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For studets

1. Neo-Impressionism, movement in French painting of the late 19th century that reacted against the empirical realism of Impressionism by relying on systematic calculation and scientific theory to achieve predetermined visual effects.

2. Neo-Impressionism, movement in French painting of the late 19th century that reacted against the empirical realism of Impressionism by relying on systematic calculation and scientific theory to achieve predetermined visual effects. Whereas the Impressionist painters spontaneously recorded nature in terms of the fugitive effects of color and light, the Neo-Impressionists applied scientific optical principles of light and color to create strictly formalized compositions.

3. Neo-Impressionism, movement in French painting of the late 19th century that reacted against the empirical realism of Impressionism by relying on systematic calculation and scientific theory to achieve predetermined visual effects. Whereas the Impressionist painters spontaneously recorded nature in terms of the fugitive effects of color and light, the Neo-Impressionists applied scientific optical principles of light and color to create strictly formalized compositions. Neo-Impressionism was led by Georges Seurat, who was its original theorist and most significant artist, and by Paul Signac, also an important artist and the movement’s major spokesman.

4. Neo-Impressionism, movement in French painting of the late 19th century that reacted against the empirical realism of Impressionism by relying on systematic calculation and scientific theory to achieve predetermined visual effects. Whereas the Impressionist painters spontaneously recorded nature in terms of the fugitive effects of color and light, the Neo-Impressionists applied scientific optical principles of light and color to create strictly formalized compositions. Neo-Impressionism was led by Georges Seurat, who was its original theorist and most significant artist, and by Paul Signac, also an important artist and the movement’s major spokesman. The terms  divisionism  and  pointillism  originated in descriptions of Seurat’s painting technique

5. Neo-Impressionism, movement in French painting of the late 19th century that reacted against the empirical realism of Impressionism by relying on systematic calculation and scientific theory to achieve predetermined visual effects. Whereas the Impressionist painters spontaneously recorded nature in terms of the fugitive effects of color and light, the Neo-Impressionists applied scientific optical principles of light and color to create strictly formalized compositions. Neo-Impressionism was led by Georges Seurat, who was its original theorist and most significant artist, and by Paul Signac, also an important artist and the movement’s major spokesman. Pointillism is characterized by the application of small, distinct dots of color. When viewed from a distance, these dots blend visually, creating a luminous effect. This technique requires patience and precision, as artists must carefully place each dot to achieve the desired outcome

6. Neo-Impressionism, movement in French painting of the late 19th century that reacted against the empirical realism of Impressionism by relying on systematic calculation and scientific theory to achieve predetermined visual effects. Whereas the Impressionist painters spontaneously recorded nature in terms of the fugitive effects of color and light, the Neo-Impressionists applied scientific optical principles of light and color to create strictly formalized compositions. Neo-Impressionism was led by Georges Seurat, who was its original theorist and most significant artist, and by Paul Signac, also an important artist and the movement’s major spokesman. Pointillism is characterized by the application of small, distinct dots of color. When viewed from a distance, these dots blend visually, creating a luminous effect. This technique requires patience and precision, as artists must carefully place each dot to achieve the desired outcome Divisionism is similar to Pointillism but focuses more on separating colors into distinct areas rather than blending them optically. This method emphasizes the individual strokes of paint, allowing for greater vibrancy and intensity in color.

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