Guitar chord charts

1. The following symbols are used in the
guitar diagrams:
Barre
String not to be played
Open String to be played
Augmented chord
Diminished chord
Half diminished chord
(includes a minor seventh)
The number to the right of some of the
diagrams indicates the fret at which the chord is
to begin.
The numbers which appear at the bottom of the
diagram make reference to the left hand finger-
ing.
Some chord labels have a slash (/) in between
two letters. The letter before the slash indicates
the chord which needs to be played. The letter
following the slash indicates the bass note
which needs to be played, either as the lowest
tone on the guitar or keyboard, or by the bass
player. In the following example, C/G indicates
that a C chord should be played with the note G
sounding in the bass. Playing this as the bass
note is not absolutely necessary, but is helpful
for the voice leading of the piece.
Símbolos que se utilizan en los acordes
de guitarra:
Cejilla
Cuerda apagada (la cuerda indicada no se toca)
Cuerda suelta (la cuerda se toca al aire)
Acorde aumentado
Acorde disminuido
Acorde disminuido con séptima menor
El número que se encuentra a la
derecha de algunos diagramas indica el traste
en que comienza el acorde.
Los números que aparecen en la parte
inferior del diagrama hacen referencia a la dig-
itación.
Algunos nombres de los acordes tienen una
diagonal (/) entre dos notas. La nota a la
izquierda de la diagonal indica el acorde que se
debe tocar. Lanota aladerecha deladiagonal
indica la nota del bajo para el acorde que se
debe tocar en la guitarra, el teclado o el bajo.
Por ejemplo, en Do/Sol (C/G) se toca el acorde
Do (C) sobre la nota de Sol (G) en el bajo.
Aunque no es necesario tocar la nota del bajo,
su ejecución ayuda a definir el movimiento de
las voces de la estructura musical.
1
2
3
4
x
o
ø
(
Sol
g
(
3
1342
3421
dø\Sø¬
c\g
3 241
Rem/Sol
D,\g
GUITAR CHORD CHARTS/ACORDES DE GUITARRA
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http://www.ocp.org
1-800-LITURGY (548-8749)
http://www.spiritandsong.com

2. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. ( 2)
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3. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. ( 3)
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4. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. ( 4)
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5. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. ( 5)
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GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. ( 6)
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GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. ( 7)
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8. GUITAR CHORD CHARTS/ACORDES DE GUITARRA, CONT. ( 8)
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9. Guide to Transposing Chords
NOTE:Remember that the chords on this chart also represent all the variables of each particular chord. 
For example, “C” also represents Cm, C6, C7, Cmaj7, Cm7, C9, Cmaj9, C7sus4, C11, C13, Cm6,
and so forth. Be sure to add these designations to the principal form of the new chord you have
found in transposing.
Original
Chord
Capo 1,
play:
Capo 2,
play:
Capo 3,
play:
Capo 4,
play:
Capo 5,
play:
Capo 6,
play:
Capo 7,
play:
c b b_ a a_ g f# f
c#(d_) c b b_ a a_ g f#
d c# c b b_ a a_ g
e_(d#) d c# c b b_ a a_
e e_ d c# c b b_ a
f e e_ d c# c b b_
f#(g_) f e e_ d c# c b
g f# f e e_ d c# c
a_(g#) g f# f e e_ d c#
a a_ g f# f e e_ d
b_(a#) a a_ g f# f e e_
b b_ a a_ g f# f e