Volpone by Ben Jonson

Volpone by Ben Jonson

1. Presented by : aswathy elizabath sunny st . Thomas college , palai SEMINAR VOLPONE

2. MAJOR THEMES IN VOLPONE GREED ANIMALIZATION PARASITISM METATHEATRICALITY VENGEANCE DECEPTION KNOWLEDGE/IGNORANCE

3. GREED The theme of greed pervades the entire play. It is embodies by  Volpone ,  Mosca , and all the "clients .“ Ultimately, it is greed which causes Volpone and Mosca's downfall. the greed for money. the greedy desire to amass power , respect and to indulge sexual lust.

4. ANIMALIZATION Animalization, that is, Jonson's representation of characters as their namesake animals, transforms  Volpone  into a kind of fable. The Animalization theme reveals the motivations of every character. As a result, the audience can focus more readily on the underlying meaning of the play instead of the how and the what

5. PARASITISM Volpone , Mosca , and all the clients are competing parasites. The entire play revolves around the universal guiding principle that ,everyone is a parasite, but some are better at it than others. They are all parasites, flies and carrion birds competing over Volpone's dying carcass . Mosca - the cleverest parasite of all - is fully aware of his parasitic status .

6. METATHEATRICALITY Volpone  is intended to demonstrate refined, serious, Classically-influenced comedy that might instruct rather than simply amuse. Of course, ironically, that does not make his plays-within-the-play any less amusing. Plays with in a play. From Jonson's perspective, as expressed in the Epistle and the Prologue, this kind of lowbrow humor is a travesty. Volpone , who appears to enjoy theater , is without a doubt in desperate need of moral education. Jonson argues that Volpone's love of theater provides the perfect opportunity to "inform [him] in the best reason of living."

7. VENGEANCE The theme of Vengeance is much more prominent in the subplot of  Volpone . The story of Sir Politic and  Peregrine , besides being a warning to the English state, points out the ludicrousness of traditional vengeance. Peregrine , who only thinks he has been wronged, drives Sir Politic to leave Venice merely for the satisfaction of saying "Now, we are even" (5.4.74). If nothing else, this parable teaches us that vengeance is a childish pursuit.

8. DECEPTION Like greed, deception pervades the entire play . As a theme, deception has the effect of marking characters for punishment. In the main plot of  Volpone , Jonson's sense of poetic justice is such that any character who deceives another is ultimately punished.  Bonario  and Celia, who never engage in deception but who are honest to the last, are exempted from punishment. Mosca , Volpone , and the rest of the clients all get their comeuppance.

9. KNOWLEDGE/IGNORANCE Jonson's extensive use of dramatic irony ensures that only the audience is fully aware of each character's situation. During the course of the play's action, no characters on stage know as much as the audience; they are all thus ignorant, though some are more ignorant than others . This knowledge-ignorance dialectic develops the conflict of both the main plot and the subplot. Sir Politic, who epitomizes ignorance, and Peregrine, who epitomizes knowledge, clash in predictable ways. Jonson plays with the knowing position of the audience, inviting us to consider their moral failings from an unsurprised position. Thus he equates ignorance with moral chicanery and knowledge with moral instruction.

10. SCENES FROM VOLPONE

11. HOMOUR PLAYS