the approach to scepticism and sceptical arguments presented in this
book is the result of that renewed interest.
I
am indebted to a number of people for discussions and suggestions,
including William Demopoulos,
Edward Hinchman, Mark Kaplan, Ste­
phen Leeds, Julius Sensat, and two anonymous readers for Cornell Uni­
versity Press.
And I owe a debt of long standing to the late Rogers
Albritton,
who originally sparked my interest in scepticism and directed
my dissertation, and who helped sustain that interest, even at its lowest
ebb, over the years.
J.K.
ix

15. SCEPTICISM, KNOWLEDGE,
AND FORMS OF REASONING

17. Introduction
Philosophical scepticism has been part of the landscape of Western phi­
losophy for over
two millennia, and its durability should, I believe, sug­
gest
that straightforward attempts at refutation or diagnosis are unlikely
to be successful. There are three salient features of philosophical scepti­
cism: first,
it involves claims about our (lack of) knowledge that are dras­
tically
at odds with common sense, denying that one knows such things
as that one is
at a desk or that one has teeth; second, these claims are the
conclusions of
arguments, arrived at via inferences that purport to be valid
from premises
that purport to be true; and third, these sceptical claims are
almost universally rejected,
both by the man on the street and by philoso­
phers engaged with scepticism (though for some philosophers this rejec­
tion takes the form
of maintaining that the claims are technically correct
though not, as they appear to be, at odds with common sense).
1 Given
this, the problem of philosophical scepticism is not so
much what to say
about the view itself (there being a consensus that it should be rejected),
but rather what to say about the arguments that purport to yield it. And
since these arguments involve claims and principles concerning notions
like knowledge
and possibility, it is difficult to see how to explore the ar­
guments without exploring these notions too.
The task of responding to scepticism can
be seen as one of legitimating
our common-sense convictions about knowledge, in the sense not of es­
tablishing the
truth of those convictions (since they represent a default
1. This requires some qualification. Pyrrhonians of course endorsed scepticism, and
among contemporary philosophers Peter Unger has too (see his Ignorance: A Case for Scep­
ticism [Oxford: Oxford University Press, 1975]). Many positivists endorsed the claim that
no empirical proposition can be known with certainty to be true, though they did not nec­
essarily regard this as a sceptical claim.

18. position) but rather of providing an account of sceptical arguments that
entitles
us to persist in them in the face of those arguments. A straight­
forward response to scepticism
would be to try to show that sceptical ar­
guments are unsound, either because they involve an incorrect premise
or assumption or because the inferences they involve are invalid. For in­
stance, a familiar
kind of sceptical argument adduces the mere possibil­
ity that one is, say, dreaming or a brain in a vat, and infers from this that
one does not know, say, that one has teeth. Many philosophers have ar­
gued,
on various grounds, that these alleged possibilities are not genuine
ones; while others have denied, also on various grounds, that the admis­
sion
of these outre possibilities is incompatible with our common-sense
convictions
about what we know.
What is striking, though, is the lack of consensus about these kinds of
straightforward responses to scepticism. While each
has its committed
advocates,
many if not most philosophers reject each particular response
in favor of a different one, at the same time joining in the consensus that
the conclusions of sceptical arguments should be rejected. The case is
quite different
with other long-standing philosophical issues. Consider
the perennial disputes over realism,
broadly speaking the view that the
world has an objective character independent of our beliefs and theories
about it which makes those beliefs and theories true or false. Philosophers
are
divided in their attitudes toward it, and I think it is safe to say that
there is no consensus either in favor of or against realism in some form.
But
among those drawn to one side of the dispute or the other, there is a
fair
amount of agreement about what is wrong with arguments for the
other side. Antirealists, for example,
tend to accept the familiar criticisms
of arguments for realism
that appeal to the success of science, while those
drawn to realism tend to agree about the fallacies in Berkeley's arguments
for immaterialism. The fact that the consensus for rejecting scepticism is
not mirrored in a consensus about what is wrong with the arguments for
it is, I believe, a striking datum.
It is, of course, a datum and not an argu­
ment. But I
think it should at least lead us to question whether a straight­
forward response to scepticism
and sceptical arguments is liable to
succeed.
In the absence of a straightforward response to it, philosophical scep­
ticism might be thought, as Stephen Shiffer suggests, to present a
kind of
paradox,
in that reasoning that does not seem fallacious leads to conclu­
sions inconsistent
with propositions we regard as obviously true.2 This
2. Stephen Shiffer, "Contextualist Solutions to Scepticism," Proceedings of the Aristotelian
Society n.s. 96 (1996), 317-333.
2 Scepticism, Knowledge, and Forms of Reasoning

19. way of regarding scepticism seems to me correct in a broad sense, though
somewhat misleading and unspecific. In classical paradoxes like Rus­
sell's
or the Liar, apparently self-evident principles (every nonvague pred­
icate determines a class, every instance of the T-schema is true) are shown
by reasoning that is uncontroversial to lead to contradictions; and the
paradoxes are resolved by restricting the principles in various ways
(though at the cost of forsaking their apparent obviousness). But in the
case of philosophical scepticism, I believe that
what is in question is the
reasoning itself
that leads to the unacceptable conclusions. Moreover,
characterizing scepticism as paradoxical does
nothing to legitimate the
common-sense convictions
about knowledge which it denies.
I
think a better way of viewing scepticism is to see it as representing a
conceptual
anomaly involving an irresolvable tension between our prac­
tice of applying epistemic concepts like knowledge
and the rules that, on
reflection, seem to govern our application of and reasoning about those
concepts.
Our notion of valid reasoning depends on a certain equilibrium
between our attitudes toward particular arguments or pieces of reason­
ing and toward the forms of reasoning those particular arguments em­
body.
Yet there is no a priori guarantee that this equilibrium is bound to
obtain,
and the problem of scepticism arises, I want to argue, precisely
because of the failure of this equilibrium
between practice and reflection
to obtain
when the reasoning involves certain epistemic concepts. Philo­
sophical scepticism
thus presents a kind of conceptual anomaly analogous
to,
though considerably deeper than, Nelson Goodman's grue paradox.
3
But this tension between practice and reflection does not threaten our
epistemic convictions, because those are ultimately made true by our
practice of adhering to them, a practice that, as Hume observed, scepti­
cal
arguments are powerless to affect.
This is a
broad-too broad-sketch of the account of scepticism I shall
try to develop in this book, and I will offer a more detailed statement of
it shortly. But let
me first say a bit about the kinds of sceptical arguments
that will be the focus of our concern. Most important are arguments of the
dreaming or demon type, in which one begins by considering a proposi­
tion apparently
known to be true (e.g., that I am sitting by the fire), for­
mulates a sceptical hypothesis incompatible
with that proposition (e.g.,
that I am falsely dreaming that I am sitting by the fire), argues that it is at
least possible that this hypothesis is true, or that one does not know it to
be false, and finally concludes that one does not know the proposition at
issue to be true after all. On a familiar reconstruction of such arguments
3· Nelson Goodman, Fact, Fiction, and Forecast (Indianapolis: Bobbs-Merrill, 1965).
Introduction 3

20. (though we will also consider an alternative interpretation), the inference
involved appeals to a rule of inference I shall call the
transmission princi­
ple (more commonly called the closure principle), which says that knowl­
edge is transmitted
by known logical consequence: if it is known that p1,
known that p
2
, known that p
3
,
••. , and it is also known that these logi­
cally entail q, then it follows
that it is also known that q. Although our
main concern will be with dreaming-and demon-type arguments, I shall
also look at a
number of other sceptical arguments, including what might
be called the argument from error, which maintains that one's most care­
fully scrutinized beliefs no
doubt include some false ones, and for all one
knows, the belief
under consideration may be one of the false ones. These
additional sceptical arguments will
not be pursued in detail, as I take
dreaming-type arguments to
be the most natural and compelling ones.
But I
want to bring out the fact that while its role in them may not be ob­
vious, these other arguments appeal to the transmission principle too, so
that the general question of the validity of sceptical arguments reduces to
the question of the validity of that principle.
(This is
an appropriate place to mention a kind of sceptical argument
some philosophers consider important but that I shall not consider fur­
ther,namely, the Pyrrhonian
argument based on what Roderick Chisholm
calls the problem of the criterion.
4 According to this argument, we can
have knowledge only
if we possess a general criterion for distinguishing
true beliefs from those
that merely seem true; but we can identify such a
general criterion only
by examining beliefs we genuinely know to be true.
The
apparent circularity here is supposed to lead to the conclusion that
we cannot have genuine knowledge. It may be philosophical prejudice or
blindness, but I have never found this argument particularly forceful.
Anyone the least
bit sympathetic to the claims of common sense, as I am,
will simply reject the claim that knowing things requires the antecedent
possession of the
kind of general criterion this argument demands. One
reason dreaming-type arguments are a staple of introductory philosophy
courses is that the reasoning they involve can
be made to seem so natural,
a mere extension of a kind of reasoning
we constantly employ outside the
classroom. I do
not think that the same can be said for the argument based
on the problem of the criterion.)
The account of scepticism I shall offer incorporates
and is facilitated by
a treatment of the epistemic concepts of knowledge and possibility
4· Roderick Chisholm, Theory of Knowledge (Englewood Cliffs, N.J.: Prentice-Hall, 1966),
chap.
4·
4 Scepticism, Knowledge, and Forms of Reasoning

21. which, while it has points of contact with other philosophers' views of
these notions, is perhaps sufficiently distinctive to
warrant mention of
some of its central elements here. One of these is the rejection of individ­
ual propositional knowledge as the basic concept of knowledge, in favor
of the impersonal notion of knowledge's being
available to the members
of some relevant community.
An individual knows that p if the knowl­
edge that
pis available (in his community) and he has, so to speak, availed
himself of it,
by coming to believe that p in a socially acceptable manner,
one that
would lead people to say of him that he knows that p. Episteni.ic
possibility then turns
out to be the dual of knowledge's being available:
it is episternically possible that p just
in case the knowledge that not-p is
not available,
and the knowledge that p is available just in case it is not
possible that not-p. One consequence of the duality of knowledge
and
possibility is that we cannot motivate a claim, say, that some sceptical hy­
pothesis is
not known to be false by appealing to the bare possibility of
its truth, for to adduce that possibility is simply equivalent to maintain­
ing that
it is not known to be false.
A second element of
my treatment of episternic concepts is a rejection
of what, to
adapt Michael Williams's phrase, 5 I shall call epistemological re­
alism: the view that there are facts, independent of our claims about
knowledge
and possibility, which make those claims true or false. On the
alternative nonrealist view, claims about knowledge are
made true or
false by our socially sanctioned practices of making or rejecting them.
6
This is part of the reason sceptical arguments do not threaten the com­
mon-sense knowledge claims they are directed against, for while it is per­
haps conceivable in some sense that our practices of endorsing such
claims are alterable, the fact is that the challenge of philosophical scepti­
cism has not succeeded
in altering them. As should be clear from these
remarks
and those of the preceding paragraph, the treatment of episternic
concepts I shall propose is
an inherently social one, and in support of it I
shall suggest
an account of the communicative role of terms like 'know'
and 'possible.' Also, to forestall qualms about the coherence of this treat­
ment of knowledge and possibility, I shall give a nonrealist semantics for
these notions based
on the topological operations of interior and closure.
5· Michael Williams, Unnatural Doubts (Cambridge: Basil Blackwell, 1991), 87-134.
6. Here I am following Michael Dummett's characterization of non-or antirealism, on
which, roughly, it is not that propositions lack truth-conditions but rather that they are
made true by the conditions under which we rationally accept them (see the writings of
Dummett cited
in note 3 of Chapter 4, where I shall discuss this further). Of course, for a
knowledge claim to be true, the proposition said to
be known has to be true.
Introduction 5

22. Let me enter three brief disclaimers. First, my purpose is not so much
to convince the reader of the truth of epistemological nonrealism as to
show it to be a possible way of thinking about epistemic concepts and to
bring out its relevance to the treatment of scepticism and sceptical argu­
ments I shall offer. Second, while epistemological nonrealism and the al­
lied account of epistemic concepts are
part of the treatment of scepticism
I
want to propose, not all of their details are essential to that treatment,
though I do think that they go together in a rather coherent way. Third,
this account of knowledge
and possibility is quite sketchy, and to defend
it fully would require developing it in much more detail than I shall at­
tempt here. I shall not try to offer the traditional sorts of analyses of these
notions
in terms of necessary and sufficient conditions (an enterprise
about which I am dubious in any case) and then defend them against in­
genious counterexamples. Rather, I shall say only
enough to render this
way of thinking about epistemic concepts plausible and to facilitate the
presentation of the account of scepticism
and sceptical arguments which
is the main focus of this book.
I can
now give a more detailed description of that account. A straight­
forward response to philosophical scepticism
would either reject at least
one of the premises of sceptical
arguments or declare the inferences they
involve invalid.
In the case of dreaming-type arguments the crucial prem­
ise is that some sceptical hypothesis is possibly true or not known to be
false (the premises of the other sceptical arguments we will look at being
uncontroversial). But strategies for denying this premise have not proven
successful. These include the kind of response offered by G. E. Moore, a
kind of response often attributed to Wittgenstein, a coherentist response,
and one supplied by the view called contextualism, which is probably the
most influential current
attempt to defuse sceptical arguments. Each of
these has its adherents,
but none of them has proven able to command a
consensus-which is as it should be, because each of them is open to
telling objections.
The second
kind of straightforward response would reject as invalid
the transmission principle that governs sceptical arguments. But this is
not tenable either, since that principle is deeply embedded in our episte­
mic practices
of making, challenging, and accepting knowledge claims,
and of allowing that knowledge can be transmitted by deduction. The
principle is implicit in those practices
not in the sense that they conform
to it exactly-the fact that we reject the sceptic's conclusions (even when
we are unable to offer specific rebuttals of his premises) alone shows
that-but in the sense that it provides the best (indeed, the only) expla-
6 Scepticism, Knowledge, and Forms of Reasoning

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PETRACCA, JOSEPH.
Something for the Birds.
PETTINGILL, OLIN S.
Birds of the Countryside.
Birds of the Dooryard.
Five Colorful Birds.
PFEIFFER BREWING CO.
Billy the Kid.
Johnny Pfeiffer.
Pfeiffer’s Television Commercial.
Sports Opening.

30. Vikings.
W-1.
W-2.
W-3.
W-4.
PFIZER (CHAS.) AND CO., INC.
Aid to Therapy.
Bronchopulmonary Segments.
Children with Nephrosis.
Corraling Shipping Fever.
Dynamic Careers Through Agriculture.
Healthy Hens, Healthy Profits.
High Level Feeds.
Higher Poultry Profits.
Increased Income from Hogs.
More Beef at Less Cost.
Nephrosis in Children.
New Way To Get More Eggs.
Stress and the Adaptation Syndrome.
Tranquilizers, a New Idea in Animal Feeds.
PHARES, FRANK.
New Orleans After Dark.
PHASE FILMS.
Life Story of a Watermold.
Plant Growth and Mutation in Tradescantia Virginica L.
(Spiderwort)
Syngamy and Alternation of Generations in Allomyces.
PHELPS, Z. B.
Friendship International Airport, Baltimore, Maryland.
PHILADELPHIA INQUIRER.
Fashions: Paris Dateline.
PHILIPPINE ISLANDS. BUREAU OF HEALTH.
Juanito’s Story.
PHILLIPS, CLAIRE.
I Was an American Spy.

31. PHOENIX FILMS, INC.
Steel Cage.
PHOENIX PICTURES.
Cowboy.
PHOENIX PRODUCTIONS, INC.
Bell, Book and Candle.
Storm Center.
PHOTOTRONICS, INC.
Brush in Action.
Facts About Film.
PICKERING, T. E., d.b.a. MPV ENTERPRISES.
SEE MPV Enterprises.
PICTURA FILMS CORP.
Leonardo da Vinci.
Miserere.
Pictura, Adventure in Art.
PIERSALL, JIMMY.
Fear Strikes Out.
PILLSBURY MILLS, INC.
Chevrolet & Pillsbury Flour.
Merry Millers of Pillsbury’s Best.
Renfro Valley Folks.
PINELLI, TULLIO.
Cartouche.
PINEWOOD FILMS, LTD.
Madeleine.
One Woman’s Story.
PINNACLE PRODUCTIONS, LTD.
Outpost in Malaya.
PIPE DIVISION, REPUBLIC STEEL CORP.
SEE Republic Steel Corp. Pipe Division.
PIRANDELLO, LUIGI.
Never Say Goodbye.

32. PITA CABRERA, JOAQUIN.
Gran Campeon.
PITTSBURGH. UNIVERSITY. SCHOOL OF MEDICINE.
DEPARTMENT OF ANATOMY, LADD LABORATORY.
Early Human Fetal Activity.
PITTSBURGH CORNING CORP.
Operation Installation.
PITTSBURGH PLATE GLASS CO.
Bright New World.
TV Commercials on Pittsburgh Paints.
Your Home As You Like It.
PIX DISTRIBUTING CORP.
My Ecstasy.
My Life.
PIZOR, WILLIAM.
Queen of Sheba.
PIZOR, WILLIAM M.
Pagans.
PLANET FILMPLAYS, INC.
Big Bluff.
Killers from Space.
Phantom from Space.
Snow Creature.
PLANNED PARENTHOOD FEDERATION.
Planned Parenthood Story.
PLANTAGANET FILMS, LTD.
Salt to the Devil.
PLASTONE CO., INC.
Edward Arnold story.
PLAY-ART, S.A.R.L.
Lovemaker.
PLAY MOVIE, INC.
Play ‘Movie’ at the Movies.

33. PLAYTEX PARK RESEARCH INSTITUTE.
Cinematographic Study of the Function of the Mitral Valve in Situ.
PLYMOUTH DIVISION, CHRYSLER CORP. SEE Plymouth Division.
PLYMOUTH MOTOR CORP.
SEE Chrysler Corp. Plymouth Division.
PLYMOUTH PRODUCTIONS, LTD.
Frog’s Life.
Making a Balanced Aquarium.
Sir Francis Drake’s Life and Voyages.
Typical Garden Spider.
PLYMOUTH SALES DIVISION, CHRYSLER CORP.
SEE Chrysler Corp. Plymouth Division.
POCOBELLI BROTHERS.
Isola del Sole.
POE, EDGAR ALLAN.
Heartbeat.
Phantom of the Rue Morgue.
Tell Tale Heart.
POLIMER, RICHARD K.
Behind the High Wall.
POLLOCK, LOUIS.
Gamma People.
PONCE, BARBACHANO, PRODUCCIONES.
SEE Barbachano Ponce, Producciones.
PONTI, CARLO.
Attila.
Woman of the River.
PONTI, CARLO.
SEE Produzione Ponti de Laurentiis.
PONTI-DE LAURENTIIS, S.P.A.
SEE Produzione Ponti-de Laurentiis.
PONTIAC MOTOR DIVISION, GENERAL MOTORS CORP.
SEE General Motors Corp. Pontiac Motor Division.

34. PONTIFICAL ASSOCIATION FOR HOLY CHILDHOOD.
Children Around the World.
PONTIFICAL ASSN. OF THE HOLY CHILDHOOD.
Gift of a Name.
Hands Across the Ocean.
It Happened in Africa.
Story About You.
POOLE, RICHARD.
Peacemaker.
POOLEY, ROBERT C.
American Literature.
English Language.
POPE (W. S.) & SONS.
Cooper Cheese Television Commercials.
POPEIL BROS., INC.
Dial-o-matic.
POPKIN, HARRY.
Big Wheel.
POPKIN (HARRY M.) PRODUCTIONS.
Champagne for Caesar.
D.O.A.
POPULAR SCIENCE PUB. CO., INC. FILM STRIP-OF-THE-
MONTH CLUBS, INC.
SEE Film Strip-of-the-Month Clubs, Inc.
PORT OF NEW YORK AUTHORITY.
Unedited Film Report of the Port of New York Authority Crews
and Equipment Fighting the Constellation-Viscount Fire.
PORTABLE ALUMINUM IRRIGATION CO., INC.
Fountain of Youth.
PORTAFILMS.
Let’s Be at Home in the Water.
Let’s Play Safe.
Song of Christmas.

35. PORTER, ELEANOR HODGMAN.
Has Anybody Seen My Gal.
PORTER, HARRY W.
Homework.
PORTER, WILLIAM SYDNEY.
Girl from San Lorenzo.
O. Henry’s Full House.
Satan’s Cradle.
PORTLAND CEMENT ASSN.
From Mountains to Microns.
How to Transport, Place, Finish, and Cure Quality Concrete.
PORTLAND PICTURES, INC.
Lady Possessed.
POST, CLARE.
Forward with Christ.
POST, WILLIAM H.
Vagabond King.
POTLATCH FORESTS, INC.
Potlatch Story.
POTOMAC FILM PRODUCERS, INC.
Hard Brought Up.
Still Going Places.
POTTER, GLENN.
Intravenous Anesthesia and Tracheal Intubation.
POTTS, CLIFFORD F.
Intestinal Diseases in Poultry.
Respiratory Diseases in Poultry.
Tom Turkey, All American.
PRAESENS-FILM A.G.
Four Days Leave.
Heidi.
Heidi and Peter.
PRASKINS, LEONARD.

36. Three Violent People.
PRATT, THEODORE.
Barefoot Mailman.
PRECISION CHEMICAL PUMP CORP. CAMBRIDGE FILMS.
SEE Cambridge Films.
PREFERRED PICTURES CORP.
Pilgrimage Play.
Upon This Rock.
PREFERRED PRODUCTIONS, INC.
Four Days Leave.
PREMIER FILM & RECORDING CORP.
Cardinal Tradition.
Center of Town.
Place to Get Well.
PREMIUM PICTURES, INC.
Inside the Mafia.
Invisible Invaders.
PRESBYTERIAN BOARD OF CHRISTIAN EDUCATION.
Living Word.
PRESBYTERIAN CHURCH IN THE U. S. A.
Face of the Future.
This High Calling.
PRESBYTERIAN CHURCH IN THE U. S. A. SYNODS.
WASHINGTON. COMMITTEE OF EVANGELISM.
Out of Darkness.
PRESENT-DAY PRODUCTIONS, LTD.
Scarlet Spear.
PRESENTATION, INC.
Fire in Their Learning.
PRESIDENT & FELLOWS OF HARVARD COLLEGE.
SEE Harvard University. President & Fellows of Harvard College.
PRESSMAN, IRVING L.
Wood Construction for Beginners.

37. PRESSMAN, IRVING LOUIS.
Clay Modeling for Beginners.
How to Grow Radishes.
Mountain Stream.
Pond.
Surface Decoration.
Tomatoes: Planting and Transplanting.
What Will Clay Do.
PRESTON, RALPH C.
Birds of Our Storybooks.
Hoppy, the Bunny.
Monkey and the Organ Grinder.
Our Country’s Song.
Poems Are Fun.
PRICE, ROY A.
Puritan Family of Early New England.
PRIDEMORE, JAMES R.
Chef’s Cuisine.
PRIESTLEY, J. B.
Good Companions.
PRINCESS PICTURES, INC.
Amiable Lady.
Black Forest.
Check-mate.
Diplomatic Passport.
Doorway to Suspicion.
Double Barrel Miracle.
Eight Witnesses.
Fire One.
Immediate Disaster.
Lie.
Phantom Caravan.
Second Face.
Sergeant and the Spy.
PRINCESS PRODUCTION CORP.
High Hell.

38. Lady of Vengeance.
PRINCETON FILM CENTER INC.
Backfire.
Bi Shively Story.
Canaries Are Fun.
Cape Ann Story.
Fabric Magic.
Parrakeets Are Fun.
Shooting Straight.
Story of Ted McLane.
Venezuela en Marcha Populares.
PROCKTER TELEVISION ENTERPRISES.
Man Behind the Badge.
PROCTER, MAURICE.
Diamond Wizard.
PROCTER & GAMBLE CO.
Cleaning Day Jingle.
Closet Commercial.
Dad Fixed It.
Dog’s Best Friend.
Fall Housecleaning.
Gramps.
House Guest.
Jif Television Commercial.
Main Claim-Champ.
Mr. Clean Billboard.
Mr. Clean Laundry Man Commercial.
Mr. Clean Showers Commercial.
Moving-in-Day.
Outdoor Cleaning.
Regatta.
Ship-Shape.
Teenagers.
Trailer.
PROCTOR & SCHWARTZ, INC.
Electrocolorset.
To Fit or Not to Fit.

39. PRODUCCION HAPALO FILMS.
Don Juan.
PRODUCCIONES ANTONIO BADU.
Ahi Vienen Los Mendoza.
PRODUCCIONES ANTONIO BADU, S.A.
Felipe Fue Desgraciado.
PRODUCCIONES ARIEL, S.A.
Aquellos Ojos Verdes.
Maria La O.
PRODUCCIONES BARBACHANO PONCE.
Torero.
PRODUCCIONES CAFISA.
Pepita Jimenez.
PRODUCCIONES CHURUBUSCO-AZTECA, S.A.
Dos Caras Tiene el Destino.
Genial Detective Peter Perez.
Papelerito.
Radiopatrulla.
PRODUCCIONES CINEMATOGRAFICA ISLA, S.A.
Misericordia.
PRODUCCIONES CONTINENTA.
Mujeres de Mi General.
PRODUCCIONES CORSA, S.A.
800 Leagues Down the Amazon.
PRODUCCIONES CUB-MEX, S.A.
Fuerza de los Humildes.
Monstruo de la Sombra.
Morir Para Vivir.
Mujer o Fiera.
Tesoro de Isla de Pinos.
Y Si Ella Volviera.
PRODUCCIONES DELMAR, S.A.
Angeles de la Calle.
Fuerza de los Humildes.

40. Los Que No Deben Nacer.
Monstruo de la Sombra.
Morir Para Vivir.
Mujer O Fiera.
Mujer Que Se Vendio.
Tesoro de Isla de Pinos.
PRODUCCIONES ELISEO BRAVO, S.A.
Tio de Mi Vida.
PRODUCCIONES GALINDO HERMANOS, S.A.
Derecho de Nacer.
Fronterizo.
Luchador Fenomeno.
Manos de Seda.
Nosotras las Sirvientas.
Plebeyo.
Por Que Ya No Me Quieres.
Se Solicitan Modelos.
PRODUCCIONES GEORGE SHERMAN, S.A.
Ten Days to Tulara.
PRODUCCIONES GROVAS, S.A. DE C. V.
Soledad.
PRODUCCIONES HIDALGO, S.A.
Bestia Magnifica.
PRODUCCIONES INDEPENDENCIA.
Sentenciado a Muerto.
PRODUCCIONES ISLA, S.A.
Dona Clarines.
Puerto de los Siete Vicios.
Yo Quiero Ser Tonta.
PRODUCCIONES JOSE ELVIRA, S. DE R. L.
Casa Colorada.
Charro a la Fuerza.
Mujer del Otro.
PRODUCCIONES LUIS CESAR AMADORI.
Barro Humano.

41. PRODUCCIONES LUIS MANRIQUE.
Amor de la Calle.
Amor Vendido.
Arrabalera.
Callejera.
Cuando los Hijos Pecan.
En los Altos de Jallisco.
Milagro de Amor.
Muerte Enamorada.
Nortena de Mis Amores.
Poker de Ases.
Secreto de Pancho Villa.
Senor Gobernador.
Si Fuera una Cualquiera.
Sombra Contra la Mano Negra.
Sombra Vengadora.
Tesoro de Pancho Villa.
Tigre Enmascarado.
Yo Fui una Callejera.
Zorro Escarlata.
PRODUCCIONES MEXICO.
Stronghold.
PRODUCCIONES MIER y BROOKS.
Interesadas.
Rumba Caliente.
Tal para Cual.
PRODUCCIONES MIER y BROOKS, S. DE R. L. y C. V.
Tres Alegres Compadres.
PRODUCCIONES MIGUEL CONTRERAS TORRES.
Yo Soy Mexicano De Aca De Este Lado.
PRODUCCIONES NORIEGA.
Dos Caras Tiene el Destino.
PRODUCCIONES NORIEGA, S.A.
Genial Detective Peter Perez.
PRODUCCIONES PASCO, S. de R. L.
Mi Adorado Salvaje.

42. Mi Marido.
PRODUCCIONES PEREDA, S.A.
Carnival en Brasil.
Casa de Perdicion.
Mi Noche de Bodas.
Necesita un Marido.
Nina Popoff.
PRODUCCIONES ROBERTO SERNA, S. de R. L.
Gema.
PRODUCCIONES RODRIGUEZ HNOS.
Mujeres de Mi General.
PRODUCCIONES SALAZAR, S.A.
Ella y Yo.
Tia Candela.
PRODUCCIONES SANSON, S.A.
Deseada.
PRODUCCIONES TEPEYAC.
Adventures of Robinson Crusoe.
PRODUCCIONES UNIVERSAL, S.A.
Cabeza de Pancho Villa.
PRODUCCIONES YAZBEK, S.A.
Muerte Enamorada.
Senor Gobernador.
PRODUCCIONES ZACARIAS, S.A.
Cuidado con el Amor.
PRODUCERS-ACTORS CORP.
Buchanan Rides Alone.
Decision at Sundown.
Hangman’s Knot.
Lawless Street.
Man in the Saddle.
Santa Fe.
7th Cavalry.
Tall T.

43. Ten Wanted Men.
PRODUCTION STUDIOS, INC.
River Coal.
PRODUCTIONS UNIVERSALIA.
Fabiola.
PRODUCTORA DE PELICULAS, CINEMA INDUSTRIAL, S.A.
SEE Cinema Industrial Productora de Peliculas, S.A.
PRODUCTORA MIER Y BROOKS., S. de R. L. y C. V.
Cabeza de Pancho Villa.
Dos charros y una Gitana.
Jinete Sin Cabeza.
Tres Alegres Compadres.
PRODUZIONE DE DICA.
Indiscretion of an American Wife.
Miracle in Milan.
PRODUZIONE GALLONE.
SEE Gallone.
PRODUZIONE PONTI DE LAURENTIIS.
Mambo.
She-Wolf.
Strada.
War and Peace.
PRODUZIONE RIZZOLI.
Sins of the Borgias.
PRODUZIONE RIZZOLI-AMATO.
Flowers of St. Francis.
Tomorrow Is Too Late.
PRO-KLEEN INDUSTRIES, INC.
Clean-up Squad.
PROSPECT PRODUCTIONS, INC.
Black Sleep.
Rebel in Town.
Revolt at Fort Laramie.

44. PROTESTANT EPISCOPAL CHURCH IN THE U.S.A. DIOCESES.
MICHIGAN. DEPT. OF PROMOTION.
What Shall I Give.
PROTESTANTS & OTHER AMERICANS UNITED FOR
SEPARATION OF CHURCH & STATE.
Captured.
PROUDLOCK, ROGER.
Lilli Palmer Presents the Quality Theatre.
PROVIDENCE LITHOGRAPH CO.
Hand and the Word.
PRUDDEN, BONNIE.
Up Rope.
PRUDENTIAL INSURANCE CO. OF AMERICA.
Air Power.
Mrs. Hazard’s House.
Twentieth Century.
PSYCHOANALYTIC RESEARCHPROJECT ON PROBLEMS OF
INFANCY.
SEE Spitz, Rene Arpad.
PUBLIC RELATIONS DEPT., GENERAL CONFERENCE OF
SEVENTH-DAY ADVENTISTS.
SEE General Conference of Seventh-day Adventists. Public
Relations Dept.
PUBLIC RELATIONS DEPT., GENERAL MOTORS CORP.
SEE General Motors Corp. Public Relations Dept.
PUBLIC SERVICE NETWORK.
Space Control.
PUDNEY, JOHN.
Project M-7.
PUERTO RICO.
Sports Island.
PUGH, MARSHALL.
Silent Enemy.

45. PURCELL, HAROLD.
Let’s Make Up.
PURDOM, HERBERT.
Mr. and Mrs. North.
PURDUE RESEARCH FOUNDATION.
Purdue Reading Films.
Tracing with Ink.
PURDUE UNIVERSITY.
Tracing with Ink.
PURDUE UNIVERSITY. AUDIO-VISUAL CENTER.
Purdue Reading Films.
PURDUM, HERB.
Lone Ranger.
PURE OIL CO.
Come and Find Me.
Get Me Out.
PUSHKIN, ALEKSANDR SERGEEVICH.
Conrad Nagel Theater.
Queen of Spades.
Shot.
Tempest.
PYLE, HOWARD.
Black Shield of Falworth.
PYRAMID PRODUCTIONS, INC.
Anniversary.
Bed by the Window.
Confession.
Devil’s Due.
Dinner for Three.
Double Jeopardy.
Gambler.
General’s Coat.
Golden Ball.
Imp in the Bottle.
Jungle Terror.

46. Just Three Words.
Of Thee I Love.
Rendezvous.
Reprieve.
Shot.
Threshold.
Vampire.
Q
QUAKER OATS CO.
Story of Oats and Oatmeal.
QUALITY BAKERS OF AMERICA COOPERATIVE, INC.
Sunbeam Bread New Wrapper.
Sunbeam New Wrapper.
QUATTROCCHI, FRANK X.
Jimmy & Nancy Meet Mr. Atom.
QUEEN’S WORK.
Mass Is a Sacrifice.
QUEENY, EDGAR M.
Queen of Grains.
Silver Lightning.
QUENTIN, PATRICK.
Black Widow.
Man in the Net.
QUILLEN, I. JAMES.
Aztecs.
English History.
Mohammedan World.
QUINN, DON.
Public Pigeon No. 1.
QUINTET PRODUCTIONS, INC.
Judge Roy Bean.
%center%R

47. R&L PRODUCTIONS.
As You Were.
Tales of Robin Hood.
RCA VICTOR DIVISION, RADIO CORP. OF AMERICA.
SEE Radio Corp. of America. RCA Victor Division.
RCA VICTOR TELEVISION DIVISION, RADIO CORP. OF
AMERICA.
SEE Radio Corp. of America. RCA Victor Television Division.
RCA WHIRLPOOL CORP.
Wonderful World of Wash ‘n’ Wear.
RD-DR CORP.
Day with the F.B.I.
Martin Luther.
Partner Perkins.
Walk East on Beacon.
Whistle at Eaton Falls.
Your Doctor.
RKO PATHE, INC.
Achievement in Steel.
Africa Adventure.
Airlines to Anywhere.
Alaska Lifeboat.
Alaskan Trout.
Alert Today—Alive Tomorrow.
All Joking Astride.
Alpine Fortress.
Ambulance Doctor.
America’s Singing Boys.
Antique Antics.
Aqua Babes.
Aqua Champs.
At Home with Royalty.
Audition for August.
Australian Surf Masters.
Backyard Hockey.
Barnyard Skiing.
Basketball Headliners.

48. Basketball Highlights.
Bat Boy.
Bauer Girls.
Beach of Nazare.
Below the Sahara.
Ben Hogan.
Best in Show.
Big Appetite.
Big Blue Goose.
Big House Rodeo.
Big Port.
Big Shoot.
Big Top Caravan.
Black Cats and Broomsticks.
Black Power.
Bobby Shantz.
Bonefish and Barracuda.
Born To Fight.
Bowling Boom.
Bridle Belles.
Britain’s Skyblazers.
British Empire Games.
Camera Crazy.
Campfire Club.
Canadian Carnival.
Canadian Mounties.
Canadian Snow Fun.
Canadian Stampede.
Canoeman’s Holiday.
Card Sharp.
Caution, Danger Ahead.
Chamois Hunt.
Channel Swimmer.
Cinema Capers.
Circus Trainer.
Cleopatra’s Playground.
College Circus.
Connie Mack.
Conquest of Ungava.

49. Country Rhythm.
Crocodile Hunters.
Cruise Ship.
Danger Sleuths.
Day in Manhattan.
Day of the Fight.
Desert Anglers.
Diamond Showcase.
Diving Dynasty.
Dog Scents.
Downhill Yachts.
Eager Minds.
Emergency Doctor.
Escape to Freedom.
Everglades Posse.
Expectant Father.
Fairest of the Finest.
Fast Freight.
Feathered Bullets.
Fighting Fins.
Film Fun.
Finders Keepers.
Fire Fighters.
First Lady of the Turf.
Florida Cowhands.
Flying Padre.
Flying Pinwheels.
Food for Flying.
Football Headliners.
Football Highlights.
Football’s Mighty Mustang.
Fortune Seekers.
Four Minute Fever.
Future Is Now.
Game Warden.
Golden Equator.
Golden Gate.
Golden Glamour.
Golfing with Demaret.

50. Gym College.
Harbor Lady.
Headpin Hints.
Her Honor, the Nurse.
Here Comes the Band.
Herring Hunt.
High Dive Kids.
Hockey Stars’ Summer.
Holiday Island.
Holland Sailing.
Horse Show.
Hot Rod Galahads.
House of Knowledge.
House of Mercy.
Husky Dogs.
I Am a Paratrooper.
Icebreaker.
Inland Seas.
International Road Race.
Iron Fence.
Iron Ponies.
Island Windjammers.
It’s Only Muscle.
Jai Alai.
Johnny Gets His Route.
Just Pets.
Kilroy Returns.
King of Clubs.
Lady Marines.
Lady of the Deep.
Lake Texoma.
Last of the Wild West.
Laughs from the Past.
Laughs of Yesterday.
Law and the Lab.
Leather and Lather.
Let’s Go Fishing.
Letter to a Pilot.
Letter to a Rebel.

51. Lifeguard.
Log Jam.
Lone Star Roundup.
Long Time No See.
Louisiana Territory.
Lure of the Turf.
MacArthur Story.
Madison Square Garden.
Magic Streetcar.
Make Mine Memories.
Male Vanity.
Man with a Record.
Men of Science.
Merchandise Mart.
Mexican Rhythm.
Mission Ship.
Molly Bee Sings.
Mountain Movers.
Movie Oldies.
Nation Is Fifty.
Nature’s Showcase.
New Zealand Rainbow.
Nickelodeon Time.
Nova Scotia Woodcock.
Ocean to Ocean.
Operation A-Bomb.
Operation Icecap.
Overseas Run.
Package of Rhythm.
Pampas Sky Targets.
Phonies, Beware.
Pinkerton Man.
Play Ball.
Polo Aces.
Porpoise Roundup.
Prison with a Future.
Professor F. B. I.
Quebec Camera Hunt.
Races To Remember.

52. Racing Heritage.
Railbird’s Album.
Railroad Special Agent.
Rainbow Chasers.
Recording Session.
Red Cross Report 1956.
Repair for Profit.
Report on Kashmir.
Rescue Squadron.
Research Ranch.
Rest Assured.
Riders of the Andes.
Riding the Wind.
River to the Past.
Roaring Game.
Running the Red Blockade.
Safety Is Their Business.
School for Dogs.
Sea-Going Smoke Eaters.
Seaside Sports.
Second Sight.
Selling Up.
Sentinels in the Air.
Seven Cities of Washington.
Shark Killers.
Ski-Flying.
Ski Riders.
Ski Saga.
Slammin’ Sammy Snead.
Smugglers Beware.
Songs of the Campus.
Sports’ Best.
Sports Island.
Sportsmen’s Playground.
Square Dance Tonight.
Staff of Life.
Stars of Yesterday.
State Trooper.
Striper Time.

53. Summer Is for Kids.
Summer Schussboomers.
Sunshine U.
Sweet Land of Liberty.
Swingtime in Mexico.
Taming the Crippler.
Tanbark and Turf.
Tatooed Stranger.
Ted Williams.
Teenagers on Trial.
That Man Rickey.
They Fly with the Fleet.
This Is Little League.
To the Rescue.
Touchdown Town.
Tower of Destiny.
Trading Post.
Transatlantic Hop.
Untroubled Border.
Water Ski Marathon.
Water, Water, Everywhere.
Way Back When.
Weirton, U. S. A.
West Point Today.
Where Is Jane Doe.
Whereabouts Unknown.
White Peril.
Whitetail Buck.
Wild Birds Winging.
Wild Boar Hunt.
Willie Mays.
Winter Holiday.
Wonders Down Under.
Working with Wings.
You Can Make a Million.
Your Doctor.
Your Fate Is in Your Hands.
RKO RADIO PICTURES, INC.

54. Affair with a Stranger.
Alaskan Eskimo.
Alice in Wonderland.
All Mine To Give.
Americano.
Androcles and the Lion.
Angel Face.
Appointment in Honduras.
Armored Car Robbery.
At Sword’s Point.
Baby Makes Two.
Basketball Highlights.
Bear Country.
Bearly Asleep.
Beaver Valley.
Bee on Guard.
Beezy Bear.
Behave Yourself.
Bengazi.
Best of the Badmen.
Beware, My Lovely.
Beyond a Reasonable Doubt.
Big Frame.
Big Sky.
Blackbeard the Pirate.
Blue Veil.
Bold and the Brave.
Border Treasure.
Born To Be Bad.
Brain Machine.
Brave Engineer.
Brave One.
Brooklyn Buckaroos.
Bunco Squad.
Bundle of Joy.
Camp Dog.
Canadian Lancers.
Canvas Back Duck.
Captive Women.

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