GRADE 8 - WAYANG KULIT AND KABUKI (1).pptx

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1. TRADITIONAL ASIAN MUSIC THEATER

2. LEARNING TARGETS: at the end of the lesson, I can be able to say I CAN... identify the musical characteristics of Selected Asian theater (Wayang Kulit & Kabuki) through video films. describe the instruments that accompany the Wayang Kulit and Kabuki. describe how a specific idea or story is communicated through music in a particular Asian musica theater.

3. WAYANG KULIT OF INDONESIA

4. WHAT IS WAYANG KULIT?

5. WHAT IS WAYANG KULIT? The WAYANG KULIT shadow puppetry of Indonesia has a long-recorded history Java and Bali, Indonesia. Its performances date back to atleast 930 A.D. It was during these times that Hinduism was brought to the area, with stories depicting excerpts from Mahabharata and the Ramayana, and Indian epics composed thousands of years ago. The Wayang Kulit uses a flat puppets that are intricately constructed. It uses shadow of 10-30 inch puppet mounted on sticks. The shadow images can be brought to life by projecting them on screen using oil lamp or an electric light. WAYANG is an Indonesian and Malay word for theater. The term is also used to refer to kinds of puppet theatre. Origin of this play focuses on the struggle between good and evil and can be traced back to India. (Includes INTRODUCTORY, JOURNEY AND FIGHTING MUSIC)

6. CHARACTERISTICS OF WAYANG KULIT

7. CHARACTERISTICS OF WAYANG KULIT Wayang kulit is performed in royal courts and commonly performed in public or religious occasions, and is well-known among people of all social groups. The Wayang kulit puppet theatre, dancing, and singing are accompanied by gamelan music.

8. ELEMENTS OF MUSIC USED RHYTHM/METER/TEMPO MELODY TIMBRE AND MUSICAL EFFECTS TEXTURE DYNAMICS MUSICAL FORMS AND IMPROVISATION

9. A. THE PERFORMERS

10. THE DALANG THE PUPPETEER AND CONDUCTOR

11. THE NIYAGA THE GAMELAN MUSICIAN

12. PESINDEN FEMALE SINGERS

13. B. MUSIC

14. METIRCAL MUSIC when beats are grouped into 2s,3s,4s and so on. One can only hear steady beats per measure. The audience can respond by clapping, head nodding, or even tapping in time with the beats of music. NONMETIRCAL MUSIC kind of accompaniment to Wayang Kulit that does not have a definite meter. There is no anticipated musical rhythm. The timing, phrase, and rhythm of the accompaniment are at the discretion of the dalang.

15. C. INSTRUMENTS

16. AGENG GONG GENDER SULING GAMBANG

17. KABUKI

18. KABUKI a highly stylized japanese dance-drama. It is known for the high drama and the elaborate make-up worn by the cast. a combination of music, dance, mime, and magnificent stage and costume in a unique way. Kabuki’s history in Japan dates back to the Edo period between 1603 and 1867, when it became popular among the lower classes rather than the upper classes. “Ka” means “songs” “Bu” means “ dance” and “Ki” means “talent”.

19. ELEMENTS OF KABUKI DANCE - the first performers dance with folk and religious dance music. COSTUME - the performer’s costumes stress the role being portrayed by the actors. MAKE-UP - one of the elements that is vital in Kabuki performances. make up is very much emphasized with exaggerated colors. MUSIC - aside from the song and dance accompaniment, music is used for sound effects. Wooden clappers alse serve as the signal or end the play.

20. MUSICAL INSTRUMENTS OF THE KABUKI O-DAIKO O TSUZUMI SHIME-DAIKO