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Auto-ethnography is a literary term that refers to an author who uses self-reflection and writing to
explore anecdotal and personal experiences and connect this autobiographical story to wider
cultural, political, and social meanings and understandings. It is a self-reflective form of writing
used across various disciplines such as communication studies, performance studies,
education, English literature, anthropology, social work, sociology, history, psychology, religious
studies, marketing, business and educational administration, arts education, nursing,
and physiotherapy. "Auto-ethnography is a research method that: Uses a researcher's personal
experience to describe and critique cultural beliefs, practices, and experiences. Acknowledges and
values a researcher's relationships with others... Shows 'people in the process of figuring out what
to do, how to live, and the meaning of their struggles'" (Adams, 2015).
In Bangladeshi literature, we can see auto-ethnography, some well-known Bangladeshi writers
such as Syed Manzoorul Islam, Kaiser Haq, Kaiser Haq, Fakrul Alam, Humayun Ahmed,
Tahmima Anam, Akhteruzzaman Elias and so on. Most of their writing is auto-ethnography.
For example, Kaiser Haq’s “Partition and Bangladeshi literary Response” where he describes his
thought about partition. Fakrul Alam’s “Travelogue: In the Land of No Worries,” is also an auto-
ethnography essay.
Through this auto-ethnography writing, a reader can easily know the background of the writer, the
opinion of the writer, the writer's personal experiences, and his/her idea of thinking. Through this
auto-ethnography, a writer can easily circulate his/her culture to the reader, and a reader can easily
know a different culture, custom, religion, and language.
C. Partition 1905