A GREAT UNDERSTANDING OF THE CONTEMPORARY ART.pptx

Philippines before and during Contemporary Art

1. THE CONTEMPORARY ART A DEEPER UNDERSTANDING OF CONTEMPORARY ART IN TERMS OF ITS HISTORY, CULTURE AND OTHER TERMINOLOGIES

2. AT THE END OF THE LESSON YOU ARE EXPECTED TO: -DEFINE THE TERM CONTEMPORARY ART IN ART HISTORICAL, CULTURAL AND STYLISTIC TERMS -EXPLAIN THE DIFFERENCE BETWEEN CONTEMPORARY ART AND MODERN ARTIN THE CONTEXT OF THE PHILIPPINES’VARIOUS HISTORIES, CULTURES AND IDENTITIES -DEMONSTRATE THR MAJOR CHARACTERISTICS OF CONTEMPORARY ART THROUGH AN ARTWORK THAT WOULD REQUIRE TEAMWORK AND COLLABORATION

3. AT THE END OF THE LESSON YOU ARE EXPECTED TO: -APPRECIATE THE ROLE OF CONTEMPORARY ART AND ARTISTS IN PHILIPPINE CONTEMPORARY LIFE UNDERSTAND CONTEMPORARY ISSUES ANF THEIR RELATIONSHIP TO RAL LIFE SITUATIONS.

4. NEED TO KNOW… ARTS - SUBJCETS OF STUDY PRIMARILY CONCERNED WITH HUMAN CREATIVITY AND SOCIAL LIFE, SUCH AS LANGUAGES, LITERATURE, AND HISTORY (AS CONSTRASTED WITH SCIENTIFIC OR TECHNICAL SUBJECTS)(OXFORD) CONTEMPORARY-LIVING OR OCCURING AT THE SAME TIME.(OXFORD)

5. MODERN ART VS.CONTEMPORARY ART? MODERN = CONTEMPORARY IN TERMS OF DEFINITION (TODAY/PRESENT) BUT IN THE WORLD OF ART MODERN ART AND CONTEMPORARY ART ARE VERY DIFFERENT FROM ONE ANOTHER.

6. CONTEMPORARY ART IN THE PHILIPPINES HISTORICAL OVERVIEW: PHILIPPINE ART FORM PRE-CONQUEST SPANISH PERIOD 1521-1898 AMERICAN PERIOD 1898-1940 JAPANESE PERIOD 1941-1945 POSTWAR REPUBLIC 1946-1996 70’S-CONTEMPORARY PAINTING POTTERY, BODY ADORNMENT, ORNAMENT RELIGIOUS (ICON AND ECCLESIASTICAL), SECULAR (PORTRAITURE) LANDSCAPE, PORTRAITURE, GENRE, INTERIOR, STILL LIFE WARTIME SCENE (AGGRESION,NATIONALISM,ATROCITES,SYMBOLIC, PROTEST, ASPIRATION FOR PEACE) PROPAGANDA INDIGENIZING AND ORIENTILIZING WORKS, GENRE, IDYLLIS (AMOROSIO, FRANCISCO, OCAMPO) MODERN, CONSERVATIVE,ABSTRACT, EXPIREMENTAL, PUBLIC ART FIGURATIVE, NON-FIGURATIVE, ART FOR ART SAKE, MULTIMEIDA, MIXED MEDIA, TRANSMEDIA SCULPTURE POTTERY, CARVING AND WOODWORK, METALWORK AND EXPRESSION SANTOS, FURNITURE, RELIEFS, ALTAR PIECES, JEWELRY, METALWORK, FIETA, ORNAMENTATION FREE STANDING, RELIEF, PUBLIC ARCHITECTURE DWELLINGS AND HOUSES, SHELTERS, WORSHIP AREAS, OFFICIAL RESIDENCES, MOSQUE, MASJID, STATE EDIFICES CHURCH, PLAZA COMPLEX, TOWN PLANNING, FORNIFICATION, CIVIC BUILDINGS AND INSTALLATIONS, PRIVATE RESIDENCES, COMMERCIAL STRUCTURES, CEMETERIES, BRIDGES, LIGHTHOUSES CITY PLANNING PARKS, WATERFRONTS, CIVIC/GOV’T STRUCTURES, PUBLIC WORKS, APRTMENTS, RESIDENCES, OFFICES, HEALTH AND PUBLIC EDUCATION, BUSINESS CHALET PUBLIC WORKS REAL ESTATE, SAFE HOUSING, ACCESSORIES, TENEMENTS, SQUATTERS, CONVENTION ARCH, COMMERCIAL/BUSINESS, CONDOS, MALLS, SUBDIVISIONS, DEVELOPMENT, LOW COST HOUSING

7. Pre- Conquest Period

8. Spanish Period

9. American Period

10. POST WAR AND CONTEMPORARY

11. MODERN ART VS.CONTEMPORARY ART? MODERN ART IS ISN’T MODERN AT ALL, IT IS ACTUALLY PRETTY OLD. IT ROUGHLY STARTED IN THE INDUSTRIAL REVOLUTION AROUND 1860’S. IN THIS TIME, ARTISTS WANTED TO STOP MAKING THE SAME ART THAT HAS BEEN DONE FOR HUNDREDS OF YEARS AND STARTED EXPERIMENTING ABSTRACTIONS . UNDER THE POPULARIZATION OF PHOTOGRAPHY, ARTISTS CAN SEE THE POINT OF NOT TO COPY REALITY ANYMORE AND USED MORE TO PAINT FREELY .

12. MODERN ART VS.CONTEMPORARY ART? WITH MODERN ART IT CALL WITH THE “ISM’S” LIKE IMPRESSIONISM, EXPRESSIONISM, SYMPOLISM, CUBISM,FUTURISM, FAUVISM AND SURREALISM. CONTEMPORARY ART EMERGED IN THE 1970’S TO THE PRESENT EXPERIMENTING NOT ONLY NEW MEDIUMS LIKE PERFORMANCE ART, VIDEO ART, LAND ART, INSULATION ART, AND EVEN VIRTUAL ART BUT ALSO FOCUS ON THE SOCIAL ISSUES RATHER JUST MAKING NEW AESTHETICS

13. MODERN ART VS.CONTEMPORARY ART? DURING THESE TIME THE CULTURE IN THE WESTERN WORLD (AND ALSO THE OTHER PARTS OF THE WORLD) WERE AFFECTED BY THE DIFFERENT WARS LIKE THE WORLD WAR I AND WORLD WAR II AND THE HIGHLY UPGRADING OF INDUSTRIALIZATION, TECHNOLOGY AND IDEAOLOGY LIKE SOCIAL JUSTICE/DIFFERENCES, SOCIAL AND POLITICAL STATUS AND MODERNIZATION OF THE WORLD.

14. In other words…. IN ART HISTORY, CONTEMPORARY ART IS THE YOUNGEST ART IN THE LONG SPAN OF ARTS. CONTEMPORARY CAN BE DEFINE AS ART PRODUCED BY ARTISTS LIVING TODAY. THAT ALSO INCLUDES THE DIFFERENT MEDIUM LIKE PHOTOGRAPY, FILM, LITERARY PIECES AND SUCH.

15. ZYZA BACANI- (2013)

16. HR OCAMPO-THE CONTRAST

17. ARTURO LUZ- CANDLE VENDORS

18. VICTORIO EDADES- THE SKETCH

19. JACQUES LOUIS DAVID- OATH OF HORATII, EXAMPLE OF NEOCLASSICISM

20. FERNANDO AMORSOLO- TINIKLING DANCE

21. CARLOS FRANCISCO- MAGPUPUKOT

22. CESAR LEGASPI- FUGAL MEAL

23. VICTORIO EDADES- THE BUILDERS

24. SOCIAL REALISM IS THE TERM USED FOR WORK PRODUCED BY PAINTERS, PRINTMAKERS, PHOTOGRAPHERS, WIRTERS AND FILMMAKERS THAT AIMS TO DRAW ATTEBTION TO THE REAL SOCIO-POLITICAL CONDITIONS OF THE WORKING CLASS AS A MEANS TO CRITIQUE OF THE POWER STRUCTURES BEHIND THESE CONDITIONS.

25. IMELDA CAJIPE-ENDAYA- FILIPINA DH

26. IMELDA CAJIPE-ENDAYA- FILIPINA DH

27. STYLISTIC OVERVIEW FORM PRECOLONIAL SPANISH/ISLAMIC COLONIAL AMERICAN COLONIAL MODERN POSTMODERN/ CONTEMPORARY PAINTING RELIGIOUS (ANIMIST OR ISLAMIC) COMMUNITY-BASED INTER-ETHNIC RELATIONS COLLECTIVE HISTORY RELIGIOUS/DEVOTIONAL , SECULAR, FORMAL, NATURALISTIC (HOMEGROWN,MINIATURISMO, GUILD) ACADEMIC CLASSICAL, IDYLITIC, NOSTALGIC INCIPIENT TRUIMVIRATE 13 MODERNS, ABSTRACT, NEOLISTIC, SURREAL, EXPRESSIONIST COLLABORATIVE, HYPERREALIST, NEW PAINTING SCULPTURE ABSTRACT EXPRESSIONISM JUNK/SCRAP, DUCHAMPIAN, ARTE COVERA, NEO- INDIGENOUS, SITE-SPECIFIC, PERFORMANCE ART, HYBRID ARCHITECTURE WORSHIP-RELATED AND RESIDENTIAL EARTHQUAKE, BAROQUE, HISPANIC REVIALIST (NEOGOTHIC, NEOROMANESQUE, ISLAMIC) NEOCLASSIC, ART DECO (JUAN ARELLANO, JUAN NAKPIL, PABLO ANTONIO) ART, NOUVEAU, CALIFORNIA MISSION STYLE INTERNATIONAL INDUSTRIALIZING, ECLECTIC FILIPINO ARCHITECTURE, URBAN PLANNING, ECONOMIC ZONE, NEOVERNACULAR, PREFAB, REGIONALIST, COSMOPOLITAN

28. CULTURAL OVERVIEW FORM INDIGENOUS SOUTHEAST ASIAN ISLAMIC OR PHILIPPINE MUSLIM FOLK OR LOWLAND FINE OR WORLD-BASED POPULAR OR URBAN AND MASS BASED PAINTING RITUAL AND GOVERNANCE COLONIAL AND POST COLONIAL MUSEUM-CIRCULATED, ARTIST-CENTERED , GALLERY- DISTRIBUTED MASS PORDUCED, MARKET ORIENTED SCULPTURE ARCHITECTURE

29. IBN SAUD SALIPYASIN AHMAD- THE ROYAL WEDDING