Early ren italy

Ms. Fuentes presentation

1. Early Renaissance in Italy
Rebirth of Classical Ideals,
Southern Style

2. 15th century Italy was not a
country, but a group of individual
and sometime warring city-states
such as Florence, Milan, Padua,
etc. Merchant families- such as
the Medici- rose to power.
THEY BECAME MAJOR ART
PATRONS AND HELPED
LAUNCH THE ITALIAN
RENAISSANCE

3. Early Renaissance Italy….
•Humanism philosophy dominates literature, arts,
science, and even religion
•Study things as they really are, age of discovery
(remember Columbus was going to North America
during this time frame)
•Great influence of Van Eyck and
Flemish/Northern Renaissance
•However added classical studies of antiquity from
Greece/Roman traditions

4. Artistic Innovations
•Like the North, Italian artists showed realistic
human forms, but with greater concern to anatomy
and classical influences
•Brunelleschi - artist/architect developed the use of
perspective to an astonishing degree
•Return of classical large scale sculptures, nudes,
and many secular art works
•Patrons were powerful families who ruled the city
states, such as the Medici
•Medici, Godfathers of the Renaissance

5. What about Perspective????
•Atmospheric and intuitive perspective already in place
from Netherlands/Northern Renaissance
•Italian Renaissance artists went a step further, studying it
mathematically

6. Uccello shows a battle for one of the city states here in this tempera painting, of 1438.
He also shows the use of perspecitve as “discovered” or developed by Brunelleschi.
Italian Renaissance went a step further than their Flemish colleagues in perspective…

8. Perugino, The Delivery of the Keys to Saint Peter, Fresco, 1481, right wall of the Sistine
Chapel, Rome. Shows linear perspective and low horizon line, orthogonals to v. point

9. Brunelleschi’s Dome (Florence
Cathedral), 1417-36; 1471, etc.
Brunelleschi was favored by the
Medici and jailed when Cosimo
was jailed.
Artist who perfected system of
mathematical perspective
Daring innovator, engineer.
Designed dome WITHOUT center
supports; architectural feat for that
time. Dome supported on lantern.
Flashcard
How can you make an egg stand
on end without center supports?

10. Church of San Lorenzo (nave), 1430s-70, Brunelleschi - did 1st architectural
perspective drawing using his theory of mathematical perspective for patrons

11. Brunelleschi designed & built the Foundling Hospital (orphanage) in 1419. The
medallions are still loved today …
Patron: Silk & Goldsmith’s Guild of Florence as a public service
Example of Renaissance style architecture-Corinthian style column with high light
arches.. Proportions in line with Renaissance art/science of proportions
flashcard

12. Detail of Terra
Cotta
Medallion,
1487
Foundling
Hospital,
Florence
Andrea della
Robbia
Family secret
blue and white
glazing -
babies show
human side of
Renaissance
humanism
Guild public
service
flashcard

13. Alberti’s Della Pittura &
perspective
•Alberti wrote a treatise (3 books) on
perspective and art.
•Half of one book dealt with geometry and
mathematical perspective as pioneered by
Brunelleschi- making a painting as a “view
through a window” (p 622 in text)
•The other books dealt with composition,
theme, philosophy, and technique

14. Church of Sant’Andrea,
Mantua, 1470
Leon Battista Alberti
Who also wrote the
treatise on perspective,
art, etc.

15. Trinity with the Virgin, St. John the
Evangelist, and Donors
Masacccio, 1425
Masterpiece of perspective - 1st true
painting with linear perspective
Illusion of reality
You can see the grids and perspective lines
where he laid strings in the plaster
http://www.dartmouth.edu/~matc/math5.geometry/unit11/unit11.html - perspective
flashcard
http://www.youtube.com/watch?
v=EQZdwM1e1GM &feature=related

16. Expulsion from Paradise, fresco, (adam and
Eve), 1427, Masaccio
From the Brancacci Chapel
Study of anatomy & underlying muscle and
bone structure, combined with expressivism
and emotions of Adam & Eve upon being
cast out of Eden
More psychological than Flemish painters
Inspired by ancient Roman sculpture
flashcard

17. QuickTime and aª
decompressor
are needed to see this picture.
Masaccio, 1427
Adam, Eve
from Ghent
Altarpiece,
Van Eyck,
1437

18. View of Frescoes by Masaccio & Masolino & Lippi (collaboration in Brancacci
Chapel in Florence). Unfortunately Masaccio died in 1428 or 1429 before
completing his part of the fresco.

19. Tribute Money, Masaccio, 1427, fresco, Brancacci chapel. flashcard
Most innovative of early early Italian Renaissance painters..3 scenes w/in one setting,
Peter catches a fish with a gold coin in its mouth to pay Caesar’s taxes on the right,
central figures around Jesus where Jesus tells them to Render unto Caesar that which is
Caesar’s (Florentines being taxed for military campaign at the time of this painting).
Integrates architecture, figures, and landscapes realistically w/perspective
Green robe shaded w/red, strong modeling of figures, consistent light source..this fresco
was studied by Michelangelo.

20. Annunciation, Fra Angelico, fresco, 1438-45. Painted for a monastery in
Florence. Probably commissioned by Cosimo de’ Medici. Linear perspective,
natural light. Part of a series painted in the monastery to help guide the monks’
prayers. Columns here show new building technique used by Brunelleschi.
flashcard

21. The Last Supper, Andrea del Castagno, 1447. Fresco.

22. Art & Humanism: Human Form
•Artists in Italy became interested in
portraying the human form as accurately as
possible
•Scientists such as Galileo (imprisoned for
life by the Spanish Inquisition) promoted
the study of nature and reality in physics,
mathematics, and biology

23. Battle of the Nudes, Antonio del Pollaiuolo, Engraving, 1465 - study of anatomy

24. Hercules & Antaeus, bronze
figurine, 18” tall, del Pollaiuolo, c.
1475 (early Renaissance)
Influence of classical Greek &
Roman sculpture
Study of Anatomy
Patrons: smaller statues that could
be enjoyed or placed in the homes
of middle class families
Del Pollaiulo’s patron was the
Medici family; he was trained as a
painter, sculptor, and goldsmith

25. Gates of Paradise, (east doors),
Baptistry of San Giovanni,
Florence, Ghiberti 1425-52,
bronze, 15’ high (4.5 meters)
Flashcard
“I strove to imitate nature as clearly as I could,
and with all he perspective I could produce, to
have excellent compositions with many figures.”
Competition held in 1401 to
commission this prestigious set
of doors… Brunelleschi &
Ghiberti were top competitors
Patron: Wool Mfgrs. Guild
Name coined later by
Michelangelo
1 point perspective, 10 old
testament scenes
Technological advance from
earlier doors-revived LOST WAX
method of relief sculpture

26. Jacob & Esau,
panel from the
Gates of
Paradise,
Ghiberti 1435
Intuitive and
linear
perspective,
high and low
relief figures
give amazing
sense of depth
Jacob & Esau
story from
Genesis in Bible
Esau
symbolizes
Jews and Jacob
Christians
Flashcard part 2

27. Ghiberti’s Gates of Paradise, 1425
Pisano’s John the Baptist doors,
1327

28. Donatello - New
Expressiveness
•Excelled in 3 areas:
–Human emotions & expressions
–Vision & insight in solving formal
problems
–Technical skill in various sculpture
media
•1st life-size male nude since antiquity
•1st life-size equestrian statue since
antiquity
•Used contrapossto, iconography, G-R
drapery

29. David, Donatello, Bronze, 5’2”, 1446-60, early
Italian Renaissance
1st life-size male nude statue since antiquity
David shown standing on the head of Goliath
Exaggerated contrapossto position
Hat of a fashionable Renaissance young man;
David shown as adolescent
Originally stood in courtyard of Medici palace-
Medici were patrons of Donatello
Inscription suggests iconography symbolizing the
victory of Florence over Milan in 1428
“The victor is whoever defends the fatherland. Al-
powerful God crushes the angry enemy. Behold, a
boy overcomes the great tyrant. Conquer, O
citizens!”

30. Gattamelata (Equestrian Monument
of Erasmo da Narni), Donatello,
Bronze, about 12 feet high, 1443
1st life size bronze equestrian
statue since antiquity
Shows General of Venetian army
Self-made man of the Renaissance,
powerful condottieri
Donatello stayed in Padua
(northern Italy) for years and
founded a school of sculpture.
flashcard

31. Sources: Marcus Aurelius &
another ancient Roman equestrian
statues.

32. Mary Magdalen, Donatello, wood, 6’ tall, 1450s
Extremely expressive statue of the saint, who
became a hermit after Jesus’ death.
Shows her emaciated and aged, clothed in her
own hair, after years of wandering in the
wilderness.
Donatello rejected classical form in this figure.
Vision of the hereafter.
http://www.youtube.com/watch?v=ekkOfn002tI&feature=PlayList&p=6F27851475601E03&index=9

33. Andrea del Verrochio
followed with this statue
in the late 15th century.
Bartolomeo Colleoni,
General of Venice is
portrayed here.
Vitality and energy; image
of will and domination in
this portrait of a
condolietteri.

34. Artistic innovations spread from
Florence throughout Italy
•Artists got ideas, inspiration, & training from
Florence artists Brunelleschi, Donatello, and
Masaccio and these ideas spread thru Italy
•Venice & Urbino also became artistic centers in
last half of 15th century
•Della Francesca (Urbino), Mantegna (Mantua),
and the Bellini brothers (Venice) are 4 artists from
these areas where Florentine art spread.

35. Legend of the True Cross, Piero della Francesca painted this fresco in the 1450s.
Brought from Florence to Urbino by powerful patron Federico da Montefeltro. Used
linear perspective & simplified geometric forms. Façade in background mimics
Alberti’s. Della Francesca wrote about geometry and art in a book. Part of a cycle
of frescoes in this church about the true cross of Jesus.

36. Battista Sforza & Federico da Montefeltro, oil on wood, 1474. Piero della
Francesca painted this dual portrait of the Duke of Urbino & his wife
Battista. flashcard
Flemish influence
seen in oil paint &
luminous colors;
also landscape
background.
Strict profile
tradition makes
subjects seem
distant from
viewers
Painting on reverse
side shows
humanistic interests
of Montefeltro’s
court and is full of
iconography.

37. Reverse side of dual
portrait by della
Francesca,
Triumph of Federico
and Battista
Duke is crowned by a
winged Goddess
(either Victory or
Fortune); also shown
are Justice,
Prudence, Fortitude,
and Temperance.
Battista’s cart is
pulled by a Cherub
and driving a team of
unicorns.. Faith &
Charity hold a
pelican, symbol of
maternal sacrifices.Inscriptions praise Battista’s restraint and virtues, and
Federico’s moderation and fame.

38. Camera Picta (Newlywed
Ceiling), Andrea Mantegna,
fresco, 1465-74, Mantua.
Flashcard
Mantegna studied in Padua
with influence of Donatello.
Patron was the Gonzaga
family, painted this for their
palace ceiling.
False oculus, trompe l’oeil
effect.
Di sotto in su… Shows
radical perspective views
and foreshortening.
BEGAN LONG TRADITION
OF ILLUSIONISTIC
CEILING PAINTING.
Interested in classical
literature & archaeology.

39. In Venice, the Bellini brothers created many OIL paintings inspired by the Flemish
Procession of the Relic of the True Cross before the Church of St. Mark, Gentile Bellini,
oil on canvas, 1496, Galleria dell’ Academia, Venice. Narrative of annual festival
celebrating a 1444 miracle recovery of a dying child. Father in red robe kneeling is
praying for his child’s recovery. perspective

40. Virgin & Child Enthroned, 1478,
Giovanni Bellini, Hospital of San
Giobbe, Venice
Sacra conversacione (know this term):
sacred conversation between Mary,
saints, angels, and donors as shown in
this type of piece. In real life of course
they are not conversing (from different
times and places) but joined in mystical
communion outside of time.

41. Back in Florence late 15th century…
•Love of material opulence and interest in nature
•Poetic, mystical spirit & religious fervor.
•Philosophical circles around the Medici.
•Monk Savoronala preached against religious
images and destroyed many paintings.
•Ghirlandio & Botticelli 2 painters from this time
frame.
•Botticelli studied under Verrochio, revived the
female nude, and painted in a linear style with
floating figures. Did 3/4 profile portraits (like
Van Eyck)

42. Primavera, Sandro Botticelli, 1482, Florence. Tempera on wood. Allegory combining
Christianity with classical stories, Venus of Earth, Venus of Heaven. Orange trees mean
fertility. Revived female nude in art. Figures seem to float. Secular painting of religious
subject made for Lorenzo Medici’s wedding. Inspired by Flemish tapestry.

43. Birth of Venus, Botticelli, tempera, 1484. Flashcard. How is this neoplatonism?
Wait a minute….. http://www.youtube.com/watch?v=r5L-B_fW7Ow

44. Tempera, line, reflection of ideal beauty as
Venus reflects ideal beauty of Mary

45. Ghirlandio
Painted frescos in Sassetti
chapel in Florence
Showed poetic, mystical
spirit
Religious fervor at end of
15th century

46. Nativity and Adoration of the Shepherds, Sassetti Chapel
Altarpiece, Florence, Ghirlandaio, 1485. flashcard
Ghirlandaio painted
this after viewing van
der Goes’ altarpiece,
which came to
Florence from Bruges
in 1483.
He even copies some
of Hugo’s flowers, the
iris, and has Jesus on
the ground. However,
he puts in classical
Roman pilasters
instead of a medieval
setting. Linear &
aerial perspective.

47. Ghirlandaio’s Nativity
Hugo van der Goes’ Portinari Altarpiece

48. OK lets’ look at early Renaissance groundbreakers:
Contest- include Early Northern & early Italian
Find FIRSTS or groundbreakers in the following categories-be specific
Printmaking
Architecture
Relief Sculpture-techniques
Painting techniques
Perspective
Portraiture
Subjects in painting
Large Scale nudes
Revival of Greek philosophies
Patronage outside Church