MelaniePowell1
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105 slides
Feb 19, 2018
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About This Presentation
GCSE Art Exam 2018, Fragments, Artists to support development
Size: 53.41 MB
Language: en
Added: Feb 19, 2018
Slides: 105 pages
Slide Content
GCSE Exam 2018 Fragments
People
John Stezaker
Justine Khamara Khamara's practice to date has sought to disrupt photography's smooth, two-dimensional surfaces by building sculptures and collages entirely out of photographs. A flat image, usually figurative, is transformed either by slicing directly into the photographic skin and pulling features into three dimensional form, or by taking multiple shots of a single subject which are then collaged.
Katie Grinnan Similar to a camera capturing multiple exposures in a single image, artist Katie Grinnan created this sculptural time-lapse of her body moving through a daily yoga routine using sand, plastic, and enamel. The end result is representative of both time and form as each split second is layered onto the last creating what is both a singular figure and many
Environment
Seth Clark
American artist Seth Clark creates intriguing mixed media collages focused on deteriorating architecture. “I see an inherent honesty in the face of my subject. These man-made structures, designed to be huge forces of permanence, are now collapsing in on themselves. Among all of the clutter—the shards of wood and layers of rubble—there remains a gentle resolve. It is as if the buildings were content with their circumstance. As I work, I study these structures incessantly. They are on the brink of ruin, yet appear dignified in their state. Something very energized and present is trying to escape out of a slow history of abandonment.
Tara Donovan Brooklyn-based American artist Tara Donovan creates site-specific installations that can make you question the commonest of materials. She uses a variety of everyday objects to create whimsical and intriguing pieces of artwork that look anything but common .
Louise McRae Louise McRae’s sculptural, wall-based assemblages bring discarded building materials and the debris of her rural environment into new frames of reference. McRae’s practice involves painting upon scrap timber which she then splits into shards and reassembles into matrixes of varying shapes and formats.
KURT Schwitters Schwitters started this assemblage of discarded rubbish and printed ephemera in Germany in 1920. Seventeen years later he brought it with him to Norway, having escaped from Nazi Germany. There he added Norwegian material: theatre tickets, receipts, newspaper cuttings, scraps of lace, and a box with two china dogs. The different layers of collage reflect the artist’s journey into exile
Dogsanddice.co.uk “Creating a collage like this involves obsessively wandering – lost in scraps & cuttings, making decisions, creating connections, wrongs – rights, tiny personal compositional signatures or jokes, mulling over, stopping – or not, and that secret sensation of something coming to the end of it’s journey right in front of your eyes.”
Vasco Mourao Vasco Mourao is an architect and illustrator originally from Portugal who now lives and works in Barcelona. His densely illustrated cities and structures are drawn entirely by hand and while all are of course fictional places, they often incorporate real buildings. For instance, in the most dense piece above entitled New Yorker one can find the Chrysler building, the Met, the Whitney, and the Guggenheim among others
Andreas Gursky
Natural World
The shapes of Rorschach tests are intentionally flawed and ambiguous — allowing us to draw conclusions about a person’s psyche based on what organic matter they claim to see growing in the inkblots. In her series, Mirrors, photographer Traci Griffin flips that concept. By applying symmetry to natural subjects, they are rendered unnatural and too perfect for this world. Traci Griffin
https://www.youtube.com/watch?v=isnuLXjzvNw Daniel Siering and Mario Shu in Potsdam, Germany. The duo wrapped a tree in plastic sheeting and then mimicked the background landscape using detailed spray paint strokes to create the illusion of a tree cut in half.
Edward Weston
Susan Hillier – botanical illustrator
Patterns found in nature – symmetry / organised structure
The organised, patterned structure of a wasp’s nest inspired Andy Goldsworthy to create his sculptures…
Man-Made/Objects
Joseph Cornell
Artist Robert Wechsler (previously) was recently comissioned by the The New Yorker to create a series of coin sculptures for their October 14th money-themed edition. Wechsler used a jeweler’s saw to cut precise notches in coins from various currencies and then joined them together in several geometric forms
Teodosijev , a photographer, has used still life photography and the contents of storage drawers to try and record something of his father. He says "Can you capture the soul of a beloved one" Tom Teodosijev
Although this image by Bela Borsodi ( nsfw ) appears to be four separate images, it’s actually a single photograph, with all of the objects perfectly aligned to create an optical illusion. The shot was used as cover art for an album titled Terrain by VLP. See it all come together in the video above… https://www.youtube.com/watch?v=oJGN6sX5Ekg
In Things Come Apart, Todd McLellan exposes the inner working of 50 objects and 21,959 individual components as he reflects on the permanence of vintage machines built several decades ago—sturdy gadgets meant to be broken and repaired—versus today’s manufacturing trend of limited use followed by quick obsolescence.
David Nash
Celia Levy
Kenneth Snelson
Arthur Ganson
Layering or collaging different materials or media together to create images
John Chamberlain Tambourinfrappe
Michael Brennand -Wood
Bruce Gray Assemblage
Zac Freeman started creating assemblage artworks of this type in 1999. All artworks are made entirely out of collected junk, found objects, and general trash. By glueing the bits of junk to a wooden substrate, Zac is able to form an image, usually faces, which only can be seen at a distance