ar renders and visionrie who refine
[de cor: of erativity inc De Kart Alexandre
iia belongs othe later. Long before his
pos collected diplomas, he was already rafting zac,
eng and selling bi fit vents hols gration,»
prelude tothe entreprenuria journey that would shape his
Iie His path has never ben inca, nor comfortable; i has
boon defined by defiance, oi, and an unyicding,
parm of mateo
When he retumed to Dai, he bici entered the world of
went advo, bt the constraints of convertion could
bold hack his creative init, Wha stare a sketches. on
‘kitchen table quickly became Kali - Maison de Haute
Sailers, bran foundod on conviction rather han
‘ommmeec. His works challenge th expected vocabulary of
Try, they are sculpural representations of arte,
motion, and iden, ar peces Bat whisper rather than
St
lot he Founder and Creative Director of Kart,
Maison de Haute Joallere, and he ink the at and
‘sins words with uncommon ase: Dr. Chiara, guided
by discipline, vision, and a pasion for eraftemanshp, le
resting moro tan ju a jewelry home: he erating a
legacy in which imagination mots accuracy and beauty
‘comes inevitable
“The Fatty Victory
Dr Chérie entrepreneil init arc cari
Before university graduation ceremones concluded, he had
already bul and sold his it company The venture proved
‘modest in scale but monumental in kon, it aught im a
‘eas could material, ha markets won respond o
Conviction, that exit trios mattered we much entry
points
Reuring o Dubs, he stepped rly int the Family it,
ii Forts and navigating the intricate machinery of
‘west menagement Yel ori Fundament reac!
‘The presided pa Flt on tin, too mapped. Hie
creative spit demand wilderness, not well wor til.
“The itchen table became his drafting boat. Init
stiches for what would become Karte emerged there,
‘ough geometries hat refined the cra: tend obese
jewelry aouhetc He envisioncd scutes, jewel
second. He wanted pices tht el discovered ater han
desired, incvible rather than invented
Birth of Howse
Karo, Maison de Haute Joaillerie materialized from
fiance i is pure form. Chiara had pro weary of
Pur predictably, of marketing budget psig
imagination. The industry chumed out logo deiven pieces
while pocty and danger evaporated from high jenen. He
decis o retro bath
hi oanding principle carried deceive smi
creating one of Kind works anchored in croton and
marativ. Maseprodacion held no appl stead, he
‘constructed tudio that privileges, private commons,
“<apaulocollcios, poc xo calpe! they command
enon like mum tall
‘Th inspirations run dep and wide. Phocniian sirens
whisper trag certain designs Desert (cams take fights
in others Venetian mark lend mystery lo il ther He
dene rom arte mathematical precision.
‘mythology’ timeless resonance, and his own mutica
ere Fach pico cmerges a translation, myth ito gol,
memory int son, geomet ino emotion.
PT ante tos jewelry sacara that corres hry,
ur, and seu, he expli, Tis pilomphy sated a
specific collector o those scking meaning over logos,
arte over novelty, permanence over ping Fashion.
“The Red-Carpet Whisper Campaign
Growth arrived nat through advertising spend but tough
reputation, passed hand to hand like sacred txt, Duka
creative community noticed Ft Then peces migrated to
intel sages ike Cann, Venice he word most
photographed moment
Naomi Campbell wore Karo. Marina Ray Rarboss carried
{he house's work nto global sings, including EMIGALA
2025, Nowr Al Ghandour chose the brand. These were
aid partnership or clebrity contrac they represor
pame recogrivon fom icons who undertood erat
“Thc home remains ferely independent, a studio more than
ani intgry stands as schicvment equal o any red
pet moment
Cons 63