Byron died on April 19, 1824, at age 36. He was deeply mourned in England and became a hero in
Greece. His body was brought back to England, but the clergy refused to bury him at Westminster
Abbey, as was the custom for individuals of great stature. Instead, he was buried in the family vault near
Newstead. In 1969, a memorial to Byron was finally placed on the floor of Westminster Abbey.
The most flamboyant and notorious of the major English Romantic poets, George Gordon
created an immensely popular Romantic hero—defiant, melancholy, haunted by secret guilt—for
which, to many, he seemed the model. He is also a Romantic paradox: a leader of the era’s poetic
revolution, he named Alexander Pope as his master. Byron was a worshiper of the ideal, he never lost
touch with reality; a freethinker, he retained from his youth a Calvinist sense of original sin; he
championed liberty in his works and deeds, giving money, time, energy, and finally his life to the Greek
war of independence. His personality found expression in satire, verse narrative, ode, lyric, speculative
drama, historical tragedy, confessional poetry, dramatic monologue, heroic couplets, blank verse, and
vigorous prose. In his dynamism, sexuality, self-revelation, and demands for freedom for oppressed
people everywhere, Byron captivated the Western mind and heart as few writers have, stamping upon
19th-century letters, arts, politics, even clothing styles, his image and name as the embodiment of
Romanticism.
Between 1821 and 1822, Byron edited the Carbonari society's short-lived newspaper, The Liberal.
Major works
Hours of Idleness (1807)
English Bards and Scotch Reviewers (1809)
Childe Harold's Pilgrimage, Cantos I & II (1812)
The Giaour (1813)
The Bride of Abydos (1813)
Lara, A Tale (1814)
Hebrew Melodies (1815)
The Siege of Corinth (1816)
Parisina (1816)