The 21stC mediascape is characterised by multi-vocal, multimedia, multi-dimentional flows of information and communication
In today´s digitally connected globe, flows of all kinds of info. Circulate around the world at a speed unimaginable even a decade ago
A shift from state-centric & national...
The 21stC mediascape is characterised by multi-vocal, multimedia, multi-dimentional flows of information and communication
In today´s digitally connected globe, flows of all kinds of info. Circulate around the world at a speed unimaginable even a decade ago
A shift from state-centric & national views of media to one defined by consumer interests and transnational markets:key factor in expansion &acceleration of media flows
Size: 1.44 MB
Language: en
Added: Sep 21, 2024
Slides: 40 pages
Slide Content
GLOBAL FLOWS OF
COMMUNICATION
Theoretical Approach 3
MEVIT3220/ 4220
Media and Globalisation
Carol Azungi, 25 November 2007
Introduction:The lecture in a nutshell
The 21stC mediascape is characterised by multi-vocal,
multimedia, multi-dimentional flows of information
and communication
In today´s digitally connected globe, flows of all kinds
of info. Circulate around the world at a speed
unimaginable even a decade ago
A shift from state-centric & national views of media to
one defined by consumer interests and transnational
markets:key factor in expansion &acceleration of
media flows
What does this mean?
Explanation of main concepts
Counter arguments
Theoretical extrapolates
Examples from the curriculum
Ponder during lecture
Has globalisation increased western
cultural influence or triggered the
possibilities of other flows?
What is the role of media ownership
in determining the flow of
information and communication?
Introducing some of the Concepts
Mapping out the main concepts that
have characterised global flow of
communication studies over the past
30 years.
Some of the the concepts and
arguments developed in the 1970s
and 1980s still influence current
debates in global flow/ globalisation.
Media Flows
Media Flows- concept developed by a
series of empirical studies in the 1970s and
80s. The research claimed the existence of
unbalanced, unidirectional flows of TV
programmes and foreign news from the
“centre” to the “periphery” (Kaarle,
Nordnstreng & Tapio Varis 1974 study “TV
Traffic- A One-Way Street: A survey and
Analysis of the International Flow of
Television Programme Material. UNESCO
Cultural Imperialism
Cultural Imperialism- popularised by
Jeremy Tunstall who described this term as
a situation in which “authentic traditional,
local culture…is being battered out of
existence by the indiscrimate dumping of
large quantities of slick commercial and
media products, mainly from the US “The
Media are American: Anglo-American Media
in the World (1977: 57).
Media Imperialism
Media Imperialism-developed within a
broader analysis of cultural imperialism and
dependency theories. Oliver Boyd-Barret
defined it as “the process whereby the
ownership, structure, distribution of content
of the media in any one country are singly or
together subject to substantial external
pressures from the media interests of any
other country or countries without
proportionate reciprocation of influence by
the country so affected (1977: 117)
Feature film exports (UNESCO)
Country 1968 1978 1988 1998
France 117 160 137 183
Germany 107 57 57 119
Spain 117 104 63 65
UK 88 54 40 108
Poland 22 36 30 14
Mexico 90 63 112 7
Brazil 47 101 88 40
Indonesia 8 81 84 15
Hong Kong 156 135 139 92
Japan 494 326 265 249
South Korea 219 117 87 43
Thailand 64 150 - 30
Egypt 40 51 60 16
South Africa 12 19 52 10
USA 180 240 617 661
Read about responses
EU Media Policies and Structures
Television without boarders
Support for film industry
Challenges
Hollywood hegemony
Language
Nationalism
Regionalism
Counter Arguments / Concepts
Contra-flows - countries once thought as major
“clients” of media imperialism such as Mexico, Canada,
Brazil have successfully exported their programmes
and personnel into the “Centre”. Mexico (Televisa
Group), Brazil (TV Globo), Canada (CanWest) now
export TV programmes and music to the countries all
over the world.
Regionalism- there is now greater exchange of news,
TV programmes, print media, music between regions,
e.g. DSTV (South Africa), Nollywood (Nigeria),
Bollywood (India), Star TV (Hong Kong), Al Jazeera
(Qatar), EuroNews (EU). Exchange of cultural products
has also increased in Scandinavia.
Counter Arguments / Concepts
Localisation - local programmes remain popular
and attract large audiences. People prefer to watch
their own locally made programmes.
Glocalisation / Hybridity- term popularised by
British sociologist Roland Robertson in the 1990s
and later developed by Zygmunt Bauman. This is
characterised by the global-local interaction, by
cultural fusion as a result of adaptation of Western
media genres to suit local cultures and languages.
For example, US generic models (e.g. soaps, sitcoms,
action movies) have invited domestic imitation
based on the country´s cultural and social realities.
Counter arguments contd...
Alternative media
community media: from the margins to the cutting edge
Address the digital divide: access, voice for the
voiceless
Platform/spaces for civic engagement and
expression
Internal flows of communication (devcom:
endogenous community, local culture, indigenous
knowledge etc)
Internet as alternative media enabling reversal of flows
(see youtube.com, myspace and other people-
centric channels, suggestions?)
Determinants of reversal of
global flows
Post-Fordist mode of production
New technology (satellite, internet)
Changing patterns in geo-politics
Deregulation of the media
Growth of “diasporic communities” in the West see India´s
Zee Tv watched by second generation British Asians,
Chinese TV channel Phoenix and the pan-Arabic
entertainment network MBC are examples of media
representing what may be labeled as geo-cultural flows
aimed at largely a diasporic pop.(Thussu, 2007, 14)
Dimensions of Global Flow
Another influential study on global flows is one
developed by Arjun Appadurai in the early 1990s
He identified 5 different dimensions of global flows:
Ethnoscapes - landscape of people who constitute
our shifting world, e.g tourists, immigrants,
refugees,
Technscapes - the fluidity of technology (similar to
the network society concept)
Finascapes- movement of currency markets and
money, across boundaries
Mediascapes - distribution of electronic capabilities
to produce & disseminate news
Ideascapes- movement of political ideas and
images, e.g. “freedom” “rights” “democracy”.
Theoretical Approaches influencing
international communication
-Concerns of the times
-Emergence of theories of communication parallel to socio-
economic changes of the IR
-Communication part of the ”organic Society” where each
part played a role in the functioning of the whole (Road
infrastructure, credit system and communication-postal,
telegram, press) the nervous system, channel for the centre
to ”propagate its influence” to the outermost parts (Thussu,
2000, 54).
-20th C, theories reflected the political, economic,
technological developments of the time and their impact on
the social and cultural…
-The critical theories have also dwelt on the patterns of
ownership and production in the media and communication
industries (particularly the commodification of
communication and its impact on inequalities
Some of the theoretical approaches
Free Flow of Information
Modernisation theory
Dependency theory
Structural imperialism
Hegemony
Critical theory
IS and discourses of globalisation
Free Flow of Information
After the second world war and the establishment of a
bi-polar world of free market capitalism and state
socialism, theories of international communication flows
became part of the new cold war discourse
The concept Free Flow represented western, especially
US antipathy to state regulation, censorship and the use
of media for propaganda by its communist opponents
The free Flow was a liberal, free market discourse that
championed rights of media propriators to sell where ever
and what ever they wanted.
The free flow therefore served economic and political
purposes. Here, media organisations of rich countries
could dissuade other from erecting trade barriers to
their products or from making it difficult to gather news
from their territories
Their arguments drew on premises of democracy, FOX,
media role as watchdogs and their assumed global
relevance.
For their compatriot businessmen, “free flow” assisted
them in advertising and marketing their goods in foreign
markets through media vehicles that championed the
western way of life, capitalist values and individualism
Modernisation theory
(see Lerner 1958, Schramm, 1964)
Complementary to the doctrine of ”Free FLow” was the
view that international communication, key to
development in the third world
International mass comm could be used to spread the
message of modernity transfer economic, political models
of the west to the newly independent countries of the
south
Western ways (power, wealth, skill, rationality etc) seem as
a stimuli for development and a bridge to a wider world
Critism:
Top-down approach
Narrow approaches
Media are not neutral force (they have economic, political,
social attachements and political power in hands of few)
Modern (western) and traditional are not mutually exclusive
(see Freira 1970)
Dependency theories
Emerged in Latin America in late 1960s
early 1970s in opposition of
modernisation theory, need for
alternative approaches, from the south
Cultural imperialism/media
”imperialism” from dominance of
western cultural products especially
hollywood (Schiller, 1976)
Critism
They offer no tangible solutions
Structural Imperialism (Galtung 1971)
Notions of centre and periphery
Forwards Castells notions of space of
flows i.e. harmony of interest between
the core of the centre nations and the
centre in the periphery nations (p83)
The centre-periphery relationships are
maintained and reinforced by
information flows and reproduction of
economic activities. These create
institutional links that serve the interests
of the dominant groups.
Hegemony (Gramsci 1891-1937)
The role of ideology and state power in
the capitalist society
The dominant social group/nation has
the capacity to excercise intellectual and
moral direction over society or others
and builds a new system of alliances to
support its aims-Gramsci-this happens
when this group excersise control over
mass media, schools, religion etc
The dominant class then coersively
imposses its will on subodinate classes
Critical theory (Adono, 1903)
”Cultural Industries” production of
culture as a commodity by the capitalist
societies as enmass
This lead to standadization resulting into
mass culture leading to the deterioration
of other cultures
Forum for propagating capitalism
ideologies and thinking among
recipients
These debates have greatly influenced
debates of thee Global flow of
information and communication
Theories of the IS
Innovations in ICTs especially computing
and their rapid global expansion has led
to claims that this is an IS
Speed, volumes, costs influencing global
flows
Covergence of telecoms with computing
creating new infomation and
communication flows between states,
between business and among (ordinary)
people
Cases from the curriculum
“Miss World Going `Deshi`: Addressing an Indian
television audience with a global media product” by
Nobert Wildermuth (in Media in a Globalised
Society ed. By Stig Hjarvard, pp 207-253
“National Prisms of a Global `Media event`” by Chin-
Chuan Lee et al (in Mass Media and Society ed
James Curran et al, pp 320-333
“The Whole World is Watching: Online Surveillance
of Social Movement Organizations” by Sasha
Costanza-Chock (in Who Owns the Media? Global
Trends and Local Resistance ed by Pradip Thomas
et al, pp 271-292)
Case Study 1
Miss World 1996 in Bangalore
http://edition.cnn.com/WORLD/9611/23/miss.world/miss.world.28sec.mov
Controversial tv program: Cultural assault Vs
foreign capital flow, show casing Indian culture
Events:
Four bombs weeks before the contest
Calls for boycott
Peaceful demonstrations
Feminists promise to set themselves on fire
15 Nov-8 days before the show, Kumar Suresh
committes self-immolation
Beach wear round (Nov 6-11) moved to
Seychelles
Miss Personality (Nov 9) moved out of
Bangalore for security purposes
Appeal to High court to ban show (culture
and heritage)
Karnataka Supreme Court asks show to be
mornitored to ensure conditions are met
(alchohol and decency, laws of the land
etc)-only after an affidavit from organisers
Final day (Nov 23) 24hour Bangalore bandh
(general strike by BJP
Despite the strikes:
2.5 billion tv viewers world wide
200million Indians (poll results)
120 countries
Article explores the following issues:
Protesters misjudgement and reflections on
paternistic media consumption
Process of hybridisation as part of India´s
glocalisation efforts
Conflicts between the local and the global
Ideological “fights” over the meaning of
India´s culture (cultural imperialism)
Competing visions of national identity
Contested representation of gender (the
traditional Indian woman vs. the “modern”
Indian woman).
Case Study 2
Coverage of the handover by the UK of Hong
Kong to the People´s Republic of China in 1997.
1842-1997 marking the end of 150 colonial rule
Media spectacle: 8000 journalists, 776 media
organisations and several national ideological
struggles between east and west, capitalism
and socialism, democracy and authoritarianism
etc
Western media and national ideologies
(fear and doubt)
US representing itself as the guardians
of democracy (Tiananmen crackdown,
question of Tibet and HK seen as a
target of abuse and negative influence)
Britain: Imperial nostalgia
Australia/Canada: significance of HK to
china, defence of America
Japan: Economic interests
Chinese media and national ideologies
(chinese jingoism)
3 major media giants, common policy, access to
pro-china HK sources
Patriotism, emotions
(common ancenstry, family centredness and the final
process of reunifying Macao and Taiwan)
End of 150 years of national humiliation (Deng
Xiaoping, the paramount leader and ingenious author
of the “one country, 2 systems” and how chinese
heroes beat British imperialists villains. Ignore
China´s military-national strength
Hong Kong media
Identified with chinese culture but rejects their
communist system.
Reminiscence of the positive British presence
especially cultural but not the political
Taiwan media
Endorse British decolonisation while rejecting
China´s nationalism branding it as hegemonic
and expansionist
Articles raises the following:
International news-making (foreign news)
still determined by “domestic” and “national”
interests.
Promotion of “national interests” in a global
news story
Discursive struggles in international news
making
What it means to be Chinese - cultural and
national meanings of identity (global
Chinese communities)
National triumph vs. Western imperialism
Case Study 3
Social Movements and new communication technologies
USA Patriot Act 2001 allows:
http://www.youtube.com/watch?v=glTzekPGLCo&feature=PlayList&p=E8356527487842BA&index=0
Expanded wire taps
Secret searches
Information sharing among agencies
Access to voice mail
Interception of electronic communication (like e-mails)
Credit card numbers, Tel. numbers
IP addresses
Search warrants for emails
Access to records of meetings, sessions etc
Some examples...
US
Seattle Protests
Palestine.indymedia.org
Somalian Internet
Consequences
Vulnerability to selective prosecution
Persistant data
Chilling effect
Delegitimation of social movements
Climate of fear
Disruption of work
Deterrrence of legitimate political
expression and activism
Article raises the following issues:
Use of internet for broader movement
coalition building across national
boundaries.
Multidimensional flow as opposed to one-
way diffusion of information (social
movement interaction)
US surveillance of social movements
organisations (Big Brother watching?).
New technologies also curtails the SMOs
(U,S govt uses different kinds of surveillance
techniques).
Questions for Discussion /
Reflection
In light of new developments in global and
national media, is the concept of “media
imperialism still relevant?
What forms of “glocalisation” / “Hybridity” can you
perceive in your own country?
Despite the reversal of cultural flows from the
North to the South, why do you think US cultural
products (TV, Films, books) still dominate?
Announcements
8 November: Dag´s lecture on Hollywood
and Globalization
Undelivered term papers should be
delivered to Sarah today after the lecture
Lin Prøitz PhD Defence
trial lecture on the 1st of Nov., 17:15, auditorium
4, Eilert Sundts hus, A.
Disputas 2. november 09:15 i theologisk
eksamenssal, domus academica, sentrum