IllustrationsofNyas,Alpatva,Bahutva,TirobhavandAvirbhavaintheaboveRagasbymeansof
notes.KnowledgeofthefollowingTalswithdifferenttypesofLayakariesandwritingoftheTalsin
Dugun,Tigun,ChougunandAda:-
Trital,Jhaptal,Choutal,Keharwa,Dadra,Tilwada,Rupak,Teevra,sool-Tal,DhamarandJat-Tal.
WritingtheGatsinnotationintheaboveragaswithAlaps,Todas,Jhalas,IdentificationofRagas
fromthegivennotes.
CandidatesofferingpercussionInstrumentsmusthavecriticaldetailedandcomparativestudyof
thefollowingTals:-
TEENTAL,JHAPTAL,RUPAK,CHOUTAL,SOOLTAL,TEEVRA,TILWADA,DADRA,KAHARWA,
PANJABI,JATTAL.
TheyshouldalsoknowthedifferenttypesofLaykaries,Tukaras,paranas,Peshkara,Quada,
Avartan,Bant,Kisim,Palta,Rela,Laggi,Ladi,etc.whereapplicableintheabovementionedtalas,
writinginnotationofallthematterinabovetalasandidentified-forgivenBols.
VocalMusic
Notationsystem,scalesandstudyofBio-graphicsofMusicians.
NotationsystemofBhatkhandeandvishnudigambarandwesternMusic,writingofsimplesongs
inthesenotations.WesternNote,varioustypesofintervalsofnotes.Timesignature,different
Musicalscales,Dia-tonicscale,comparativestudyofscalesofBhatkhandeandwesternMusic.
HarmonyandMelody,placementofnotesonveenaaccordingtoPt.Srinivas,comparativestudyof
NorthernandSouthernTalpaddhaties,contributionofvariousscholarsandmusicianstothe
IndianMusic.
BiographiesofBhatkhande,Vishnudigamber,Tansen,AmeerKhusroo,FaiyyazKhan,Pt.Ravi
Shankar,Pt.RamSahay,AhmadjanThirakwas,KudauSingh,NanaSahibpanse.
StudyofMusicalStylesandRagas
Geet,Gandharva,Gan,DeshiSangeet,Sthaya,Mukhachalan,akshiptika,NibadhaandAnibadhGan,
Raglakshan,Ragalap,AlaptiswasthanNiyam,prachalitAlap,Tan;Meend.
CriticaldetailandcomparativestudyofthefollowingRagaswithillustrationofNyas,
Alapatva,Bahutva,TirobhavandAvirbhavinthem.
Lalit,Darbari,Adana,Mia-Malhar,Goudmalhar,Bahar,Todi,Multani,Deshi,JogiyaandVibhas.
KnowledgeofthefollowingTalswithdifferenttypesofLayakariesandwritingoftheTalasin
Dugun,Tigun,ChougunandAda:
Trital,Ektal,Jhaptal,Choutal,Kaharwa,Dadra,Tilwada,Rupak,Teevra,Sooltal,Jhoomra,Dhamar
andJattalandpanchamSawari.
ComparativeanddetailstudywiththedescriptionsofdifferentstylesofIndianMusicviz.
Dhrupad,Dhamar,Khayal,Thumri,Tappa,Chaturang,Taranas,Trivat,etc.andtheirevolution,
writingofnotationofsongsintheaboveRagaswithalaps,TansBoltansetc.andwithdifferent
LayakariesinDhruvapadandDhamar,IdentificationofRagasfromgivennotes.Ashortessayon
anymusicalsubject.
InstrumentalMusic
NotationsystemofBhatkhande,VishnudigamberandwesternMusic.Writingofsimplegatsin
thesenotations.Westernnotes.Varioustypesofintervalsofnotes.Timesignature,different
MusicalscalesDia-tonicscale,pythagorainscale,Temperedscale,Majorscale,Minorscaleetc.
ComparativestudyofscalesofBhatkhandeandWesternMusic.HarmonyandMelody,placement
ofnotesonVeenaaccordingtoPt.Srinivas.
ComparativestudyofNorthernandsouthernTalpaddhatiescontributionofvariousscholarsand
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