Acknowledgments
The author would like to thank the European Cultural Foundation (ECF)—especially André
Wilkens, Isabelle Schwarz, and Tsveta Andreeva—for their relentless interest and support in
exploring the nexus between culture and foreign policy, and for their confidence in
developing the European Sentiment Compass as a joint ECFR-ECF partnership and initiative.
This project is largely based on research conducted by ECFR’s 27 associate researchers, whose
hard work needs to be recognised. They are: Sofia Maria Satanakis (Austria), Vincent Gabriel
(Belgium), Marin Lessenski (Bulgaria), Robin-Ivan Capar (Croatia), Hüseyin Silman (Cyprus),
Vladimir Bartovic (Czech Republic), Christine Nissen (Denmark), Viljar Veebel (Estonia),
Tuomas Isu-Marko (Finland), Zélie Fourquier (France), Stephan Naumann (Germany), George
Tzogopoulos (Greece), Zsuzsanna Végh (Hungary), Harry Higgins (Ireland), Alberto Rizzi
(Italy), Kārlis Bukovskis (Latvia), Justinas Mickus (Lithuania), Tara Lipovina (Luxembourg),
Daniel Mainwaring (Malta), Niels van Willigen (Netherlands), Adam Balcer (Poland), Lívia
Franco (Portugal), Oana Popescu-Zamfir (Romania), Matej Navrátil (Slovakia), Marko Lovec
(Slovenia), Astrid Portero (Spain), and Nicholas Aylott (Sweden).
A paper of this volume is inevitably the result of a teamwork. It would be hard to overstate the
contribution of Kim Butson who demonstrated incredible patience, meticulousness and
ingenuity as editor. Early exchanges with Jeremy Shapiro and Zsuzsanna Vegh encouraged
the author to look at Europe’s relations with Trump’s America through the prism of a “culture
war”. Adam Harrison and Jeremy Cliffe provided sage advice. Celia Belin, Rafael Loss and
Jeremy Shapiro gave crucial feedback on the first, very imperfect draft. Gosia Piaskowska was
of great help in ensuring smooth cooperation with ECFR’s associate researchers. Special
thanks go to Chris Eichberger for graphic design, Nastassia Zenovich for data visualisations,
Martin Tenev for his brilliant web design, Andreas Bock for managing the communication
side of the project, and Nele Anders for leading on the advocacy side. Finally, the author
wouldn’t get very far without the trust of Susi Dennison and Anna Kuchenbecker who have
supported this project since its inception in 2021.
Any mistakes or omissions are the fault of the director alone.
Reality show: Why Europe must not cave in Trump’s culture war – ECFR/606 37