Week 3 Integrative-Art-as-Applied-to.pptx

Contemporary Arts from the region week 3

1. Integrative Art as Applied to Contemporary Art Researches on various contemporary art forms, explains Filipino Artists roles and Contribution CAR11/12CAP-0c-e-4/5

2. Theatre is a collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, or dance. Some of the Theater Play in the Philippines are the following.

3. What I have learned 1. The Philippine Contemporary Art can be classified into seven major art forms. These are painting, sculpture , architecture, film, literature, music and theater, and dance . 2. Philippine contemporary arts can be described into visual arts, literary arts and performing arts. 3. Visual art is an expression of artistic ideas through images, structures, and tactile work. Painting, sculpture, architecture, and film are examples of visual arts.

4. 4. Painting the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. 5. Sculpture is an art form in which hard or plastic materials are worked into three-dimensional art objects.

5. 6. Architecture is the art and practice of designing and constructing buildings (Cambridge Advanced Learner’s Dictionary & Thesaurus). 7. Film is a form of visual art use to imitate experiences that communicate ideas, stories, or feelings with the use of moving images. It is also called a movie or motion picture. 8. Literary arts are an expression of ideas through writing. Literary arts can be categorized as poetry, prose, and drama .

6. 9. Literature is a term used to describe written and sometimes spoken material (Lombardi, 2020). 10. A person doing certain actions and movements in front of an audience that go along with sound in a space and time is called Performing Arts.

7. 11. Music is a collection of coordinated sound or sounds. 12. Theatre is a collaborative form of fine art that uses live performers to present the experience of a real or imagined event before a live audience in a specific place. 13. Dance, the movement of the body in a rhythmic way, usually to music and within a given space, for the purpose of expressing an idea or emotion, releasing energy, or simply taking delight in the movement itself.

8. APO WHANG OD - Last and oldest practitioner of Kalinga tattooing or mambabatok . Whang - od Oggay born February 17, 1917), also known as Maria Oggay , is a Filipino tattoo artist from Buscalan , Tinglayan , Kalinga, Philippines. Whang-od’s tribal tattoo ink is made up of charcoal and water. Once mixed, it is tapped into the skin using a thorn from a citrus tree — eitherfrom calamansi or pomelo. The thorn is then attached to a 12-inch long bamboo stick and from there, Whang - od will start tapping it deep into your skin. She has sample designs so that you can choose which design you’dlike . The locals or your tour guide will then gently relay your request to Whang - od and from there she will start tapping your desired design.

9. Keep ThIS IN MIND! In the Philippines, contemporary art practice consists of living traditions and studio arts. Living traditions/traditional arts refer to the crafting of material arts or artistic traditional ways that are passed on from one generation to the next within the context of daily life in the community. Collective cultural meaning and perfection of artistic ways are emphasized. Traditional art must have originality and uniqueness of expression.

10. Instruction: Write an Essay about the preservation of traditional art. Using guide questions, write your ideas briefly. Write it on your answer sheet. • What is your stand about traditional tattooing? • Why do we need to promote local arts? • As a Filipino, if given a chance to get a tattoo are you willing to be tattooed by Apo Whang - od ? Why? • Are you proud knowing that we had a legendary tattoo artist? Why? • As a new generation how are you going to promote local artists? • What are the ways you can suggest to preserve local arts?

11. ABSTRACT EXPRESSIONISM Is an art style in which the artist applies paint, for example in a manner that expresses emotions and feelings in a spontaneous way. The figured may be heavy in lines and color without solid mass.

12. KINETIC ART is a sculpture that may be moved by the wind or powered by machine or electricity.

13. OP ART Use lines or images repeatedly to create optical illusion

14. ENVIRONMENTAL ART Involves the artistic creation or manipulation of space such as landscape or architectural design that may enclose its audience. earthwork or art using stones, leaves, trees, grass, or other elements are included.

15. FEMINIST ART Emerged from concerns of female artists expressed through art. They tackle issues of identity , sexuality, gender roles, equality and the ways in which the female is treated in society, among others.

16. MINIMALISM Has a stripped-down, prefabricated look, free of details and often with flat surface, but expresses a specific content or statement. among others.

17. VIDEO ART Consist of images that are recorded through a video and viewed through television, computer or projection screen.

18. GRAFITTI ART Is a drawing, inscription, or sketch done hastily on a wall or other surface made to be seen by the public

19. GRAFITTI ART Is a drawing, inscription, or sketch done hastily on a wall or other surface made to be seen by the public

20. POST MODERN ART Carries modern styles to extreme practices, often expressing an idea through a mix of materials such as found objects welded together.

21. BODY ART Is an form that uses the body as the medium or main material, it can be painted or clothed and used for an art performance in public. Tattooing and piercing are examples of body art.

22. Is done with the aid of computer to create an image or design composed of bits and bytes. The image can be printed on paper, tarpaulin, or other mediums. DIGITAL ART

23. NATIONAL CAPITAL REGION NEO-REALISM VICTORIO EDADES – his arts are influenced by western cubism where objects and subjects are analysed and broken down into geometric structures and shapes viewed from a multiplicity of angles. Rendering characters in and aspects of Philippine daily life such as fishermen, jeepneys, calesas, boats, fisher-folk, church devotees, vendors and shoppers in flat shapes patterns, or stylized form.

24. Traditional Cordilleran Bulul, Culture of Ancestors in Contemporary Art The bulul is a figure representing ancestors who guard both rice agricul_x0002_ture from seed to granary, as well as the health of the Cordilleran people. Bulul may be male or female, normally portrayed squatting on the ground with knees folded up to support its crossed arms. It is commonly carved from a log of narra or ipil, and at times in stone. The most important element of art to observe in the bulul is form, while the most important principle to analyze is proportion .

25. Traditional Cordilleran Bulul, Culture of Ancestors in Contemporary Art Santiago Bose (1949-2002), an artist with Ilocano and Igorot roots, underscored his Cordilleran ancestral culture in his life work. He brought folk religion, mythology, rituals and tribal traditions into the national and global arena. Bose influenced surrealist painter Roberto Villanueva to pursue this direction through performance and installations. He also inspired artists like Alwin Reamillo, Arnell Agawin, Perry Mamaril ,and Kawayan de Guia to become "cultural drifters" like him. These younger artists,who moved from one ancestral abode to another, refined Bose's visual style, exploring the most innovative media in re-examining cultural heritage in the context of the fast - changing global milieu.

26. works of santi bose

27. Botong school of painting in Angono Botong school of painting in Angono . The painting style of Carlos " Botong Fancisco lives on in his hometown of Angono , where painters who were his students and followers continue to romanticize their local rural life. The carry on Botong's painting approach to subject like bayaniban,fishing , farming, landscapes with carabaos, the Laguna Lake,local churches of Rizal province, and cultural festivals such as the Higantes , Viva Kristo Rey, and Flores de Mayo. They follow the lively composition of robust figures and ornamental landscapes defined by graceful lines and patterns.

28. Botong school of painting in Angono The most notable principles of art to observe in the Botong school of painting are proportion, balance, symmetry, variety, emphasis, and movement. The most prominent painters of this school are Jose Blanco(1932-2008)and his family of painters which include Perdigon Vocalan , Tam Austria (b 1943), Salvador Juban , Pepito Villaluz , Manuel Unidad, and Nemesio Miranda（b 1949).These artists are committed to keep alive the painting trad i tion of Botong in their canvases, preserve Angono's rich cultural heritage, and keep their beloved town in the culture and tourism map of the countr y.

29. colorful painted carvings The brothers Manuel and Angelito Baldemor are well known for their distinct personal styles of colorfully painted carvings of pastoral landscapes a nd scenery. Manuel is a painter who has done three-dimensional cubist influenced painted carvings of themes of folk and rural life. Angelito specializes in carving colorful realistic reliefs of still life, flora, and fauna with fine details like those of santan flowers, rice grains, basket weaves, and mat.

30. colorful painted carvings

31. colorful painted carvings The Anino Shadow play Collective , founded in 1996, is a group of art practitioners originating from the Philippine High School for the Arts, a government-run secondary school for artistically gifted students located in the forest reserves of Mt. Makiling in Laguna. The collective is composed of visual artists, musicians, and multi-disciplinary cultural workers. It grew out of young students engaging in the game of shadow playing during the time of the energy crisis when flashlights, candles, and gas lamps were their only source of evening light. Among its pioneering visual artist members were Don Salubayba , Datu Arellano, and Marc Cosico .

32. colorful painted carvings

33. visayas The National Commission for Culture and the Arts (NCCA) has facilitated the establishment of twenty-two schools of living traditions housed in balayturun -an among the Panay-Bukidnon in Capiz and Iloilo. The mother school is in Central Panay.

34. visayas The three basic art forms taught in these schools are : 1) epic chanting of Suguidanon about the adventures of the brothers Labaw Donggon and Humadapnon ; 2) the art of embroidery called panubok which is used to adorn the saipang , the traditional red or white blouse for girls and women, with patterns of flowers, stars, water, vines, birds, and insects rendered in simple, rhythmic, and repeated zigzag, straight lines, triangles and diamond forms; 3) the binanog , which was originally a courtship dance performed dur i ng harvests and weddings, where dancers vigorously stamp their feet and gracefully outstretch their arms like birds' wings; 4)making and playing musical instruments such as the tambol and kubing, and 4)making bamboo handicrafts such as trays and baskets.

35. visayas

36. visayas

37. visayas The schools of living traditions of the Ati of Antique, Negros Oriental, and Guimaras sustain their nascent lifestyle, language, and environment as they go about their hunting, foraging, and weaving of baskets from nito and uway.

38. visayas Mat weaving in Basey , Samar features designs which comprise of a border pattern and a central motif. Common images featured in the designs include flo w ers such as hibiscus and sampaguita; leaves such as palay , fern, and neem; and plumage such as peacock or rooster feathers. Some weavers include portraits of famous figures or personalities and exotic landscapes and seascapes. Traditional colors are maroon and green, although the weavers today have an expansive palette of rainbow colors to work with. There is an NCCA-supported school of living tradition in Basiao , Basey which propagates mat weaving from tikog .

39. visayas

40. visayas The Martino Abellana (1914-1988)school of painting in Cebu is named after the master realist of portraits and landscapes. Abellana's style is characterized by a chiaroscuro defined by a unique use of color progression: from warm hues of yellow, to orange, to red, to cool green, to blue and violet. Bernardo Hermoso , Jose Ybanez , Antonio Ylanan , Siegfredo Galan, Isabelo Quiles , Arlene Villaver , and Florentino Impas,Jr . are the artists influenced by Abellana who have excelled in their own personal styles.

41. visayas

42. visayas Patadyong is a traditional plaid textile which women weave in Antique, Iloilo, and Negros Occidental, made of mostly primary colors of red, yellow, blue, and secondary colors of orange, purple, and green. The cloth is woven in stripes, squares, and rectangles, and is commonly used as a wrap-around skirt in lowland Christian culture, Including southern Luzon.

43. visayas The aesthetics of the patadyong have been a strong influence in contemporary art expressions in the region, notably in the works of the group in Bacolod called Black Artists of Asia . It was founded by Norberto Roldan, Nunelucio Alvarado, Charlie Co and Dennis Ascalon in order to explore new styles of expression while dealing with issues affecting the social and cultural life of local people.

44. visayas

45. OGTONGANON JEFF TICAO HABLON PATADYONG AND FACE MASK

46. Ilonggo Artist Rock Drilon Iloilo-born painter Rock Drilon was a protege of National Artist Jose Joya . After three decades of an art career in Manila, Drilon returned to Dumangas , Iloilo to live, work, and enliven the art scene there. He is known for his highly personal style of abstract expressionism. His canvases are suffused with thin coats of middle tone hues, then scratched in subtraction method to create overlays of different textures and inscribed planes. He applies audacious brushstrokes of pigment and lets them drip. He would then paint forms of boundless coils and knots over them like a toddler lost in playing with yarns.

47. rock drilon’s works

48. Boy Masculino and Pugad Artist (Oton, Iloilo)

49. A bronze of Datu Paiburong at the Iloilo River Esplanade. A project of the JCI (Junior Chamber International) Iloilo Ilang-Ilang in partnership with the Iloilo City Government, the warrior statue is showcased to show Iloilo City's Dinagyang Festival, just in time for its celebration during January. The statue which depicts Datu Paiburong as the Iloilo Dinagyang Warrior conceptualized and designed by local artist Boy Maculino . It stands 15 feet from its base and will be made from cement with a bronze finishing.

50. There are various ethnolinguistic communities in Mindanao such as the B'laan , Bagobo, Bukidnon （ Talaandig and Manobo), Higaonon , Mandaya, Maguindanao, Mansaka , and Subanen . The NCCA supports twenty-two schools of living traditions in Mindanao where subjects taught by elders include weaving and embroidery of attire, mat weaving, dance, making musical instruments, and crafting bead accessories. All of these are integrated and kept alive in daily life. The malong has been traditionally used for various purposes. It is used as a skirt for both men and women, a blanket, dressing cover, hammock, and as a prayer mat. It is also used for rituals and the malong dance.

51. mindanao

52. mindanao In Zamboanga del Sur,the Subanen of Sitio Carayagan in Josefina make notable bead accessories. Patterns in the bead design called karitis , sabat , and batangyawe are repeated diamonds and zigzags in colors of yellow, red, blue, and green.

53. Ukkil from Mindanao as National Symbol Ukkil or okir is the distinct traditional art form representing Mindanao. It is a curvilinear motif representing the mythical dragon, naga , or serpent, often enhanced with elaborate leaf and vine patterns. It is woven or embroidered in clothing, sculpted into wooden house beams called panolong , carved on grave markers, incised on wooden chests, boxes, and bamboo musical instruments, engraved on handles of swords and blades, and etched into cast brass and silver vessels.

54. A composite of ukkil forms, the sarimanok is a symbol in the form of a rooster with a hanging fish in its beak, bringing the naga to a resplendent flourish. The best of these are handcrafted in Tugaya , Lanao del Sur, a famous heritage center for traditional Maranao. National Artist Abdul- mari Imao was instrumental in popularizing the ukkil motif and the sarimanok , educating Filipinos to appreciate these as national symbols. Liga- ya Amilbangsa has been largely influential in propagating the pangalay dance as truly Filipino. GAMABA mat weaver Haja Amina Appi from Sama uses ukkil in the wave motifs in her tepo . Despite originating from Filipino Muslim culture, these designs are recognized and admired by all Filipinos.

55. ukkil from mindanao as a national symbol

56. A manipulation of space that uses different elements and uses earth-works to show land art ____________ 2. An art that uses lines and images repeatedly that creates a moving effect or illusion _________

57. 3. Artists are usually expressing their art by using issues of identity, sexuality, gender roles, equality and ways of female is treated in the society______ 4. A unique artistic way of creating sculpture that can be moved by wind and powered by machine to show how its beauty_________

58. 5. An artistic way of expressing emotions and feelings in a spontaneous way using mixed media like paint________________ 6. A trending art for the millennials that uses computer to create an image or design and can be printed on papers and tarpaulins __________ 7. A way of drawing or inscription done heartily on wall or any surface made to be seen by the public_________ 8. This artistic form expresses specific content or statement with prefabricated look and flat surface________

59. 9. It is the most used form for children it consist of images that has been recorded through a video________ 10. It uses the body as the main medium or main material, it can be painted or clothed for art performance in public_______________

60. Thank you!!!