3 Vision Of Art-Abstract Art, Cubist Art and Landscape Art work.pdf
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Aug 29, 2025
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About This Presentation
1. Abstract Art
Vision: To move beyond the literal representation of the visible world. Abstract art uses a visual language of form, color, line, and texture to create a composition which may exist with a degree of independence from visual references in the world. Its primary subject is not a person...
1. Abstract Art
Vision: To move beyond the literal representation of the visible world. Abstract art uses a visual language of form, color, line, and texture to create a composition which may exist with a degree of independence from visual references in the world. Its primary subject is not a person or a tree, but the emotion, energy, or idea itself.
2. Cubist Art
Vision: To shatter and reassemble reality from multiple viewpoints simultaneously. Pioneered by Pablo Picasso and Georges Braque, Cubism abandoned the single, fixed perspective that had dominated art since the Renaissance. It seeks to represent the full essence of a subject by breaking it down into geometric fragments and showing it from all angles at once.
3. Landscape Art
Vision: To capture the essence, mood, and sublime beauty of the natural world—from vast, untouched wilderness to serene pastoral scenes and dramatic skyscapes. It is an artistic response to the environment, often reflecting the artist's emotional state or cultural values.
Size: 2.1 MB
Language: en
Added: Aug 29, 2025
Slides: 8 pages
Slide Content
Three Visions of Art: Understanding Landscape, Abstract, and Cubist
Styles
A Study of Cubist Art, Abstract Art and Landscape Art
Art is not just a representation of reality; it serves as a dialogue among the artist, the observer,
and the world at large. This dialogue has transformed significantly over the centuries, shifting
from accurate representation to the breakdown of form and ultimately to the raw expression of
emotion and concept. Through examining the unique but occasionally linked domains of
Landscape, Cubist, and Abstract art, we can follow this captivating path of visual creativity.
1: Landscape Art
The Earth as a Performance Landscape art elevates the natural environment — its landforms,
ambiance, illumination, and features — to the level of primary focus. Previously just a setting for
religious or historical moments, landscapes achieved independence during the Renaissance
and thrived in the 17th-century Dutch Golden Age.
Main Features:
Emphasize Nature: The mountains, valleys, rivers, forests, skies, and weather are the central
figures of the story.
Atmosphere and Light: Artists carefully portray how light affects scenes at varying times of day
(e.g., the golden hour) and in diverse weather conditions, a method termed chiaroscuro.
Viewpoint: The application of linear and aerial perspective enhances depth perception,
engaging the observer in the scene.
Emotion and Significance: Sceneries are seldom impartial. They can inspire tranquility (the
Sublime), awe (the Pastoral), or even a sense of foreboding, frequently mirroring the artist’s
emotional condition or philosophical perspectives on nature.
Landscape Painting Art — Canvas Art Work
Renowned Artists and Their Creations:
Claude Monet (Impressionism): series of Water Lilies. Concentrated on the transient impacts of
light and reflection.
J.M.W. Turner (Romanticism): Emphasized nature’s strength and magnificent elegance.
Vincent van Gogh (Post-Impressionism): The Sky at Night Brimming with Stars, Employed
landscape as a medium for emotional and spiritual expression, featuring dynamic, fluid
brushstrokes.
Ansel Adams (Photography): His monochrome images of the American West showcase
contemporary landscapes that highlight magnificence and intricacy.
Legacy: Landscape art shows us how to recognize and value the beauty and strength of our
natural surroundings, capturing it in both realistic and impressionistic forms.
2: Cubist Art
Breaking the Monolithic Viewpoint Evolving in the early 1900s, led by Pablo Picasso and
Georges Braque, Cubism represented a dramatic departure from hundreds of years of artistic
conventions. It dismissed the concept of art as a view into an actual reality. Cubism sought to
depict subjects from various perspectives at once, breaking them apart and reconstructing them
in an abstract manner.
Cubist Art Work for Beginners
Main Features:
Geometric Fragmentation: Items are divided into geometric forms — cubes, cones, cylinders,
and spheres.
Multiple Viewpoints: The artist depicts the subject from several angles at once (front, back,
side, top), contrasting the one-perspective method of the Renaissance
Neutral Palette: The initial phase of “Analytic Cubism” predominantly utilized subdued browns,
greys, and blacks to emphasize form and structure. Subsequently, “Synthetic Cubism”
incorporated more vibrant colors and collage components (such as newspapers, wallpapers).
Flat Picture Plane: The sense of depth is sacrificed for a condensed, shallow area where forms
intersect and overlap one another.
Cubism Art Work
Picasso Art Work
Renowned Artists and Their Creations:
Pablo Picasso: Les Demoiselles d’Avignon (proto-Cubist), Guernica (an iconic Cubist artwork
illustrating the atrocities of conflict).
Georges Braque: Dwellings in L’Estaque. An essential example of early Cubist artwork.
Juan Gris: Improved the Cubist approach by incorporating a heightened sense of organization
and clarity.
Legacy: Cubism was arguably the most impactful artistic movement of the 20th century. It
fundamentally transformed our perspective, paving the way for entirely non-representational art
by demonstrating that a painting can exist as an entity in its own right, rather than merely a
replica of reality.
3: Abstract Art
The Inner Universe Abstract art entirely removes itself from any visual connections to the world.
It aims not to depict a familiar subject but employs shapes, forms, colors, and gestural marks to
create its impact. Its strength is in its capacity to express raw emotion, feeling, or spiritual
concepts directly to the observer.
Abstract Art Work
Main Features:
Non-Representational: There is no recognizable subject matter from the outside world.
Focus on Aspects: The fundamental aspects of art — color (e.g., Wassily Kandinsky’s
synesthetic bursts), line (e.g., Piet Mondrian’s strict grids), shape, and texture — transform into
the subject matter.
Subjectivity: Interpretation of meaning varies. The emotional and intellectual reaction of the
viewer is an essential aspect of the artwork’s fulfillment.
Varied Methods: Spans from the deliberate, geometric simplification of Mondrian to the
instinctive, dynamic “Action Painting” of Jackson Pollock.
Modern & Stunning Abstract Art Work
Renowned Artists and Their Creations:
Wassily Kandinsky: Frequently recognized as the forerunner of pure abstraction. His creations
are symphonies of hue and structure.
Piet Mondrian: Simplified art to its fundamental components: vertical and horizontal black lines
along with primary colors in his Neo-Plasticize.
Jackson Pollock: Dropped and spilled paint onto canvases on the ground, seizing the raw
vitality of the artistic process itself.
Mark Rothko: Produced expansive, radiant color field artworks designed to inspire deep
emotional and spiritual reflection.
Legacy: Abstract art broadened the understanding of what art can be. It emphasized the artist’s
inner realm and the viewer’s subjective experience, transforming art into a more personal,
philosophical, and universally understandable form of expression.
Connections and Development
These three actions are linked, they represent a unified progression.
Landscape represented the world as observed.
Cubism challenged our perception by deconstructing the world into its fundamental elements
and various viewpoints.
Abstract Art completely disregarded the external world in favor of delving into the pure essence
of art and the inner psyche.
The journey of an individual artist can also embody this evolution. For instance, Piet Mondrian
started with painting conventional Dutch landscapes. He subsequently extracted the core of
those landscapes (such as trees and the ocean) into progressively Cubist patterns, eventually
reaching his entirely abstract geometric approach.