Two Christmas Choral Pieces - Rhidian Jones
C
hurch musicians currently approach a
busy season with its special services
and concerts. As usual, at All Saints Church
we look forward to three major services, at
Advent, Christmas and Epiphany. In this
issue of The Bridge, I’d like to mention two
of the choir’s offerings in the forthcoming
service of Nine Lessons and Carols on
23
rd
December. Amongst other things, at
that service we’ll be singing two pieces by
English composers, written fewer than ten
years apart, one by Herbert Howells, the
other by Peter Warlock.
Herbert Howells (1892-1983) was one of the
major English composers of the twentieth
century. Born in Gloucester, he was
taught by Stanford, Parry and Wood, and
was greatly influenced by his friend Ralph
Vaughan Williams. He took a scholarly
interest in Tudor and Jacobean music,
then largely unpublished. As a teacher, he
was influential upon the next generation of
English composers including Gordon Jacob
and Imogen Holst.
His ‘Carol-anthem for use at Christmastide’
A Spotless Rose was published in 1919,
remaining a favourite to this day. Its text is a
translation of the delicate medieval German
text Es ist ein Ros entsprungen: ‘A spotless
rose is blowing, sprung from a tender root,
of ancient seers’ foreshowing, of Jesse
promised fruit’.
I am struck by the unusual but apt
performance direction, ‘With easeful
movement’, which conveys much of
its character. There is a rapidly flowing
melody, rising and falling within an octave,
repeated at a higher pitch. The first verse
is harmonised chordally, the chord changing
with each note of the melody. The second
verse is given to a tenor soloist with a less
hurried choral harmonisation. We are taken
unawares near the end at the text ‘in a cold
winter’s night’, where the movement is
unexpectedly halted for the word ‘cold’ to be
repeated, followed by a broadening of the
melody. The melody is not a folk melody nor
is it plainsong, yet its freedom suggests both.
S
aturday November 17
th
was a very
special day for six of our senior girls
as they got the opportunity to sing Choral
Evensong with the choir of St Paul’s
Cathedral in London. Beth, Erin, Jenna,
Lizzie, Lucia and Martha had passed their
silver or bronze Bishops Chorister exams
over the last 12 months and this was the
service where they received their certificates
along with 18 other choristers from other
churches in the London area.
Although the choir were singing in the choir
stalls which are somewhat removed from
the congregation in the nave, the awards
ceremony took place on the dais in front of
us and their choir directors were invited to
go and stand with their candidates as they
received their certificates. As the Canon in
residence, The Venerable Shelia Watson,
had previously held the post of Archdeacon
of Buckingham, we got a special mention by
her to the congregation as she distributed
the certificates. All of the choristers then
turned around and received a well deserved
and warm round of applause.
Interestingly although the acoustic of the
cathedral is very resonant and doesn’t
always lend itself to clarity of the spoken
or sung word the choir director, Andrew
Carwood, let the music speak for itself at a
pace that was appropriate for the text rather
than the building. The psalm which had lots
of colour with text such as ‘Through thee will
we overthrow our enemies’ was sung with
some forward momentum.
If you’ve never had the opportunity of taking
a guided tour around the building, I would
recommend it as whilst observing the choir
rehearsal I overheard the guide telling a
group of visitors that the tripe dome weighs
64,000 tons which is heavier than the new
aircraft carrier that is underway with sea
trials at the moment. Also, most of the
colourful decoration is Victorian and was
started after Queen Victoria mentioned that
the building seemed very plain. Most of the
glass in the mosaics is from the island of
Munro off Venice and is set at an angle to
give much more of a 3D effect.
Much closer to home by way of an update
on our recruitment since the beginning of
September our junior girls’ choir has only
increased by one new member and the
boys’ choir by three. A good six or more are
needed every year to ensure the long-term
health of the choir. I acknowledge that some
years you get quite a few new recruits and
others not many. However, the trend over
the last few years has not been encouraging.
As I mentioned in my last article, we all need
to be a marketing force mentioning the
excellent opportunities available, which are
exemplified by what the senior girls have just
achieved, many of whom have been in the
choir since early stages of their junior school
education.
We have vacancies in most groups, including
musicians at the 10.59 service, so if you feel
you have a gift to offer as published at our
recent ‘Vision Sunday’ then do make contact
by phoning the parish office 01628 481806
or email me at -
[email protected]
Music Matters - Martin Seymour
All of the successful Bishops Chorister candidates