The Little-Known Lives on the Voltaire
By Richard Irvine
If you ask Rigging Rascal, a twelve-year-old black cabin boy aboard the ocean-going Voltaire,
what his life is like, he’ll fix you with a glare sharper than a sea breeze and reply, “What do you
know?”
Press him further—say, with a chocolate bar in hand—and he might relent, adding, “You just do
not know. While you gentlemen stroll along the decks, I live a vertical life.”
Rigging Rascal—his real name unknown, and why should it matter?—has been aboard the
Voltaire for only a month. Not long ago, he was sweating it out in the hold of a Baltimore Clipper,
the infamous slaver type, moored in Praia Bay, Cabo Verde.
A cabin boy starts at the very bottom of a sea-faring career. And if anyone takes “climbing the
social ladder” literally, it’s Rascal.
Each day, he scampers down to the orlop deck to fetch provisions or up to the crow’s nest,
where the barrelman scans the horizon. The boy practically lives on the rigging, making his
“vertical life” more than just a metaphor.
Rascal doesn’t know why it’s called the crow’s nest—“Nobody’s ever seen a crow there,” he
tells me—but the second mate, a teller of tall tales if ever there was one, would disagree. The
term, he insists, dates back to the Vikings, who carried caged ravens aboard their ships. In
times of poor visibility, a bird would be released, its flight guiding sailors toward the nearest
land.
Colorful tales like these abound on a vessel like the Voltaire, whose voyages span months and
oceans. The first mate, for instance, always steps aboard with his right foot, the one sporting a
tattoo of a pig. He claims the pig will guide him to shore should he ever find himself overboard—
a precaution, perhaps, against mutiny, which is less rare in the marine world than one might
hope.
Then there’s the rumor about Father Jean Marchet, the young Paris Society missionary whose
presence some say marks him as a Jonah—a harbinger of divine wrath. “Don’t stand too close,”
one sailor quipped, “or Hadad, the Sea God, might take you down with him!”
Anne Sophie, a wealthy merchant from Nantes traveling with her family, is another alleged
Jonah. Her crime? She speaks first to anyone she meets—a habit that sailors, ever
superstitious, claim tempts fate.
The Jonah myth is a favorite subject of the ship’s old timer, a weather-beaten Scandinavian who
swears he descends from a Viking captain. Over a gathering or in private, he’ll recount how
sailors, fearing divine wrath, tossed Jonah overboard. But his memory being what it is, he often
muddles in Norse mythology. “So,” he’ll say, “the frightened sailors throw Jonah overboard, and
Jormungandr, the great serpent, swallows him whole!”
The old timer himself is the protagonist of another story: The Old Timer’s Pet. It’s so popular it’s
been turned into a sea shanty, chanted with glee by the crew: