ART APPRECIATION SUBJECT 1CHAPTER 7.pptx

It is used to compact each concrete layer to remove the air voids and so that the subsequent layers penetrate into the underlying layer.

1. Dreams, soul, and space CHAPTER 7

2. Textile Art Major Points: A process of creating something using fibers gained from sources, like plants, animals, insects (silk worm), or synthetic materials. People develop textiles to keep warm, to protect surfaces, and to insulate dwellings.

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26. Philippine Textile Art Traditions Major Points: Ancestors invented the loom, a manually operated device that holds the warp threads steady while filling weft threads are woven through them. Weave – the interlace of warp and weft threads

27. Philippine Textile Art Traditions Cordillera Administrative Region – Woven Fabrics: Kalinga textiles are characterized by dominant red stripes and motifs of geometric patterns, as well as nature symbols interfaced with white, yellow and black fibers. Colorful, bright and bead-accented Ifugao textiles are characterized by dominant blue stripes and motifs of diamond stripes of white and red. Less colorful and darker Exclusive task for women

28. Philippine Textile Art Traditions Cordillera Administrative Region – Woven Fabrics: Weaving Process: Iwalangan – spinning, winding and skeining threads Dyeing – warping the color threads Actual Weaving – involves two females to operate Blankets have several pieces: Adolna – body of the blanket Balingbing – side pieces Talungtung – narrow band with fringes Odogna – back of the blanket Putuna – reverse side

29. Philippine Textile Art Traditions Cordillera Administrative Region – Woven Fabrics: Blankets have several types: Gamong – for the dead Hape – for the wealthy Kintog – used for exchange for pigs Oban – used for carrying babies Bayaong – most common blankets (dark blue) Traditional Ifugao wear for men is wanno or G-string Infra – without designs Binuhlan – large red stripe ( habak ) Dayude – loose end in front of the G-string Iwitan – is the one at the back

30. Philippine Textile Art Traditions Cordillera Administrative Region – Woven Fabrics: Traditional Ifugao wear for men is wanno or G-string Tinannong – poor man’s G-string, completely white Piniwaan Nilihha – richer G-string version of binuhlan Piniwa – G-string design is made through dyeing Design Representation and Meaning Linuhhong – mortars Tinatagu – men Inulog – snakes Bittuon – stars Bannia – iguanas Hinolgot – spears

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32. Philippine Textile Art Traditions

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37. Philippine Textile Art Traditions

38. Philippine Textile Art Traditions Ilocos Region – Woven Fabrics: Abel – one of the textiles from the Ilocos Region Binakul is one of the most recognizable pattern Popular at the end of the 19 th century Used for blankets, pillow cases, contemporary fashion and personal accessories Yarns are made of cotton and dyed from sap of a plum called Sagut

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44. Philippine Textile Art Traditions

45. Philippine Textile Art Traditions Region IV-A Aurora Province – Sabutan – Woven Fabrics: Sabutan – are strong and durable and its texture resembles that one of the Panama hat. Unbleached hats because the material does not bleach readily

46. Philippine Textile Art Traditions Region IV-B Palawan – Woven Fabrics: Ammutina grass – only found in Palawan and used for weaving. Dyeing the grass into one’s desired color, dry it and dye the fibers that are used. Wrapping the threads that need to be used for weaving Harvested threads are drawn through heddle wires and reeds. Wafting the threads by pushing the pedals Battening the weaves

47. Philippine Textile Art Traditions Region IV-B Palawan – Woven Fabrics

48. Philippine Textile Art Traditions Mindanao Region ( T’nalak ) – Woven Fabrics: Famous in South Cotabato Made by a group in Lake Sebu called the T’bolis Made of abaca fibers with three primary colors, red, black and original color of abaca leaves

49. Philippine Textile Art Traditions Mindanao Region ( Mandaya ) – Woven Fabrics: Famous in Davao Oriental Abaca-handwoven cloth with intricate designs revolving around man and crocodile. Dagmay had been worn as women’s skirts, also used as blankets and wraps.

50. Philippine Textile Art Traditions Mindanao Region ( Pisyabit ) – Woven Fabrics: Famous in Jolo , Mindanao Created by the Tausug. It is a head scarf worn by the Tausugs . Also use to tie around the hilt of the kris (sword), and as a sign of rank.

51. Philippine Textile Art Traditions Mindanao Region ( Seputangan ) – Woven Fabrics: Famous in Basilan and Sulu Created by the Yakan . It is most intricate design worn by the women around the waist or as a head cloth and is patterned after the colors of the rainbow.

52. Soul and Space Major Points: Simple structures, usually intended to provide only basic shelter for the surrounding terrain without concern for following any architectural style and built of local materials and available tools by people who would inhabit them. Each shows how the early Filipinos utilized and built it for a certain purpose and how they utilized the space available in each house.

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66. Philippine Folk Architecture Lean-to Shelter: Portable house built by the early Aetas or negritos that suited their nomadic lifestyle. Reflects agta hunting and gathering ways of life. Principle of tripod using strong, light branches and palm fronds, this portable disposable shelter for the aeta to gather or simply left behind.

67. Philippine Folk Architecture Higaonon Tree House : Agusan and Misamis Oriental Tree houses of lashed sapling nipa or cogon grass, split bamboo, rattan, and bark of trees. 60 people are held together by split rattan and are traditionally built as defenses against enemy attacks.

68. Filipino Concept of Space Major Points: Unlike the westerner who places a premium on privacy, the Filipino prefers living space that is communal, surrounding himself with people all the time. Someone is always at home, whether family , distant relative or household help. Three or more generations of the same family live their separate but interconnected lives under one roof, most of the time hanging out in one room . Filipinos follow the Asian concept of shared space and limited privacy .

69. The Art of Okir or Ukkil Major Points: Term for geometric and flowing designs and folk motifs that can be usually found in Maranao and Muslim-influenced artwork in Mindanao, especially in the Sulu Peninsula. Decorative design that is used in carving, bakestry , pottery, and weaving with patterns similar to the western style of Arabesque and Art Nouveau. Applied by Tausug, Maranao , and Yakan . It is a symbol of power and prestige usually adorned during festivities.

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71. The Art of Okir or Ukkil

72. The Art of Okir or Ukkil

73. Dreams , soul, and space END OF CHAPTER 7