Accent on-achievement-libro-2-percusion

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About This Presentation

RODOLFO BATERA


Slide Content

PERCUSSION BOOK 2
(SD. B.D., ACCESSORIES)

John
O'Relily

A comprehensive band method that develops
creativity and musicianship

Dear Band Student
Congraiaion on camplting the fist book of ACCENT ou
ACHIEVEMENT. You have already leamed a great deal and are
‘elon your way 1 becoming on accomplished musico. Book A
2 wl ike you even fut on thi Joumoy. You wil ply more
¿yea muse by compose you've atedy did, plas 14 new
composen. In dition, ya ply ok, ez, Lin and rage
pisces, long with fotos folksongs am round th word

Practice diligently, and you are sure to do great things in the
fascinating world of music.

yon O A

John O'Reilly Mark Williams

Game © UENCE An tag Co.
e

Accent on review

| Snare Daum (50)
| SNARES OFF (su.

bass Drum os
AN |
genes, | | owenores re

| Susa Pamonoue IE cree | Poy i

Tempo Markınas EN Accent >
Moderato Algo
ato Allg Reven Sion |
Oats, Peas, BEANS

Allegro Traditional
AB A EL ji N

|
] =
| Quarter Nore Quarrer Rest

i

Go Tet. Aunt RHoDy uetr
Moderato

=

Some Fous Do
‘Allegro
ld

3 ==

4
j

Stumser Sono — + xl > Do:

Moderato |
pA re à

Amen Folk Sog

cr Folk Song

oo

Acs on nenes mou None Por

fou DD men M) me mur |
ae te |
Essen Gran Rou. € IL A

|
| Tomoourme zn (Senne Manes Arena Fame
y P =

sr ano 210 Enoı

Tempo Marko.
Andante

Echo Duer
Andante Eng Fok Song

A td HE 4

Yankee Dooote

Allegro a

eS PSST tt

Tem Ma où THe FLYING TRAPEZE

STi OU) nd tie ON =
SSS SS
All add fl) ft
Se

Merruy We Rout ALonG

Accent ow review

Since Eict Nore Etcuru Resr

1

Fam Accent

LEIFPITFPP)

Woopsiock (e)

Dorren Quarter
‘Nove

J. —

Sicreenrn Nores Srncorarion

IUT od

Dynamic Marcınos Tempo MARKING.

Muinue Measure
Rest

SimoLe Measure Repsar |

RE

= +
BARCAROLLE from "TALES OF HOFFMAN” (Duet? a ga
=
ofp cle [u à
Emp
PT T 2
Sa sus

E

al FR FTP pr
AB. 55 pe = 2

ST Ta

Buty Boy

Allegro 5

Ds

"

yo

> oe len as
pt Eee = mn +

» f

‚Acczur on renew Ceescenoo Dimmucnao — Tempo Marine

Crash CyMBaLs (0. om)
RRL
| Ning Stroke Rou

| Five Srroxe Row.

Aut THROUGH THE NicHT Welsh Folk Song
— EN = 1. LK“
LE A: Tt Î yi

mp of du

OL Dan Tucker (Duetr

Acc Folk Soma
Allegro

pase
FAA $
"7 | ins open
Ad EBENEN = y ai
fet tT
Erie Canal American Fulk Sang
Moderato. M a aa |
Me aa tee apa
mp 1 i pi
AMERICA, THE BEAUTIFUL ‘Samuel Wierd

Andante,

om Pen may HE
EA e

Accent on penrommance ||

March OnwarD

Have Note Gers THe Bear

Moderato ,

a

Sina Noët (Round)
allegrstt |

®
» un
Sa ae

FS
e

‘ScarsoroucH Fair

i Fal Song

==

Se

e Hi Hip de
ply pi too Lyi Ts ty
Hic School Capers ‚John Philip Sousa
pee a

ve
Fe =
Fr TT F

Acer on PERCUSSION: Rolls in ¢

se ré

For mot individual technique practice, seo pape 42, #1

I FE,

Dirrerent Steps
Moderato

ee

mp

Up on THe Houseror
vivace aon Carl

a Au 7
2 |
4 |

pal pL TD mn sf
eh RER TI Ty

—nf
Zum Gaui Gar: (Duet)
Allegretto twa Fu Song
heil I tl J dl tal ht
al 7 | af
se oo in a
, Ba RE
a 7

A Le OU LL,
(se donnes

Alccenr on ıncorr
Dew the comes bar nn. hen play

> poppy A y

“= ET

[az Smoke Row.
Teuvo Marino
m

ES

Strerchinc HIGHER
Andante

ie :
„He
f

ADVANCE, AUSTRALIA Fair

> : PEA = = t

A BET

y Li PAT TT

Down Home BLUES (ouet)
Allegro

ST LEN

? AI

| SIDE

Four To THe Bear
Moderato

THE THUNDERER

Joh Pip Sua
we Ta tar
lear Sh A Se oe f

ooo oro
SimpLE Gers a= main Fok Son
Moderato a a mana =
mgt A "AAA PA
A 0 He
mans nus
52 I 4 LL dl age
E= = == = =)
7 bd
Accent on sunne ono: Drag
‚ei

Alccenr on PERFORMANCE

Houpay Fantasy

ranged by
John Ray and Mor Wilms

ms “
5 me M ER:
Seer

R mp) .) ) D D) D) Db SJ
nf

ofl Ld LA DADA,

A te
2

Tt

‘Tamoourine Rou

Ropidy oat the wis,
Minor Episope

| ZA
a pe A A Bts '

= ==

America/GoD Save THE Queen
Andante Trail

E u

O

m DL tod, Dit 0 0e 1
36 | |

Le | a=. » Nan N

im LI Do ram aan, La |

Theme From “A Miosummer Nickt's DREAM” A”
Allegretto Kr
CHE ooo — XA

” er | = Er
se DO I ftir itr

Accenr on rueorr

‘raw the comoet bar ins, than py.

AAA AAA

| Douste

| PARADIDDLE
| E ==

Hick Nore HAPPENING

RURR LRURLL |
Dinamic Mario f=p
Ploy Jf ta fist time, and the second tino.
Moderato

RURCARURURLE SLRLAR LMR LRUNLU RURLRR
Eaumma nmel:

Sixteenth AVENUE
Allegretto a

The Pawpaw Patch

CE

cor

Arton Wadi

‘SPRING from “THE Four Seasons” (EN
cl

RI PA

oh FT
[CENT ON CREATIVITY Ac toms, mg nd aso the Ans hen.

qos

| Tape
À Paraoioote

More SIXTEENTHS

Moderato
RURTRERRERURURLE

: =
ASE — ee
ne” aS

E =

=
CES

A Fk Song
A
=a

TY TP RSL OTD or

ees Fehon a ig
BE Sn en,
== 7
pe pa ET,
ES aS

fF rrr

ACCENT on SHARE DRUM: Triple Paradidote

[ Dorreo Eionm Nore
[resto SLT |

3.100 une i

Dorren Eiontis ee
Andante
= A DER RSA Re
= ="
Bripat CHORUS from “LOHENGRIN” ke
Maestoso
si ee
THEME from “UNFINISHED SYMPHONY" Franz Schubert

ar)

Toto

Irauıan Street Sono

Alegre
m => =
= =; A+

Alccewr ON THEORY Ada occem 10 use sitocth notes o cent single, double nd tilo parodies,

Alccenr on PERFORMANCE

CYBERSPACE Overture

Allegro

00,

Pa

ENT

M,

at T

Pot oe at ie

Fran 4

Looxinc Sharp
Largo

PaRaoioote aera

PR rs Tree 5-2
>
O Canada
Moestoso Contin aora Atom

MEU R RRL ALL AAN

mr
ee
RSR

Aria from “THE MARRIAGE oF FIGARO”

Watgang À Mora

in rock se. RH. plays
dv

m

the
I. lys on snare drum.

Rance Buiter

so Eee A A E dz Æ
af
Fiower Drum SONG
Andante Chinese Falk Song

mal Lem) ty) bey De
ei =

sap TUTO URI
UND DIN t=) ta y ==
wil BT UNS Oetr t

Nu AR Der Jut icen

= : == Dé.
61 a = + ==
rl E pe] y je.

Cotonet Booey Kart Ar
Allegro Tecate LS
=

Jecenr OW SHARE DRUM: Flam Paradidale

UAAALR LL GRAAL CARRE GRURARLOR LAR AUR UL GRURRALRLL otal ch

“Gage Drum
on Rima

CHromaric CRAWL —
Moderato
… né ¿bi rae HS
af

Theme trom “Piano Concerto No. 2"

ve arin
De ee
ee = =
Ms 7 ttt ATA :
o tt u
re ee
„in
In THe Hace or THE Mounrain Kino: recy
Moderato IR
mann AO MORE ‘mo DE

« ——
LEE pri nr a neil, Dy

Overture from “THe Barser or SeviLLE" ei

AA un
PP ae CPU PTE?
po) Mb NM) M bop
SSS ro poo pro

(ACCENT OM THEORY MUSIC MAI: Sa ese pre y a cher num fs

mire je APT eee.

EichTH Note Gers THE Bear
Moderato

o aS pS

TARANTELLA (Duet)
Allegro

Ta N r » > Ls
pee DI Du DT te
ges) |] PR hd L
; :
| J DUT Ju D
à.

oi
A

Barre HYMN or THE Repuguc
Maestoso.

ñ MgO, Gores ma
E DU BE Gas Ha

E = ES,

PTT TE TT TER u

BESSON IN Ne Den.
PT rrr? F A
Accent on CREATIVITY: composition Based on a Rhythmic Pattern

Write your own short composition, using the thythmic pattem J 9 in diferent ways
Be sure to include; 1} cf sign 2) time signature. Play your composition

n =

Accenr on PERFORMANCE

Warer Music
George. Handal (1685-1758)
Ar oh O Roly nd Mak iio

D.S. (Dat Seono) at Coon

o Dock to the sign $:
than stip tothe coda

Tue SIGNATURE

= 6 boats in nach moosure
= sight note receives Y best

out 3456

Row, Row, Row Your Boar (Round)

A
EP =e
THE ENTERTAINER

alegro $

‚Accent on SHARE DRUM: Rolls in §

A > =

For mor individual technique practic, ne page 43, #7.

Cuaves

“Two Measure REPEAT

‘Tempo MARKING
Andantine
‘Sight foster than Andante.

Caureso Cums (nue

Moderato ing

AE a

1 Saw Three Ships
Allegretto

ne:

The StaR-SPANGLED BANNER

— S
ACCENT ow THEORY Rowete ie flowing example in eut ie,

ray
2 (pa — ==

SMOOTH SLURRING
Andantino

pt

mp

HABARERA trom "CARMEN" Googe Bit

tre)

we pL DIU iy OL

#i di 1 dd 3 a 11. LD, y

Yooetnc Song Austin Folk Song
Allegretto ik

F > on EE
Reh
F1 D D D NL DL LD,

‘THEME trom “Vioun Concerto ın D”
Allegretto

wah rn

ed pd ET dl

ACCENT ON CREATIVITY: so ie tolioing pans to impo in à rock iio. RM. plays ie TTD on a
suspended eymbal or ve ol drum and Li. plays on snore drum
Ply bats drum part by app your right oc

SSD 0 REN OPTA,
E

=
euro Masse

ze aa
light slower thon Andante: wt Rag RL Srorzanoo gf

Cioc Dance 7
Moderato EA
Ne ENG EEE 2
en per ep aa ee
= =

Hopax trom "The Fair ar SOROCHINSK sia ess

sng = = = Te
2 pity paa SS ee = =
+ Phi, D oe D PDP?

A PA

ne SS Se m

jo Poet © D pr oO pp

S ft

O TANNENBAUM German Folk Song
Adagio fi, ME

ee

Biow Away tHe Morninc Dew
Allegro agen Fk Sng

a it pales ates

wif? Porter Ad
eat > h en:
aio rrr reer PP ore er rrr F NU
‚Älccenr ON SHARE DRUM: Flam Accent

am pin Yume
er ee er cer

CE =

For mow individual tchnique practice, ses page 43, #8,

Acer on perronmancs %
Fiesta Mexican = HS 2

John O'Rei 0d Wok Wins
Allegro

ter IPAPER AA RRA

— mt CT DIT

Dynamic Marines

Beam Me Ur
lega == oy
a EE foto a py
a i
= Poul Dukes.
ue

A A E
Fin

——— pi + À

Country GARDENS (Duet)
Moderato Engl Fo Song

fee Bye 5 E nee

E
fg LU tea el

pe SLL Fi DER à y
wi Lys Li Sl |

Alecenr on theory

‘raw the conect bar Ins, then wie in the courting and clap

sp LEG Ly

=
rr

Murripue FLATS

Adagio wm oo: ——

—— ==

Over THE River ano THROUGH THE Woops

Amaican Fok Song
Allegretto Zr

«EN
Le

MARCH OF THE TOREADORS

a RE , as
Sal FET et eit T

E A

a TTT T

N Oo

Fum, Fum, Fum
Allegro Train Spnich Cart

w PD) ty) DIN En th TT 0,
n | CA

Alccenr om caeariirr: Extended composition

101 Write your oun composition af any length, using a separate sheet af music pope.
Use some rpesied rhythmic pans 10 cteate unity. Uso some contosting material
to cote varity. Play your composition,

aes

THREE TO THE Bear

nt nh een
E 5
ju paa q Ep intel
LA
Trupter Sono
Andanina Fr ak Song

FINALE from "New WORLD SYMPHONY”. Antonin Duo
Allegro a

ÓN

AO

Accent on SNARE DRUM: Ratamacue ae
CLR LAL RUR LOLRLA COR LOLA CR GRLRL À
ae ante Es > co E

106 1

technique practic, seo page 43, #9

p
À Fumacue Ro un

The Outer Limirs

Modera
CRURLUR AL RL RURAL

107 Ej E = =
mf
Now Is THe Month or Marino (uet) Thomas Moy
Allegretto (559-1807

ALL Wty tly Anm N
NE bu los fl, aba du la

La Pa É Mose ss
Moderato an

mp cres
‘Souoier's CHORUS from “Faust” Choros Gounod
Moderato 2

mo

i i =
are

For more inva wehnique practice, se page 43, #10

ÁÁCCENT on PERFORMANCE

Sousa on PARADE

‘Swans run soso

When Jonnny Comes
Marckıng HOME

logro
Sov Own HE
CT
des Dé
Es
uno LA
——— —

Alccenr on ensembtes

Jazz FoR A SATURDAY AFTERNOON

oh O'Rety and Nook Wms

EN

Th sane may sv be pled ung ho “A por ny bn ointment

Accent on scates

Bb Masor SCALE ‘concert ab
A ee

G Harmonic MINOR SCALE ‘concert 0)

soa onde EEE
e Pee

G Meopic MINOR SCALE (Concert G)

D Harmonic Minor SCALE (concert D)

RTE treet
D Metopic Minor Scate (concert 0:

Tort tte Cid
Eb Major SCALE (concert E
Beer na eat

© Harmonic Minor SCALE (concert ©)

© Metopic Minor SCALE (concert ci
HERURALR LRLLBLAR

Fri

Ab Masor SCALE (Concert aby
pronto

Tr tie Cid
F Harmonic Minor SCALE (concert Pr

EURURURR | NAMEN A

m "pen oe eee es A
Lrgerinee ode

T TT TT i
F Metopic Minor SCALE (concert Fi

MEAR
‘© Mayor SCALE (Concert e u _ 2

D> Major SCALE (concert ob

ET

Bb Harmonic Minor SCALE SCALE (concert 8)

oo ani en

Bb Metopic Minor SCALE (concert eb

Mal 2 Fre =

Alccenr on ravraus

sed dl Hi gd LL dg
sed JL gi HE. à
3 LL Ly LL FEU y
a ETUI DU A ARS y dl NO ER OL.
SAL YOO OA TU A y
4 MN o M SAY TE Oy
(PNUD OM a
of OTL Dy Uy
ft SU) yp QUO y
eft NO tari db nanny

e LO 4

well. LL qdo à 04

|
JOO Ay

5 ge by

u gi ii Ji M

s ge NTI N MIT à

ss DLL TH NT
o PRD LOL

HDI NL dy N

Ei

pod) NII

5

p

pd DL DTI 4

ds DD

El
al

HU AIN NE TUE y

> HR pon M y

A

Jecewr om nests

y

y

E

ren

Y

t

N

= T —

=

2 EES ee

ny ch. i Even
— = ee hh.

ae

—}
=e
j

Jak

TE |
ro:
u

de

s HE

=P te Rs
j et

or
=

iy
77

Fr
ir

N

=]



hy

iz;

=

=== +

===
TH
3

hob
es
PT

N

Re

+

== —
tT Zu
5h

hy



BE

m

i E.
Al me
nd i AL
i pi

che
rar

==

tT

==»
ir

Ir

N
ae

o

ES
=
Se

= N

— tr

Ho

Accent on snare orum
1 Beha ites ps
ta ot aerial top tata

KURMURLALLAURR LRLRLLRLRLRRLR

3 ee

Ta

Accent on cHoraes

We Garner Tooermer
Andante Netheranse Falk Sang

oe pooh My y ph gl Bug oh,
Lop dd dd de a dd DR y
> ps

L'A
Now Thank We Aut Our Goo
Johann Sebastian Bach
Maestoso (0685-1750)

Zr a A

AS ey
—=s af ”

Ma-oz Tsur (Rock or Aces)
Moderato

Tdi Honus Song

Au. THRoucH THE NicHT
Andante

Ais ys lodo hit
ae

add MN JE ty
SLR ey

ETERNAL FATHER, STRONG TO SAVE
Adagio

DER ni De Lu Ney
= GE um

a» mote rit

Giossaer

‘Accent (>) Ply the note songer

Aoacıo Slightly slower hen Annis

AAuroro, Keen English composer (1881-1945)

{Aurore Modesty ft tempo

Auzoro Fast tempo

Annee Moda sow tempo

Anna Sigh foster han Andoni

Ateneo Ret ote pris tempo,

Fac, Jovan Sacasran Gemon compet
(1685-1750)

Beemoven, Luowne van Comen composer
170-1827

Biz, Geonoes French composer (1800-1875)

Common Tun (C) Some o tine signature

Gur To) Somo es E ine signa

Cnscenoo (—) Gt louder gradual

D.C. (Da Capo) at Cova Go back to the beginning:
then sip to the coda

D.C. (Da Capo) at Fs Go back othe beginning
and play uni Fine

Dmanuenoo (==) Get ter gradually

DS. (Da Seco) AL Copa Go buck 1 the sign À
‘he si o he cod

DS. (Das Seowo) AL Fine Go back tothe sign $
‘nd play on Fine

Duxas, PauL French composer (1885-1935)
DvoKáx, Aron Czech composer (1841-1904)

Enmwanworacs Ay o nuts hal ae wien
‘rely, but sound the somo. (= Ch)

Fra (>) Hol the noto longer
Fiat (b) Lower tho pitch of note one hel stp
Forre (f) Loud

F=P Po ld the fit timo and so the second ime
Fornsso (ff) Very loud

Foster, Srepmen American compose (1826-1864)
Gounod, Cuantss French composer (1818-1899)

Grace Nove A quick note, usa played jus before
the beat

Gm, EovaRo Norwegin composer (1840-1907)

Hate Sres hs distance botwoon any two adjacent
Ke onthe piano

Hane, Georce F. English composer of German
bith (1685-1750)

Henoser, Vieror American composer
(1859-1923)

Jopum, Scorr American composer (1868-1917)

Key SiouaTure Indicates notes which ae o bo
‘tated or shared throughout

Lasoo Vary slow
Maesroso In majestic sve

Mezzo rorre {m} Medium loud
Mezzo piano (mp) Medium so

Menoeussonn, Feux Gorman composer
(1300-1887)
MooeraTo Mod tomo

Moro rr. Dramatically Son down the tempo

Moguer, Thomas Eng composer
1602)

(Mozart, WourcaNe A. Austian composer

(1758-1781)
‘Mussoresicy, Moves Russian composer
(1839-1881)

arumat (i) Cancels lato sharp unt the sex
bat in

Orrenanch, Jacques French composer
(1319-1880)

Puessio (pp) Ver soft

Piano (p) Soft

Racumanmoss, Senos Russian composer
(1873-1883),

Runser-Korsaxov, Nicous Russian composer
(1843-1908)

Reraroanoo (Rr) Gradually slow dow the tempo

Ross, GloaccHo lion composor (1792-1088)

Suan (E) Rees iw ich ol à note one hal stop

Snssnr, Fra Geman composer (1797-1828)

Srorzanoo (4) A strong cent

Sousa, JOHN Php American composer
(1854-1932)

¡acero (+) Ply the noto is norma ongth

Tonamovsny, Pere. Russian compose
(1ead-1893),

Tesasto {=} Hol the not or sul valve

Transpose Resting melody, beginning on à
“erent starting pte,

Vero, Giuseppe Na composer (1819-1901)
Vivace Very ls tempo

Viva, Arrow Italian composer (1678-1741)
Wacner, Renan German comune (1813-1800)
Wuore SteP Two Hil steps

Percussive ARTS SOCIETY INTERNATIONAL DRUM RUDIMENTS

‘Nt rudiments should be protcad: open (ow) to cos st) to pen (iow)

‘and/or at an men, moderate march emp.

Rout RUDIMENTS

A. Sineue Stroke Rout Ruoimenrs.

1 ses ee
Fl

RURLALRL

2. single stroke Four

3. Single Stroke seven

B. Muunpte Bounce Rou Ruoments
m +

5. Triple stroke FH
mol steeds

©. Dounte Sraoxe Open Rout RUDIMENTS
6. Double stroke open Rom y

A pl 5
NE
matt

8, Six Stroke Rol >

9. Seven Stroke Rol”

10. Nine Stroke LE ER
von i] 4
A. Ten Stroke y *” "u "7.
rr tT, tS,
tou Ee h
12. Eleven à "a
se £ 7, 4-7,
vom R RL OR RL
taming ey pe
gory" Dir
u dan Fe
ae en
sot 4
tr
+8 Seven
Et]

IL. Diopte RUDIMENTS

16. single Parade ir 5

+7. Double
Pascua [TT
18. repo
pre TITI IT
19. single

Paradidete-Didcie

ne tint ae ao nein Di oia Sn

ideo

9 Cop MM by Pacte At Sat. lan Capri Seca. Md in USA. Ud by Pein,

ML Fam RUDIMENTS
20, Fam

22. Fam Tap

27. Patafiafla ARTE

28, Swiss Army Triplet Sten

2. inverted
Flam Tap

30, amorag ©

IV. Drac RUDIMENTS

36. Drag Paraaidate +

RA LR RL

37. Drag Parade #2"

BEAT

ue OAT afte

39. Double Ratamacue”

40, Triple Ratamacue"

uni

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