Bilbia de acordes para jazz

Acordes para jazz

1. e EXPLANATION OF MUSICAL NOTATION

rF——» ma

Chord symbol ——1
Fret number

Finger number

‘Chord construction (intervals)

Chord notation

moon»

E

| Cs Ce Dm

G?

c

==

+ EXPLANATION OF MUSICAL SYMBOLS
+ CHORD NAME SYMBOL

Mas major
me minor

+ Natted ()

+ CHORD CONSTRUCTION (INTERVALS) SYMBOLS

Reroot
57 + dominant seventh
7 = major seventh

+ FINGERING SYMBOLS.

——— = barre the string

Number next to chord form indicates the =
Comresponding example prowasaion ee

D

2. + Keyboard Analysis: Cma Gm
Se aa compa
Ss. Y

CHORD FORMS
C a C Co GC » G «a C
g 5 su SARA "E q
HS ee
== SSS SSS 5565
Gi» G » G »G » 6 aC
JE SR SFR ‘HA "EE sea
a E EN ES Ki
po SEE SEE SEE 3
G »C » G wù G » C »G
HA SEE BE Es = Durs
=: Y =
== Sn Sem =
Gm C
CE ft

3. BASIC MAJOR EXAMPLES

‘+ + Have a rend play he root note in the

Bass caia en compe
» e Dm? 6
34 E 1 5| F3
ses Fi FE
2) Eh Am? Om? 67
SP TA E 4
E Br ane ivy!
ac Am Dm? 67
5 SH sd SER
a ES HS a
a6 Gt G
ST 4 n

4. » 6 Em? Am? D?
a 14 Stay 5
“ee ee
ate Sa ar Zen LE
= BE men |
o Fm Cc Fm Cc?
5 » sq
EE CCE
2 Em Ds
3 3 oR
Ey ;
Br 3

5. Ti EE

6. 4 ia] 4 4 D
iz T
7 7 37
Gm 66 Am Am? D
+R 4p sam AT +p
3 ir EEE Brise] CE tH

m € Am F 6
STEHT say?
Et u

E He TH

— Zi)

» G Em Am? Dr
"EH ee cal uns: 2
E ja:

= =

8. MAJOR 7
+ Keyboard Analysis: Cuy7 Cm?

CHORD FORMS

2 Ca? à Cm? » Cmar Cm
5 3 x

ER ca 5 3]

9. Gna?) GmaT m GMA? a) Gma7
Eng? ma. SEA

10. + MAJOR 7 EXAMPLES

+ + Have a friend play the root id:
Pino
pe

Dm? 67

3 Cma7 Ce D? En
E EE ME E
dE E EE he

à Ca? Ce Dm? e
Saum ay 8 d
a Hi oe

12. 3 ve br
LE 5 FATA 5 FR Era 1
EB > E “es
1 Gmar Gao Am? De»
4 ER 4 + 5 FH 4n 6 E H
He Be =

Ds

SH

1 Gma? Ge Ami D?
SU su “HE

13. 15) Gm

“ER

Ge

Ama

D?

17 Gma? Am9 Dis
°q i "HB?
FE sh A,
10) Gma? Bm? Gma? Am Am? Da
EP CR sc scfm +1
H + H H
E 3 5 À
13) Ga? Go Ama Da
E: su 3
RE LL ree

14. Ge Am? Dm

20 Gma?
08 ‘OR SHE E
20 Cms? Co cd u
5 qa Ea *
ELLES SHE dl :
ag z EE
Cm Co Dm9 G9
a, “TP 9g
22 Cm Co Dut se
; ’EHH “HH “2
4 HR HE =
mEmo Ce Dm Gr
pk dog 6 °F
E E la
+ “hrs en

16. eMAJOR6
+ Keyboard Analysis: Oy, Ge

+ » See Ma7 and MaS for examples, The

CHORD FORMS
Go »1Ge 3% Ge 5» Ce 0 Ge
EHER ‘ER Mision 28 an sq
+ HE Le: SE
= == $=

>
aC a Co Co mG6 wm
E fy

+

17. eMAJOR9
+ Keyboard Analysis:

CHORD FORMS
D Cma9 à Cm9 2Cm9 à Cao 5 Coma a Cma9
sad 1] 2 = lv av 2 3 3 2 h
HF = i po GHB UE
rs
5
Em 9» Cmoa 9 Gang Gnd) Gm 2) Gua
5 EE 4 31H Darren] 7c dE: T
À Po $ Hi
8 == ae ==
[= ee ce
Gm 10 Gma Gm or Cas m Cadre) Gea
ST an 2 SET sf ER
EE EE
ER HE Ha A + 2
3 rs &
fa — —— q

18. MAJOR 9 EXAMPLES

+ Have a end play the root te inthe
bas inorder to ear
or.
à Cas Co Dm? Ge
som "UB 3 al 6

20. 12 Gm Ge Ama ba
LEHE A Me’
a 7 FE E ‘HA
SHH OG ar a
6m Gén Am? bre»
E a ER +H
Amd Ds
scan 40

22. eMAJOR 6/9
escri preto: 07 Gmac/a

oe,

CHORD FORMS.

: 66/9 2 Cola » 669 4) Géla » Gels

‘ote 8 FA ares} 5 i
13 er “ss
= =
——— =
a Gola » Ceja a Gels » Ceja
* (HE aH Mize:
oP

23. «MAJOR 6/9 EXAMPLES

+ * Have a friend play the rot note inthe
bassin order to hear the complete
hed,

5 Gor Dela Fora Bola
“a sf sui
| af

Cela Fo Colo

F
a

=H
H
a
a
RH
=
Ta
a
f

24. 5) GMad Gels Ama Dis

5 Eins; D

:

a Gola Dott)
+o ac
E
J al

Co

» Dm? Dba

3 +H

E

25. oS Gola Col
203 ‘8 a:
SSS SSS
on Ava Aor Bola ce
Pe: an are:
& - ——

26. MAJOR 755

+ Kourou)

Cua?
SEE =AS + Usedmostotenasanonding
chordendin cherded satos.
CHORD FORMS
à Cur à Cur à Conn?
sm en ur
a HE FE
4 =
a Gar y Curt? à Gua
SCT , ee
H EE E
=

27. MAJOR 755 EXAMPLES

+ + Have a fend play the root note In the
bass in order o hear the complete
chord

a Em? Er Omi Diu? = Canin
Kr 6 sn 4 ID 3 n
HEE HE CES EE
El pi He ane i
= = FAY
a Omi Gs Coane?
sr SCHEN 20
fH i Ete!
= —

28. Coad Ebma? Dim? Coan
4 eE A "E
GR LE) 2 pit
== — AA
a Ant mare?
sp ‘
#

est.

29. «MAJOR 7 +5
+ Keyboard Analysis: Cu) Gyggs)

+ + Usedmostofteninadecoptive
cadence or as an ending chord.

CHORD FORMS

0 Char à Gna745)

jamas

30. MAJOR 7 + 5 EXAMPLES

+ + Have a ind play the root not in the

ass in order o hear the completo
cho.

2 Cma9 Cua? 45) Cust tt
Le: 2 jet a i Es
FH A
ds db pas

CREE

31. MAJOR 955
+ Keyboard Analysis: Oggi)

Cm?
E

CHORD FORMS

+ + Used most offen as an ening
chord.

DC) à mag?)

+ MAJOR 955 EXAMPLES
* + Have a friend play the root note in the
bes order our the come
ord
2 Dm G+

Cong)
rer = au

32. «PASSING MAJOR CHORDS (Ascending)

Major chords are typically passed from the ninth, rot or the fit ofthe chord. An
ascending passing major chord wil be passed from the Ni ofthe chord up.

A descending passing malor chord wil be passed fromthe int or root ofthe
‘chord down. Use the passing chord sequences to substitute fora single chord

+ + Have a ing play th root note in the

ess in order to hear the complete
chord
0 Gua? Gé Gma9 Go

7 soy Qrurss] Cut

33. 4) Gma7 Gé Gmina Gé

EUR RE * Ey

34. G+

G

y

Gé

Gma9
arar]

C+
if

Gr

6

==

ELLE)

5

be

viet

au

wo C

a G

1 Gm

35. Cr Co Cr

wc

A

Gr

Gt

Gé

Ge

Ge
aaa
+

Gma?

== =
E

G+

Gr
HH

Ge

Ze

1

H

E

20

+

# G

»G

10 Cua?

4

¡=== ==

36. G Gma9

4 GMa?

H

+=

logra age Le Mal
a || € SF |] y
el ged) see der
Jee IES:
E 1 Rn HE EEE:
| ° wy] ss sf Et si
|
i ea ied

=

37. G+ Ge G+

G

a |
1515 a! 3€
y | 5 a
E em | o RE | SE

A Il Sire pa ae SE
|
ag A ge E
. 5 | a
ES + oF 2 | o E o Gare
Ed 26

38. =>

Gm

FA
De

G

==

20 Gma7

3) Car
3H # 3
+

39. «PASSING MAJOR CHORDS (Descending)

+ Have a end play te root note inthe
ass in order to hear the complete
herd

fA
a
HR

te. =
Co

40. a Cm c Coma? Co
SONT IN si oo
a 8 OES EE
+ 5 SES
» Cmad Coassnc c Cma? Co
8 ET 8! ¿a [Jans +H A jar anı
Ea SS HH
te # = £

41. Cm Casse c CMA? co
a

D oH E SEHE
HE Ha LES x +
+ == f=]
Cm Crassine Cc Cm?
3 3 3 5 scott
E H FH H
a EF E & $

e
g
&
o
ES
©
É
3
2

42. eBASIC MINOR

+ Keyboard Analysis: Dm A
m
+ » Have a end play the rot note in na
7 base in cer 10 ear te completa
se *
e*E
SHORD FORMS

Dm 2 Am 9 Dm 2 Dm 5 Am a Am
n som 2

EE =
Æ
=

m

a
:
;
:

==

m,

» A

OS

cz

EEE >

3

ds
Weir m
Mr

a
a

> à
Ms:
1

« Am 6 Dm
th

3
4
o

El
i

=.
a Dm a Dm m Am =
ih a

43. + BASIC MINOR EXAMPLES

+ + Have a tied play the root noto in the
‘bass inorder o hear the complete
chord.

2 Dm Gmé Dm A7
a A

dr. am 5
Bee EH
$ =
» Dm Gm
uE?
Eb The
a Frag Dm
7, 617 3H
+
Bas: H
FA sate abbr a

44. e Gea e E E | ENE
SHH um = SEF NS
> 5 = E |
an n aR cote ||
ec e He Pel: ER e
< EME La uw T4 ar =

cy S = S
| ll
oo, N CRETE ré

E E E E do # .
iff =< A GH N sf FH &

- 4

SS ES 5 5 A

. = vall

El ig E EEE E |
SES <H < GF <i 4
le ae a" a.” =

45. ” Dm Gm Ar
2g SCH anh 4
=

Dm E
2 HA 7
DE ELLE FLE)
&
& =
2) Dm Gm Ard
an om srs
if E En
En :

Dm

Os

46. 2 Dm Gm A Om
2H so 21 a
x fee u
PRE =
© Dm Gm A Dm
an ya sq ñ sq
E Hip E E ts
& = =|
m Am Om G Am
SE «cy aq sq
& =
&
1 Dm Dm
“E E
Ge
Dm Gm mM Dm
‘HA er ie STATE Th
E E $2 oo
= = =

47. a a
il |
22 Am D Am D
sq SEHE FH
Hi

WER

48. «MINOR 6
+ Keyboard Analysis: py,

CHORD FORMS

Dmé a Dmé a Dmé a Amé 9 Amb

te 24 SR “9 y m
E Sa tabs »
GE === = 8 a
» Amo a a Dmé a» Dmé o Dmé
5 6 sq st “HT
He n FH
He a HE qi
en E==3
Dmé m a Ame # Amo 11 Ámó

49. “MINOR 6 EXAMPLES

# + Have fina play the root not In the
ass In order lo hear the complete
chord

y Emre? A7 Dme
am ñ sr
Lens zee E

51. 10)
ej

Dm A+ F Ome
= ome sot Eis: . ft TA
Eu © &2-&
° Ur Second wey
& = ==>
w Dm A+ F De
sn 6 a 5 6
HERE
k ct He
2
$ =
a Dm? Dmé Bima? De
‘fe sm 3 +n
Hf sun RE He
UD
Zu = =
1 Am? Amo Fa? Ame
sq “Es ‘ER +O
(VAMP) 5 A oH
«Am Am? Amo An)
sp ER snap SER
sil Ela lia

52. 12 Amb Bo(45) Emóla
u q

FS Y SCHER
re E weis
Ze ——
1 Dm? Dmé
sony ap
(Ga)
m Emre? Ac Dmó
pl $ ER sn af
RE it aa
AA A 3
f

« Am? Amo Am? Ame

53. e MINOR 7

+ Korper any: Dg An
ge

CHORD FORMS

à Dm a Dm? a Dm? a Dm? 5 Dm?

SH BE NN #
HA HEHE
wer Z 2 =
[= => 35 E
a Dm? » Am? a Am? 9 Am? m Am?
6 ait] 5 so Piaceral sma
A FE si P da
Hs El =g= ==
= = 8 =
= = =
m Am m Am? ) Am? 1) Am?
SIEHT SEHR SFr sq
si H Be Hi SH
5 =
Gl Ze =
w Am? 22 Dm?
sua ayu
Ps

54. Dm 23 Dm 22 Dm? 22 Dm? 2 Am?
T

7 5 e

» Am? m Dm? 2 Dm? Am ss Am?

55. “MINOR 7 EXAMPLES
+ + Hav a ond play te root ot in the
bassin order oath compe,
chore
» Dm? G? Cas c
ey H

bon rie Sag

a Dm? Ga Cm Co

2 AURD 2 ‘
a jus E
ase 5 +

4 3
$
» Dm? 7 Coma? Co
Eur. soa 2 25%
H i
j

EIN
ar
HH

=
£

x
«E

56. e) Om? G
5 5 D ooo
os" Cr RISK
OT 4
o Dm Dm? Bry Ar
E “FH E ‘M
+
E) yon
2 Am? Bm?
sE 7438
a oF Hi
D Am? D
su sun s i
HE ER
» Am D? Gma9 Co
som su 2H 7
Fe 55 + +
|

57. 0 Guen 66

n + ‘HR +
à E
aa rake °
o Am D9 Ga
samt $
ay Gel E
o pe =
2 =
2 Am? Ds Gus m
, vo a 10 1
+ ES EH

LS

EH!

58. i
( $ a |
a oO q ot cf i
° eH” | 5 5
> E
A $ || SEGE SE EE |
= tHe >] Es = aS |
SH ser 8: ou = EEE ||]
je at eos
E cam: | a sE as
ag abi © a & Hr
y = > S 8
2 mer —
se EE : HH 5 Ad
RÉ SEE IE sl FFE
= qe Wh <° ar ¿> E

60. wm aay E

AI ee A PRETO

an Dm

EE

ine

61. 33)
8

Am? D? 3) Dm?
H 4

22 Am? Da 2 Am?
ia

3) Am? D? Bm Er
sr so 7 vo
CH H HE EH
meas } Li

62. eminun y
+ Keyboard Analysis:

CHORD FORMS
Om 2 Am 2 Dm3 4 Dm3 5 Dmd 0 Dm9
o sof 240 arm som os
eo eo eee
D Fie EY mn Wea a
E === 2
= = ==
Ama) Dma » Di m Dm a) Amo
s 2057 2 Eier: sq
fi ER He EH Ez
A =
+ == =
Ama 1 Ama u Ama u Ama m Ama
1 SOYA sun su stm
A E FH FR
wr hh wear? u
es ce: a a
& = Be 8 =

63. «MINOR 9 EXAMPLES

* + Have a friend play the root note inthe
bass in Order to hear the complete.
chord.

à Dm CE Ca Co

sf A 8 ? LR sr 1x]
a vais LES
& = =
2 Amo Am Gma9 G
SE ‘ES SEHE ‘HA
2 a ++ EE
= = =
9 Dm? Ga Có
2 2H ’
HE
& == = =
gré Có
+ E
Er E

64. vi
sf Fal E Minas 6 al
H A + }
a #56 #
Ding Om Cma9
sen 5 3
a Oa
Am Dr Gma9 Gé
SEA "pm A SE)
iy De = GE
2 — = des
Dma Dmola Oma #?
2m 3 3
BEN :
Ata ooh ade
== à
Dm9 Dm Emb? A7
‘om sm en 6
® + 48 5 E ERE
pray es go 7

65. 0 Dm? 69 Cma9 Co
H x

7 "AR TER ‘HU
a EE
&
w Dna G7) Grltá) Cm
3 3H SH 2 Hi
men || Cds CH SH

66. 42 Am Gm Am9 Gmaa

scm + oy so 3
HE E ate
oh a para ib
1 Am Gma9 Am9 Gag
5 so sE 4 4
E Eu [ E
LEE ORF GE al
144
m Amo Dis
°F “ag 3
pese) un
# Am E90 Ama Ent»
SED sc sm «
147 a | To

67. 2) Dmo Om

“TR E

EH +
# >
a) Dm 61
En: aq
23
22 Dma Dm
2 ‘FE
Hd E

68. emMINUn 11

+ Keyboard Analysis: Dy Amit

+ 201} can usualy be cal G11 or Gove.

47 “Amit can ua be cates 011 or Due.

Jh l= Theercepona nee ave chord 2.12.20
Ss secure an chase

CHORD FORMS

Amt à Dot 9 Ami a Dun » Am à Dm
SEHE "En cesses sn scrm soa

+
2 Avon Bat

69. e MINOR 11 EXAMPLES

1 Have a frond play the rot note inthe
base in Order to hear the complete
chor,

» Ami Or) DEP Gag Gmag Gé

SH 4 “ER ER ? “ER

71. Ami Amit HH
, sam ee su
H + H H
ù Dm 67 oe ag
3 zu saan EA ‘EF
E
1

72. Amit D? Gma9 Gers
3 sq soa 27
HA CE i
f

74. «MINOR 6/9
+ Keyboard Analysis: ¿ya Amola

75. MINOR 6/9 EXAMPLES

+ + Have fon play the root note in the

ass in order to hear the compote
chord.

a Emu’? Aca Dmel9
2 q 2g ah HEB
nl En 5
— = _
& 7
2 Bm 2 E249 Amol
+

2123)

9

Dmél9
FE

76. » Em? Ar Dis
5 sq Bars:
FE IH $
Gar aoe aoe
& ==
a Bm? EC Amo/9
sy 3 sq
Eh sr)
6
$
a Amol E74) Am9
"EA tress so
a EE :
e =
5
Ar Dme/9
5 HE 40

77. «MINOR 755
+ Keyboard Anais: Boole) Epa)

EF

Frs) à Fh 5) Bm y Ba

Ha sen sm sam
a ERA E

* * Many Minor 7 55 forma are aso
used as Dom sine or Minor tn.

a Bm? à Bra»
s

==. =$
=
o Bm io) Bm 1 Bm 12) Bre?
A

“GR eee: sag
E E:
== tE

Pure y Fri
E

20 F9 y Bm 22 B® 24) Emile)
sc er gan 5
i fit F

ES Po sh a

78. e MINOR 7b5 EXAMPLES

+ + Have a fiend play the root note in no
ass in order o hear the complete
chord

a Bm7ts) Ent) Ent) Am
704 6 a 6 ΠFE 5 E {7
hh He ht qm.
BZ ==
» Bmrés) Ec) Am
? En dE Dress
Hb Sa! HE
t =
LE LTE
a Finn‘? Bad)
s E m 6 ir
ir i

SS eH
769) Br Em
Tp “0% 4

E

79. à Em E969) Ares) Dre» Gma7
6 ct 4g ER *E
E it Al : z
$ Zei]
Bats? Ens) Ent Am
Sp $ des de
nd
a IE Kir A
aa ==3
» Bm?) Ec» Am
qj ofr Orr
ee EE
== —
a Flas) Br En Cunt
4 s "E ases]
da for ip
(Baer
à Bm) Eis) Am?
# 5 su
BE FF i EN
E Ems

80. (are
19 Fino? B7 (24) Br) Emo

°F ° 7 AE sE
: bl .

& ==

10 Faye) Be» Emo

er 2 2

E Hz

81. 1 Find) Br Em
fa

82. 2 Fin Br» Em

5 A * aa M:

pes Sr +
Gz ===
an Paya) EJ En
9 8 ERA 8 EH

ER! i ‘I

' HE El
&
$
22 Br? E? Am
SE “EUR 5
dE EH fee
FA == == eS

83. “MINOR (MAJOR 7)
+ Keyboard Anais: ry (HA?) Amen?

++ Bears
$
enonDronus

Desconigtr samen
ana ale oar
> A A DD AD Ag?

9 Hy ‘FA sE ° [ER “y
SE EHE > SE
===

E NN

9 H sf de:
Hr pres Hf

soo

a Dn? à Dé) Ama

HH

HN

84. MINOR 9 (MAJOR 7)
+ Keyboard Analysis: Fs ga) Ama)

2 a cua

Be
DAMM A A, Da 7?

‘qi = Qu =
nr 4 Sn 3

a

i

85. + PASSING MINOR CHORDS (Ascending)

Minor chords are typical passed tom the ninth, root or ith ofthe chord
An ascending passing minor chord wil be passed from the in ofthe
chord up. A descending passing minor cherd wil be passa from the
‘nth root ofthe chord down. A chvomatic, descending pasting minor
il be passed rom the root o ho chord down. Refer to examples,

* * Have a rend play the rot note in tho
‘bas In Order lo hear the complete
herd

86. Amó Am9 Amé

a Am?

x + IE,
it 35 | “HEE LE a:
E a = E s
x | ee 2 FF o GRE qu
ries de ie FRE EES <HH a+
y | 2 a s |
EE YE ll a : fe
aH Sy FR “Er o EE |
2 a i 2 s |
RR = FRR e HH 3 EEE dal
TER! t < E E di H
3 = Br =

87. Am? Ame

Ame

m
vs sw fl so IE lo PE
al ha ie 2Ë à
e E Sul REE dd 2 El
Py) Tee yy SES da eRe e
Sa || | en | < À
HER, AU Gee: | SEHE . BER: ll Ep
ba ae ca a de F4
He CS Fy Il E
alto SS E

89. w Dm? Om Dm Dm
SET "gn 7 ae
4 f f
o Am? Am Amo Am
E RC ON
ER E E — =p
20 Dm? Dm Dm9 Dim
E A ef Peares
m E m E
A

90. m m m
Hs T i | me | os Ill
|
Il
JHE ot ig AS LA ES
5 : aS EA Se
3 EE dl a ES ae u RE IE |
“ | a E | e ll =
SEHE 2H a E ¿ES
qe CN hd >. qe

91. Am?

22 Am

à

Dm

eig]

fe eo

92. CHROMATIC PASSING MINOR CHORDS
(Descending)
+ + Have a rend play the root noto inthe

bass inorder fo hear tho completo
chord,

» Am Am? Am

95. Er Am? Ds

4 Am

> ER . [Il Er :
HN SEE Else os =
© “ + I + | Es
| i |
os ll à | E SER
Bi 7 ÈS i se " sE 1, sE E
= | 5 ym Ts | E
i _ |
He ı HE iG E Il ir
= a E <E | LE
dolo a
Bp tH a Say à |. Riu 2
ES MS = E

96. + CHROMATIC PASSING MINOR 9 (Descending)

+ e » Have a rien play the root note in tho
bass in order o hear the complete
chord

à Ams Ana" Am Dis
5 5 î 5 4 4 H
E He FR FES

i
iors

PR sk

97. e DIATONIC PASSING MINOR (Descending)

+ + Have a frend play the root note Inthe
ass in order o hear the compete
chord

» Am? Am Am? Ame
PA

98. Dmé

a Dm9

q

Dm?

7

ER

Dr

Ds

67

sn

Am?

Dm

i
Br

Am

"44

Dmé

DEL

AE

Ama

a

» Dm?

100. PASSING MAJOR & MINOR COMBINED (Ascending)

‘+ + Have a frond play the root nate in the
bassin order to hear the completo
chord.

101. I)

Gé

Ame

Ge

Amé

Gmag

Am9

Gma9

Ama

66

Amo

Gé

Ame

Am?

Pas

Am?

a GMa?

a Gma?

102. Gé G+

G+
Macias

Ams

Gé

Amé

G+

Ar

Am

Am

*H

== |

103. E

Es
&

104. » G Ge Gmar Ge
sau + “ER +
Am Amé Am? Amé
ST 5 5 5
E HR a
= = =
o € Co Cma7 Co
sn some som s Ha
y ‘ER ER ES
5 3 un +R
Dm Dmé Dm? Dmó
sq 6 H FR 6 Hy 6

106. 19 Gm G mag 6
OR EB A A
Am? Am Am9 Am
SFA "mp FER y
L 5 8 OH
== =
a C Ce C+
son q JD
E EE EE
Dm B» Dmé Br
eras: ERA A
E = H

107. ers Pas

SHE uw sE “E

o 2 a de
, 6 RES || sw
E 36 SE 3

5 7 = =
+ ik E + ES EEE
à uE STE uw EF
a 2 ” | so
EN FFE

o FE FE: of à <+€

cs a a? se,

1)

108. Gma? Gé

Ge

2

nity EE ss |
E
age Ill «a A A
E ff SHES | à
En 3& Poe, a |
Bir SEE À 08 O |
É A 45 He à
E É 38 Es à

110. 20 GMA? Go Gma? Ge
SEHE ‘IE E +
EL ES ELLES
i
Am? Am?
som scan SEHEN
SE Hi E
22 Coma? Co Coa? Ce
3 HH SOR ‘D sum
E E 4
> 4 ER
Dm? Dm? Dmé
sr ern ua
- EE
& = =

111. Ge

Ame

G+

Gna?

Am?

Amo

Go

Ame

6

G

Am

29
3

112. m C C+ Ce C+
SUP ‘CE ‘IQ sfr
oe HD
Om Br Dné Br
“aH (EMA ‘HA ‘HE

BE ho !

=a = 2

2 G G+ Ge G+
°E God EEE > BE
Am F Amo F
o 8 3

a CHE “Ee
his E th ie

113. & su
SE yde SH hy E
a oo OE Ml
2 s |
SCH ef SE |
SEE NS E
E ä SEN er
Es || ||
Ry: o KE Hi
O ES & sh 2 GA |
hr u it <H
EE a ia
ao à ce ss

114. c
SEE

Cma9
EI

e
stm

21 Cm
+ EEE

F À oe SEHR
5 E
ee 2H SE
SHE Er À <a
E | Id:
[
As T \ €
o EE
de af À = GH
ok S ER E
sE SES à SH
a :
a

115. c

an Cua?

116. PASSING MAJOR & MINOR COMBINED (Descending)

+ + Have a frend play the root note inthe
bass In order o hear the completo
chord

» Dm Dm Dm? G9

117. e DOMINANT 7
+ Keyboard Analysis: Gp D?
+ + Have a fiend pay the root note in

the bass in order to hear the
complete chord

cHORD FORMS
» D? à D? » 67 a 67
in
[PE ait

=

118. m G7 m D? a D?
3 3FHR SE
HE +H E

om > ae
= =
= $e
20 6) a 67 a) D? 2 67
sc + THE o FAQ emma
TE H
5 no = u
es = = $=
a Dr a 67 m 67 a D?
‘tr EH ‘FH ’
tH H A
a
f= 2. =$ =

119. e DOMINANT 7 EXAMPLES

+ + Have friend play the root note inthe
bass In order o hear the complete
chord

120. 2 Omu 67 Gm?
30 4 | |
A ‘He E

it: AS #
es LU] Ls

121. E A HR où
de Hal sen H
ay $ rente Fasten
w Am? D? Dm? Ga) mag
aos go? ;
E = 1
Am? D? Bm? Ent
AH dm As. HH
HE
à y 7 ELLE LL ES

122. 12 Am? D? Gmag 66
9 7 ong + THE 7
St He HE
E ===
w Am? D Gmar Gé
$ s SEED som
Ea dí El E
m Dm9 61 Ems A
3 | sn 5 stm
er au I DE
wm Am D Gmaa Ge
sam 6 D
H FÆ
5% 5 5 HE
62 == ==
# Am Dr Gm 66
a: “ EE oy seer
Gh Be

123. Gma? Ge

= HA sx =
Gi Emo Anes)
CN
y Chal

Gr
: a Era
BER HN E
E t 5
D? Gmar Ge
FD su
} H
Bi jp +
1

©
Br
e

purs
y
ot
E

124. Dr Gmar ee

20 Am?
»

ra

, =
28) Ami Dr Ge 2
, so SERA sum
HP ERE Hp ER
A ===
= = ~ y

125. eDOMINANT 9
+ Keyboard Analysis: Gg

Da
==.
CHORD FORMS
» Ds » 09 » Ga » Da
“BE ER "gan où
+ H He ES
De I
» Da a 69 mn Da » 69
*H 3 EM 5% “
fe 2 Be
===>
a Ga w Da w 09 æ Da
"RG “EE 7 8
¢ dé à i
PD

126. + DOMINANT 9 EXAMPLES

* * Have a end play he rot not la the
bass in Order lo hear the complete
chow.

Bm? E9
HE Mesta

127. Bm Es
5 dam 4 H
ER ES ED ua
F asa DELLE
Be
a Dm? Ga Gm9 Cia Fma?
sE soy som 7g so
HH GE A bh
(evese)

128. a Am?
8
an

129. eDOMINANT 11
+ Keyboard Analysis: Cu Du

+ + Alo caled Dom Taus.

4 4 DTA can be called Amt,
= 58 Gt! can be calé Dt.

B Minor 11 chordforms 2, 14and20

bi are not Dom 11. See Minor 11 for

CHORD FORMS au

à Du à wom 9 DH 1 GH » DH o GH

sem 3 cu 5
ke = =
=
a Gu æ Du
sn ern
E Besa)
Cie Se
=
= ==
ES
12 GH 14) no eut m GH w Du
3 A sam > a
A
+ Hi
= =
— = __
$e == =
m Du 20 to amet 2 GH 2 GH
q soy
oe i
o

130. DOMINANT 13
+ Keyboard Analysis:

CHORDFORMS

» 6B » 65 a De
* plied

» Gta
2 Cire:
4 "
| He

w Gis » Cu

131. e DOMINANT 13 EXAMPLES

+ Have ion play the root note inthe
‘ase In order fo hear tho complete
chord

à Cm? Fa Em? Age)

s sq $ en
Ei Ei BE Edi
+ ir hw

132. 2 Ama Ds Does)

+ ons Orton

O74) mas Cia Co) Eng
cae mug * Fr
H El ER 8 7 q
3 E ces: OS:

133. 8 8 °F

Omi cs Gt Cm

i

sf sem m 20
E t E
D DELL Es

134. a Ds Dres Gé) 69

oq En 4 9
a Ben LR LE

Lis
[=== 2= =F FE
Cua Ci Fran Foc» Bua?
FE "HE HE 7H “4
DE) ee sn 2 EF
pa Z rs = FTTH]

135. eDOMINANT 755
+ Keyboard Anatsis: oes) Dres

136. + DOMINANT 755 EXAMPLES

+ + Have a find play the root note in the
bass in order to hear the completo
chor.

n DO? Go Ents) Am?

we a es e
ag cl E dl
ma ask hs

A

137. 9 Dm9 Gé 69 Cmas

a Fut El Emm DI Onur)
5

7 ‘HR «En q +
eA ae Es

138. © DOMINANT 7+5
+ Keyboard Analysis: (45) Di

a=

‘CHORD FORMS

à Gr) y Goh) Got

2 FR "8 °C

1 EF
Se

= 22

139. DOMINANT 7+5 EXAMPLES

+ + Have ona play the root note in the
bass in Order o hear the complete

à Omit Go) Em? Aa

zur ser 30 207 can
sl! “Ei

bier + HE CE

140. DOMINANT 7b9
+ Keyboard Analysis: 39(-4) Doc»

cHoRDFoRMs
DIV y Dol OA à Dé; Dors
1 HA aq 5 HH 8 [TA 4 E
HP fa Bate +
—to=———Je- E =
ee
a DE à Do à Dol à Dod
0 4 ne «gfe A
. Être E,
Æ = = =H8=
A Cg GEM ay Gé à GO
eat 4 n + mE °F 6 HER
Er El UE si cal
= [rn

141. ® DOMINANT 7b9 EXAMPLES

+ » Have fra play the root not in the
ess inorder o hear the complete
cher

Dre Bm? Er)

+ “ET EE E

142. 3 Ama Dod Gms Gdm?
spy ss ER

Shas > el
à Am Dot Gna Ent
"q a : ‘ER ER

143. D164) Bm?

SSS a
«Om? 69 Cma Co
se STE 2p cn

BEE

ba = 3

144. 15 Dm?

Gr

Cm?

6

ERA

145. e MAJOR (59)

¿emo Anis: (a) Din?
pi Tones om oe
—r
CHORD FORMS

on Dé » pe » Der » DY

EEE

a

146. © MAJOR (9) EXAMPLES

2 + Have a fond play the root note in the
bass in Order o hear the completo
chord

à Am? De» Bm? Ene)
5 « 4 6
ane

2 Am? oo Bm? Em?
DEE
i — =]

Am? or Bm? Eno) Am? Docs)

3
ar

e $

3
o
S

Elvan 7
Sr:
LEE

147. a Ami

pe»

Cm E7099)
7 [4H 2 ser :
cron 93 ES
5 Am pe» Bei ca
sun am sm «un
E m i
Boe Se
a Dm Gen En pu
desee sen a
Di 3 ie |
go.
a Dm Ge cman
SEHR re?
ta ie

148. a Dm? Dm? Ge) GW)
sq ‘ A
f H neu BR sm E
== =====
Em Em AT)
‘TE q y s m

149. + DOMINANT 7+9
+ + Keyboard Anaysis: (579) Dro

CHORD FORMS

à DH) à Dr à D749) Dole) à Dr

4 4 3 EEE SERA +

+ nes

Les) Fes D
er
a Gr) y Gr Gay cr

‘Eh ici * "EA
FE hid À GER

>

150. © DOMINANT 7+9 EXAMPLES

# + Havo and pay the root note in the
bass in Order o heat the completo
chord

Am? 0749) Doe) Bm? En) Enco)
Pers "rn “a “amy
= Bi: \
= = j == =
Am Dre Dis) Bm? Ent) En)
mere: Klar: + HEN 2H ef (Un
EH FH EN E
A ras: pie t “bh
== =
2 Amo Dre» Gma9 Entra)
E
ae

151. 5 Am? Don Dre» Gma9 E“
sg “q 4 A 3 >H
ll ws
He = LE == —
a Dm Gré% CH) Cag
34 4 24
a El t
ee A
ee =
m Dm? Gr49) Cm? Fat Ba?
E “EE ‘ER EE
H HEE
= =
$
» Gr) Gas) Gist) G9) c
"EN * SEE * vo FER
nes) "| Hr
$ == = TE
a Dm Gris) Em? Anís)
3 HA 3 se si
y RUE i

>

152. + DOMINANT 7b5b9
O)

= es
=

CHORD FORMS:

co) Dol) EEE à Gift)

ww m “Né E
id

a Hg

a 613) EM ah ru

on a0 E 9 1 or E
¿E EA
He EE ESE

& = = =

153. + DOMINANT 7b5b9 EXAMPLES

* + Have a tien play the root note in the
as in order 10 hear the complete
core

à Dm? 6) Cunt
É 5 ia: sf

à Am? Gma9
sn ‘HR
HE :

155. e DOMINANT 7b5+9
* Keyboard Analysis: G7(s4) Dols)
CHORD FORMS

a Da) a
esas] 47
jus ib

=

DOMINANT 7 55+9 EXAMPLES

+ Have a friend play the root noto inthe
bassin order to hear Ihe complete

chor
à Ama Doli) Gnas Eat)
EH ach 3% 4 FR
GE Lt Hi Lis:
2 Am? Gad
5 TE sE iF

156. e DOMINANT 7+5b9

+ Keyboard Analyse: Ga(25) Dr(25)
Pe
CHORD FORMS
CE Gn#) EM Gif)
ees ao + dere:
HE EHH nine E

n D0) à Dr)» Gl'f)

3 su 6g

157. + DOMINANT 7+5b9 EXAMPLES

+ Have a end play the root note in the
‘bassin order o hear the complete
chord.

à Dna Gr) Gr Chas
2 ‘ap E ‘ (0
os b +
87 = = (PP
à Dni Gr)
3[H y TS
5 ss)

a» Dn9 Grlt8) Em? A
wr "HE sn ER

158. » Amo Dr) Gna?
2H 3 2

a Am? Dit) Guat

Ge
hd Hi 13 5 i "HE

159. + DOMINANT 7+5+9

+ Keyboard Analysis: 7/43) Drit3)
CHORD FORMS
à DA) à Do) » Dr) à Galt
D acy 6
oo & E

rn

» Got à Gulf) Gr(t8)
En 4 EB

160. e DOMINANT 7+5+9 EXAMPLES

+ + Have a tiend play the root note inthe
bass in order to hear the complete
chord

à Am? Dr) Gm Er)
SERA °F 40 AR a |
bl — — ZA

a Am Dn (38) Gm? Er?
5 + "a ”

emmy [Janna a]
à EA
de ia
bre RE
à Dm? Got) Can
sr er a
Boas Ei H

161. » Dms

Eier:

Galt)

» Dm? Galt) GH) Cma?
3 4q qe Mi ‘ke
‘aod He i I
tz === 2 ARRE

162. e DOMINANT 9+11(»5)
+ Keyboard Analysis: Gs) Datta)
m Lo May ta conte Dona

CHORD FORMS

à Da, Dam, Goan
+ 4 2H
Ear 4. A

163. DOMINANT 9+11(>5)EXAMPLES

+ » Have a fiend pay the rot note in the
bass in order to hear the complete
herd,

a Bm9 Ege) Amd Dom
Le Gers 5 FR 4q
+ 4
at Ber marl Arta
Bm? Es

5 3 D 3

a An Dai)

164. » Dm? Gar

FHA 24
E
Dm? Gai) Er

3%

ES

165. e DOMINANT 9+5
+ Keyboard Analysis: (9/48) Da“

CHORD FORMS
à Gat) à Gat? Galt) Galt
31 2 8 T 9
MER
ha À a
HE E = 7

166. e DOMINANT 9+5 EXAMPLES

+ + Have a frend play the root note inthe
‘bas In order to hear the compete
chord

à Dm Gas) Cm?
3 y 3H
HH H
L oh
SSS

167. e DOMINANT 1159
+ Keyboard Analysis: (,,(-9) Duc»
4

je m

CHORD FORMS

à DHé à Guéd y Dut?
7

168. DOMINANT 11b9 EXAMPLES

+ + Have a frend play the root note Inthe
bass In order o hear the complete
chor.

» Am? Dol) Dr) Dut) Du Cm

1

169. » Dm? Gu) Cora An(#)

6 eu 7 Ds:

a Dm? Gul? Cuacia

Fir: 7H 24

170. + DOMINANT 13+11(*5)
+ Keyboard analysis: G36#1) Dis)

CHORD FORMS

o Dat) à Grew
T 5 TQ

a

5

DOMINANT 13411 EXAMPLES (»5)

+ + Have a friend play the root note in the
‘bags in order to hear the complete

Sow

à Ama On Gund Et)
ers q Ha HE
E Hz

O |

Gish? Em? Ant)

sr sa 5
BE E
SE ==/3

171. eDOMINANT 13b9
+ Keyboard analysis: Gys(-#) Ost”

==:
(CHORD FORMS

à Du) 5 Dad, Dis

SPD “nip

172. e DOMINANT 13b9 EXAMPLES

* * Have ation play the root note in the
‘bass in order o Pear the completo
chord

Disc»

Dit»
+g
===. E E
Disco
8 BEE
Dis“? Guar
Tae oa

173. a Dm Gat Ca

Eyes saa 31 2 E
a DEL u
ez =

a Dma

sr

174. + DOMINANT 13+9
+ Keyboard Arata Gait) Disa)

a

‘CHORD FORMS

a Dat? y Dist à Gis) Gis)

3 E E “i

175. e DOMINANT 13+9 EXAMPLES

+ « Have aora play the root ate inthe
bass in order to heer the.
chord.

à Ams Dis Gm?
say 3% 0 4
dE LE

En

3 Sap s
ES Ht
a i Coke
£ =
& =
» Dms
204
ort

176. CUUMINANE IOUYTIN

+ Kevboard nasi: Gish) Dile)

CHORD FORMS

Gall)» Dali)
7

D , a er

DOMINANT 1359+11 EXAMPLES

+ Have a ion play the root note inthe
base in Order to hear the complete
chord.

» Dm Gis Gi) Chao
Ser ste "HE
AE Bi HE
==
|
Gna?
aaa

177. DOMINANT 13+5+9
+ Keyboard Analysis: (5,4(44) Dis 38

CHORD FORMS

a Dah ) Ge (34)

ES

178. + DOMINANT 13+5+9 EXAMPLES

+ Have a find play the root note in the
base in order fo hear the compete
chord.

Ama Dr) Dust Dit Duff) DS)

, 1H aq 10 Ep gr 7 FA
HE E y
«la a Se Dur DEL =
Gm?

Das GAS) Gulf) Ga) cr Gr

a cm im ie

Eu ash pe

179. eDIMINISHED

+ Keyboard Analysis: Cdim Gaim

+ Any tein hese ciar chords
abe consideras te vot in
‘Sho forma can ao bp used a y
Dom? b9 chord, Le. E ?dim = D7 b9 =
Frio abroocerbe

Em
2 2000 207
dE HH
ar iba F FRE
A ,
E = =

2) Gdm o Edm » D’dm a Bdm
sy

180. DIMINISHED EXAMPLES

+ * Have a rend play the root note in the
bass in order o hear tho complete
chord

Afdim

6

Em? Ark) Dann
> 2 i 2 EE

181. a CMa? Cm On? Dédim
3 su 3 [4 7 FE
Hee BE GT
Are) 48769)
64 AS = =
Em? Al) Dma Gr Cour
sf CE em sep PA
&
& E
Cm Cm Dm? Bam
2H +1 6 FE + EH
4 CG E
de Ka
Em? Art) Dm Gr Gé ma
7 “E demos ‘FE E A E
5 D LE à

182. + AUGMENTED
+ Keyboard nays: + E»
€
pare
a = poe
— =
cHonp FonMs
+ on Ge 9 Er. Ge à Er à Cr
16 Ea e 4g
Les EEE E
oe me

a

o Et alt ww C m a Er

fey

ge
q

sam sam sp 4 EN ER
Eu ‘es fa nH Eh

— = A
Ct GH ow Et w Gft om Er m Ct
oan (EMA + D Sram sot se
ES Hi ps p HH

183. Om? Em Fra? Gr An? Bea?

=
Om? Ems)
Ed E
Bu? Cm On? Fr Gn Amt)
2 E
| — = =
Ewa? Fm? Gm Alma? er qu Dres)
u —,
Aad Bm m Dir er fm |
a
SE = =
Ow? En? Fn? Ga? An Bo Con |

BR

CRE) Bn? Cu of En Fm)

Bu? Cha Den Eur em m Mt)

ee
8

Ena? Fin? Chat Ana? 7 Can fois)
—
tao Bt cr Oma? En Flay Gf)
= HE zz DS
Dar Em? Fin? Cm? Ar Bm? Cies
SS —
Gun An? Bm? Ca Dr Em Fen)

== eg