A Presentation about Post-War Philippine Literature.pptx

History

1. Post-War Philippine Literature

2. Lady Liberty lights the path to Autonomy After roughly three years, American forces triumphantly returned to the Philippines and subsequently embarked on a campaign to liberate the islands from the baleful shadow of Japanese dominion. Following the unconditional surrender of Japan to the might of the Allied powers, the long-sought dream of absolute sovereignty at long last manifested into a palpable reality. Endowed with the right of self-governance and the prerogative of self-determination, the Filipino people endeavored to restart, restore and renew a culture that was drastically altered by the deleterious storm of the World War.

3. Philippine Literature The period of Japanese occupation saw the paralysis of what was a flourishing progress in the field of Philippine Literature rendered in the English tongue. Under the stern curriculum imposed by the occupiers, academic institutions were discouraged-some even downright prohibited-from educating the student population in and about English. With the practice of English consigned to an indefinite limbo, Filipino writers who achieved an acceptable proficiency found their skill in the language in a steady state of erosion. By war’s end, these very same writers encountered moderate difficulty in recovering their bearings.

4. Philippine Literature Barred from exercising knowledge of the English vocabulary, the Filipinos saw it fitting to reacquaint themselves with their native vernacular. Virtuosos and aspirants alike in the realm of artistic publication drifted away from foreign influence and pivoted toward crafting their literary pieces with the native design. As an incidental consequence, Filipino literature expressed in a more indigenous style and sound was exhaled upon the breath of a relative Renaissance.

5. Philippine Literature Five years removed from the strident racket of conflict; literary productions echoed still the dreary sentiments of anguish, fear and misgiving prevalent in the public milieu of the 1940s. Since the Philippines was essentially left in ruins, and instability in the realm of politics and economy clearly apparent, imaginative minds of literary art wove these factors into their work. Themes such as poverty and social perturbations were also the norm in short stories and full-length novels. Concurrent with these desolate imageries rose the attitude of ardent hope, recovery and optimism. Writers of the post-war era exhibited keen enthusiasm in portraying the Filipinos and their inherent resiliency to inspire the masses to collect themselves from the afflicting aftermath. In view of recent independence which marked the end of centuries of colonial authority, works that featured recollection of experiences during the Japanese, American and even far into the bygone Spanish Era were commonplace.

6. Writers and their Literary Works

7. Virginia R. Moreno Born on 1925 in Tondo. Received education at the University of the Philippines. During her stay in the institution, she had the privilege of being the editor of the campus news bulletin, Philippine Collegian. The zenith of her career was defined by a vehement, outspoken campaign as a feminist. Garnered widespread renown due to her impeccable works that offered the audience a glimpse into an aesthetic where politics and colorful portrayals mingle perfectly. Has deep interest in French Impressionism and Symbolist poetry. Served as chair of the UNESCO Culture Committee of the Philippines.

8. Virginia R. Moreno Literary pieces and plays: - Straw Patriot - The Onyx Wolf/ Itim na Asu - Batik Maker and other Poems Batik Maker by VIRGINIA MORENO Tissue of no seam and skin Of no scale she weaves this: Dream of a huntsman pale That in his antlered Mangrove waits Ensnared; And I cannot touch him. Lengths of the dumb and widths Of the deaf are his hair Where wild orchids thumb Or his parted throat surprise To elegiac screaming Only birds of Paradise: And I cannot wake him. Shades of the light and shapes Of the rain on his palanquin Stain what phantom panther Sleeps in the cage of His skin and immobile Hands; And I cannot bury him.

9. Estrella Alfon Born on July 16, 1917 in Cebu City and passed away at the age of 66 on December 28, 1983. An acclaimed and prolific Filipina writer who had a penchant for writing exclusively in the English language. During the 1930s, she attained membership in the avant-garde collective of writers dubbed as “The Veronicans ” supervised by led Francisco Arcellana and H.R. Ocampo. In spite of having only a basic A.A. degree (due to her ailing health), she was eventually appointed as a professor of Creative Writing at the University of the Philippines, Manila. Also held office in the Philippine Board of Tourism during the 1970s.

10. Estrella Alfon Publications and works: - Fairy Tale for the City - Forever Witches - With Patches of Many Hues - Tubig - The Knitting Straw - The White Dress

11. Macario Pineda Born on April 10, 1912 in Malolos and met his demise on August 2, 1950. Graduated from Bulacan National High School. First gained popularity through his short stories published in the magazine dubbed “Graphic”, with the tale known as “Five Minutes” being the first amongst these. During the early years of his artistic writing endeavor, Macario crafted his narratives utilizing the English language. However, as the years went by, he transitioned into Filipino and from then on was his preferred medium. Acclaimed for his intricate, meticulous fashion of characterization and flow of sketching portrayal. Furthermore, he also enticed fame through his signature colorful depiction of native lifestyle, proficiency in idioms and masterful command in evoking a gorgeous literary picture of overall Filipino traditions.

12. Macario Pineda Ginto Sa Makiling - The first Filipino work of considerable repute following the Second World War, “ Ginto Sa Makiling ” is arguably Macario Pineda’s most illustrious magnum opus. Plot- wise, the tale reflects the mood of romantic comedy the likes of the awits , korido s and komedyas typical in the Balagtas convention. But behind the vibrant curtain is an underlying motif of social, moral and political essence. Comprehending this, one can surmise that he as well channels Rizal in a manner that is not restricted by the monotonous reality but rather touched by Balagtas’ vivid ink of fantasy.

13. Nick Joaquin Born on May 4, 1917 in Paco, Manila and passed away on April 29, 2004 at the age of 86. Was a prolific virtuoso in penning short stories and novels in English. Wrote under the pen name of “Quijano de Manila”. Venerated as one of the most significant Filipino writers along with phenomenal names such as Jose Rizal and Claro M. Recto to name a few. As opposed to the two, however, Nick Joaquin was inclined towards delivering his work in the English vernacular despite the fact that he possessed fluency in the Spanish tongue. His literary operas were merited with legendary status and praise that he was conferred the rank and title of National Artist of the Philippines for Literature.

14. Nick Joaquin May Day Eve - Completed after the Second World War, this short story went on to be recognized as Joaquin’s signature creation, a classic in the pantheon of Filipino literature. What set “May Day Eve” from the usual stock of prose that defined the era was its conspicuous theme of the so-called “magical realism”. A style avant-garde during those days but now considered as a common genre in media. Published in 1947, it originally catered to a mature, adult audience but later on became a salient and, at times, mandatory reading for Filipino students.

15. Other notable names in the scene of Filipino Literature and their works. F. Sionil Jose , one of the most widely read Filipino writers in English, wrote the short story " Waywaya ," which is about pre-Hispanic society and the people’s struggle for moral order. Alejandro Roces , a Filipino author, essayist, and dramatist, authored the short story "We Filipinos Are Mild Drinkers." This story focuses on the drinking habits and culture of Filipinos and Americans. Edith L. Tiempo's poem "The Return" is a sentimental piece that talks about life in old age. Horacio de la Costa penned the essay "History and Philippine Culture," which emphasizes the importance of understanding and presenting a nation’s culture. Stevan Javellana wrote the first post war Filipino novel in English, Without Seeing the Dawn. This novel narrates what people experienced during World War II under the Japanese rule in the Philippines.

16. Conclusion Filipino had by this time, learned to express themselves more confidently but post-war problems beyond language and print like economic stability, the threat of new ideas and morality had to be grappled with. Going forward into the future, new writers influenced by new literary theories, by a new of symbolism, by existentialism by the post-war European, new communication modes, by ideology and practice of communism rose amongst the ranks and slowly began to supplant the old artistic ideologues.

17. Thank you!