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John M. Currin
SEE ALSO
English College of Rome; Jesuits; Mary I; Parsons,
Robert; Reformation, English
Alleyn, Edward (1566–1626)
Actor, entrepreneur, benefactor, founder of Dulwich Col-
lege, Alleyn was the son of Edward Alleyn, Sr., innholder
of St. Botolph’s Bishopsgate and gentleman porter to
Queen Elizabeth I. When Alleyn was four his father died,
bequeathing to his wife and sons a fair amount of property
and a coat of arms that Edward later traced back as far as
his grandfather. Alleyn’s older brother, John, was servant to
Lord Sheffield. By 1586, Edward was listed as a player to
the earl of Worcester, and two years later, Edward and
John were joint owners of playbooks and other theatrical
properties. In 1592, Alleyn was acknowledged as one of
the greatest English players, having established this reputa-
tion, in large measure, by performing the lead roles in
Christopher Marlowe’s plays, including Tamburlaine the
Great, Doctor Faustus, and perhaps Barabas in The Jew of
Malta.Alleyn was distinguished for his powerful voice and
a unique, charismatic style, described by one contempo-
rary as “strutting and bellowing.”
In 1592, Alleyn married the stepdaughter of Philip
Henslowe, owner of the Rose playhouse. He continued to
perform on stage with his company (the Lord Admiral’s
Men) throughout the next five years, during which time
he also served as manager of the company and liaison
between the players and Henslowe. Alleyn returned to
playing during the autumn of 1600 to launch the opening
of the Fortune playhouse—which he built earlier that
year in partnership with Henslowe. However, before long
he had again “retired” to the duties of theater ownership
and property management, returning occasionally to
playing for special performances. Most notably, Alleyn
appeared as the Genius of the City in the magnificent
entertainment presented to King James I on his tri-
umphant passage through London (March, 1604); and he
was described concurrently as one of the players to James’s
son, Prince Henry, even though he seems never to have
acted regularly during this period.
Alleyn’s investments included the Bear Garden, in
which he had an interest as early as 1594; and in 1604, he
and Henslowe received a patent as masters of the royal
game of bears, bulls, and mastiff dogs. Alleyn shared other
investments with Henslowe as well, including the conver-
sion of the Bear Garden into the Hope (a playhouse/bait-
ing arena) in 1613; and on Henslowe’s death, Alleyn took
over his father-in-law’s investments. By 1606, Alleyn had
purchased much of the manor of Dulwich at great cost,
and in 1613, he had moved there permanently. Having
no children, he built a joint school and pensioners’ home
that he named the college of God’s Gift at Dulwich. The
formal foundation ceremony occurred in the college
chapel in September, 1619, attended by Francis Bacon
and the archbishop of Canterbury, among others.
Alleyn’s wife, Joan, died in June, 1623. Six months
later he married Constance, daughter of the poet John
Donne, then dean of St. Paul’s Cathedral. By this time,
Alleyn was unquestionably the most socially prominent
actor-entrepreneur of his age, with contacts including
many leaders of the church and government, among them
Bacon, Sir Julius Caesar (master of the rolls), Lancelot
Alleyn, Edward15
A