Hybrid coworking innovation in coworking models

What is hybrid coworking?

Today, the dynamics of the workplace have
radically changed: new hybrid solutions that
emerged in response to the difficulties en-
countered during the pandemic are now being
incorporated into everybody’s daily routine.
Overcoming many of our longstanding work
traditions, such as commuting, being full-
time at the office and travelling long dis-
tances for just a single meeting, are defining
new habits that seem to be here to stay.

2. ABOUT1234
BRIEF PROJECT SUBMISSION JURY & PARTNERS RULES
Intro
The Coworkers Revolution
Hybrid Coworking
The Competition
Submission Requirements
Schedule
Prizes & Mentions
Pick Your Own Site
The Project
Evaluation Criteria
Registration Procedure
The Jury
Promoters & Partners
General Regulation
Ineligibility Rules
Withdrawal & Refund
VII
IX
XI
XIII
XV
XVII
XVII
XIX
XIX
XXIIIIII
V
XX - XXI
XXII XXIII
XXIII
56

3. III
Today, the dynamics of the workplace have
radically changed: new hybrid solutions that
emerged in response to the difficulties en-
countered during the pandemic are now being
incorporated into everybody’s daily routine.
Overcoming many of our longstanding work
traditions, such as commuting, being full-
time at the office and travelling long dis-
tances for just a single meeting, are defining
new habits that seem to be here to stay.
The so-called “remote revolution” is one of
the most significant changes that has been
quickly adopted by almost every company.
Flexible models allowing employees to work
either from home or from anywhere else are
now being more and more implemented. An-
other example of latest innovations is the
4-day week: a pilot test that has been tried
by hundreds of companies across Northern
Europe bringing highly successful results.
All these revolutionary changes, added to
the unstoppable rise of freelancers, start-
uppers and “digital nomads” is shifting the
expectations of the role and layout of every
office around the world.
In terms of design, workspaces have evolved
throughout history, experimenting with var-
ious configurations ranging from old-fash-
ioned cubicles to contemporary open spac-
es with common recreational areas. In order
to keep up with the current dynamics of re-
mote work, it is clearly time to rethink these
spaces in a more flexible and creative way.
I N T R O
“THE REMOTE BOOM ”
© Cottonbro Studio
Pexels, 2020

4. “THE GREAT RESIGNATION”
© Freepik
2023Hybrid
Coworking

5. “COWORKERS”
© Cottonbro Studio
Pexels, 2019
IX
While working from home has proven to be
a convenient solution for those who have
enough space to combine daily life with
professional tasks, for many people - espe-
cially for the younger ones - it has meant a
serious issue. Several domestic spaces with-
out the proper conditions to work efficiently
have turned out to be highly uncomfortable
and sometimes even isolating.
Particularly in big cities, these situations
have influenced the request for flexible
spaces outside home to carry out daily tasks
properly. The demand for suitable spaces
where to be productive and at the same time
have the opportunity to interact with others
has increased considerably.
Therefore, the coworking concept that
seemed a novelty just a decade ago has
turned into the new normal in the current
days. This type of spaces, which can be
compared to a sort of shared office, gener-
ally involve an open environment with com-
mon uses and collective facilities.
This paradigm shift in terms of workspaces
has become an unprecedented challenge for
designers. It will be crucial to find hybrid and
resilient solutions that can cope with the
highly fluctuating dynamics of work: it is
time to think about a new “office” concept!
THE COWORKERS
REVOLUTION

6. “SMART”
© Mary Markevich
Freepik, 2022Hybrid
Coworking

7. V
The idea of how a workspace should look like
has significantly changed over the years and
today more than ever the possibilities seem
to be endless.
With almost every company allowing hybrid
or remote work even for office-based posi-
tions, more and more people have now the op-
tion to switch from staying at home to work-
ing in a completely different location. In fact,
many professionals are experimenting with
alternative solutions that allow them to
spend maybe a week or even months abroad,
mixing work and travel.
As these dynamics become more rooted in
everyday life, the famous concept of the
“third space” is turning increasingly popular.
Spending time working away from home in
spaces like restaurants, cafes, hotels, and
even museums has proven to be a perfect
solution for those who got tired of being stuck
in the same place.
Following this trend, thousands of bars and
restaurants that are empty at certain times
of the day could be transformed and adapt-
ed in order to be used by this new genera-
tion of nomad workers who are constantly
on the move. Clearly, design and creativity
will be key factors in rethinking existing spac-
es in such a way that they can function effec-
tively as hybrid coworkings.
“HY-COWO”
© Pexels
2022
Hybrid
Coworking

8. “OPPORTUNITY”
© iStock
2020Hybrid
Coworking

9. VII
The challenge of this competition is to fully
explore the power of interior design and its
potential to transform “static” spaces into
flexible and adaptable ones. The goal is to
think outside the box and to experiment
with new hybrid designs that enable differ-
ent uses during a whole day.
Could you imagine how your favourite bar
could become the place where you go to work
every day? The idea is to redesign existing
cafés and restaurants by transforming their
layouts - fully or partially - into a complete-
ly new concept that allows them to combine
their regular functions with coworking uses.
During lunch and dinner, these places are
normally full and very busy. However, in
certain hours of the day, they tend to get
empty and sometimes they are even closed.
The concept of Hybrid Coworking represents
the perfect opportunity to maximise underused
spaces in order to offer more quality places for
those nomad workers who are constantly look-
ing for cool and innovative locations.
How furniture can contribute to the realisa-
tion of adaptable and multifunctional spac-
es? It is clear that the choice of the type of
tables, chairs, lights and any other design
element will be crucial for the success of the
proposal. Colours and textures will definitely
be important when creating the right atmo-
sphere to be focused during some hours and
to chill out after work!
COMPETITION
THE
“SARPI”
© Otto
Milan, 2023

10. “DIGITAL NOMADS SPACE”
© Magvető Café
Budapest, 2022Hybrid
Coworking

11. XI
Each designer will have the chance to
choose its own site. This competition does
not foresee a specific location for the proj-
ect: you can select any existing bar, restau-
rant, pub or café that you prefer and which
you believe could become a new amazing Hy-
brid Coworking!
Make sure that the location you pick is not
already functioning as a coworking and that
it has the potential to incorporate this new
program. It is not highly relevant in which
city or town your project is situated, what
really matters is to select a place that can be
transformed through light and original interi-
or-design interventions able to add new facil-
ities and to create unique working spaces.
Thousands of places today are underutilized
or simply not used as they could be. Take the
chance to imagine how through a smart de-
sign proposal they could become perfect
support spaces for today’s workers!
Think about how the old corner bar where you
regularly take your coffee or the pizzeria near
your house could evolve into a new generation
of coworking without losing its original iden-
tity and function. Be creative and explore
the endless possibilities of interior design!
“RÉPUBLIQUE”
© Hubsy
Paris, 2022
Pick Your
Own Site

12. “FUN”
© Formidabile Lambrate
Milan, 2022Hybrid
Coworking

13. Resilience is a precious value applicable in
any situation. In the case of interior design,
it is clearly a crucial aspect to facilitate mul-
tiplicity of uses. Hybrid Coworking gives each
participant the chance to experiment with
new ideas to transform existing spaces!
Although the competition program is very
open, designers should take into account
some fundamental aspects when making
project decisions. The first one is furniture:
think about what kind of elements will help
you to mix comfortable spaces to work during
some hours, with the original activities of the
chosen location during other moments.
Pay attention to the selection of armchairs,
shelves, bookcases, benches or any other
piece of furniture that could make spaces
more functional and appealing. Feel free
even to design your own equipment!
Second, be sure to consider both natural
lighting sources for table and seating ar-
rangements, as well as plugs and strategic
artificial lighting points to provide adequate
workspaces all day long. In addition, the use
of colours, textures and materials can help to
define specific areas and to create different
atmospheres depending on the uses that will
be required.
Showing the former layout of your project’s
location will be crucial to understand the
power of your design. Use your imagination
and revolutionise the coworking concept!
XIII
“DEUS”
© Deus Ex Machina
Milan, 2022
The Project

14. “KANARIE CLUB”
© Studio Modijefsky
Amsterdam, 2016Hybrid
Coworking

15. “THIRD SPACE”
© Anticafé
Paris, 2023
XV
Evaluation
The jury will evaluate the submitted
proposals according to the following
principles:
- Originality of the concept;
- Flexibility and multi-functionality;
- Creative interpretation of the program;
- Quality of the new working-spaces;
- Sensitive use of materials and colours;
- Graphic representation;
Projects that express a special sensi-
tivity towards interior design and quali-
ty architectural solutions will be highly
appreciated.
Reaching deep technical-constructive
details will not be considered extremely
important in the evaluation process.
Criteria

16. “OUTDOOR”
© BASE
Milan, 2022Hybrid
Coworking

17. Designers must submit the following material:
1) Two A1 panels [59,4 x 84,1 cm]
- Files Format: .jpg
- File Name 1: Registration n°_1 (ex. 12345_1)
- File Name 2: Registration n°_2 (ex. 12345_2)
- Maximum File Size: 20 Megabytes each
- Panels Orientation: Landscape
- Text Language: English
- Font Size: Minimum 10 pt
The panels must contain all the necessary
graphic information to explain the project in
the best way (title, diagrams, sketches, 3D
visualizations, plans and sections, renders,
collages, model photos, etc...). All kinds of
graphic representations will be accepted.
The Registration Number (ex. 12345) must
be placed in the upper right corner of each
panel. The panels must NOT contain any
other reference to the identity of the
participants (name, office, university, etc...).
2) A brief text describing the proposal
- File Format: .docx/.doc
- File Name: Registration n°_Text (ex. 12345_Text)
- Maximum Lenght: 250 words
- Text Language: English
submission submission
requirementsrequirements Schedule
“Early” Registration
from 20.03.2023
to 19.05.2023 - (h 11.59 am CET)
“Standard” Registration
from 19.05.2023
to 16.06.2023 - (h 11.59 am CET)
“Late” Registration
from 16.06.2023
to 14.07.2023 - (h 11.59 am CET)
Submission Deadline
14.07.2023 - (h 11.59 am CET)
Winners Announcement
04.08.2023
XVII

18. “COWORKING CAFÉ ”
© Coco Coffice
Barcelona, 2021Hybrid
Coworking

19. REGISTRATION
SUBMISSION & FAQ
11
STST
GOLDEN MENTIONS GOLDEN MENTIONS
prizes bestowed by TerraViva
10 HONORABLE MENTIONS10 HONORABLE MENTIONS
30 FINALISTS30 FINALISTS
*Four Golden Mentions’ value : 250€ each.
All the awarded projects will be shared with
international architecture magazines and websites.
All the finalists proposals will be published on:

www.terravivacompetitions.com
PRIZE: PRIZE: 3.000€3.000€
2.000€2.000€
1.000€ 1.000€
PRIZE: PRIZE:
PRIZE: PRIZE:
22
NDND
33
RDRD
44
PRIZES
&
MENTIONS
XIX
The registration and submission procedure must
be done online by only one of the team members:
• Open www.terravivacompetitions.com and go to
Competitions > “Hybrid Coworking”;
• Click on Register Now, follow the instructions,
enter the requested information and complete
your registration procedure;
• Once the payment procedure is concluded, you
will receive a confirmation email with the receipt
and the link to download “Hybrid Coworking”
package (if you do not receive your receipt please
check the spam folder);
• Inside the Download Package you will find the
competition brief and the instructions for the fi-
nal submission;
• In the confirmation email you will also receive
the Registration Number that will be your identifi-
er on the final submission procedure;
• Follow the instructions contained in the Down-
load Package to proceed with the submission of
your proposal. Use the folder “YOUR REGISTRA-
TION NUMBER_HCW_Submission Folder”, re-
name it with your code and use .zip compression
to upload it;
• Submissions have to be done through the same
website, accessing the Upload section and follow-
ing the steps indicated on the page; after com-
pleting the submission process, you will receive a
confirmation email;
• Participants can address any questions to info@
terravivacompetitions.com. Every question will be an-
swered by email, and updates will be published week-
ly in the FAQ section of the competition website
until June 1
st
.

20. XX
THE JURY
ROSAN BOSCH STUDIO
Fabrizio Vizzi
[Copenhagen, Denmark]
With a Master’s degree from the Polytech-
nic of Milan and exchange studies at Uni-
versidad de Alicante, Fabrizio Vizzi is deep-
ly interested in the connection between
Architecture and Education, striving to de-
sign learning environments that empower
students to reach their full potential. Based
in Copenhagen, Fabrizio is part of the
Rosan Bosch Studio team, a dynamic and
multidisciplinary practice dedicated to cre-
ating inspiring workspaces, cultural venues,
and learning environments. Working with
diverse cultures and institutions worldwide
has given Fabrizio and the RBS team a
unique perspective on design challenges.
Their collaborative approach, involving ed-
ucators, students, and parents, enables
them to solve these challenges holistically,
resulting in differentiated physical environ-
ments that foster creativity, exploration,
and problem-solving, and equip learners
with the tools they need for success in an
uncertain future.
MARIS INTERIORS
Jesica B. Orizi
[London, United Kingdom]
Jesica Berenice Orizi was born in Rosario,
Argentina, in 1985. Having grown up in Fir-
mat, a small town in the region, she returned
to her birthplace to start her studies of Ar-
chitecture at the National University of Ro-
sario, graduating in 2010. She also finished
the course for a Masters’s Degree in Sus-
tainable Energy in 2017 at the same Univer-
sity. Her work has been developed in differ-
ent architectural practices and mainly in
construction companies in Rosario during
the first years after achieving her degree as
an architect. She has also collaborated for 3
years as a University Teaching Assistant in
the subject “Introduction to Architecture” -
Professorship: Dr Architect Gustavo Cara-
bajal - also at the National University of Ro-
sario. She moved to Europe by the year 2018
and she has settled in London, where she has
been living for 4 years now and is currently
working as a Technical Designer for an Archi-
tectural and Interior Design Company that
develops workplaces, among other projects.
FORMATIVE ARCHITECTS
Mark Adamson
[Belfast, Northern Ireland]
Architectural graduate from Queen’s Uni-
versity U.K. and Master Degree at Politecni-
co di Milano. He worked for Bates Smart
Architects in Melbourne and co-founded
Studio Pare in Milan, where he worked for
several years until he moved back to Belfast.
At the moment, he is an associate at For-
mative Architects based in Northern Ireland.
Currently working on housing projects with
a particular emphasis on passive level sus-
tainable design, Mark has also worked as an
assistant professor at Politecnico di Milano
(DAStU) as part of the design studios fo-
cused on innovation within tourist pro-
grammes. He has gained extensive experi-
ence working on international architecture
and design competitions across a wide range
of typologies: winner and mentions for mul-
tiple entries including a new concert hall
Valsolda - Lake Lugano - in 2018. His proj-
ects have been published and displayed in
several architecture magazines and exhibi-
tions, including ArchDaily and Armani Silos.
MDB ARCHITECTS
Manon de Bont
[Berlin, Germany]
Manon de Bont is a Dutch architect with a
passion for historic buildings. She studied ar-
chitecture at Delft University of Technology
and Politecnico di Milano. In 2007 she ob-
tained a Master’s Degree in Research & Edu-
cation of Modification - Intervention - Trans-
formation (RMIT). Manon started her career
working for the Amsterdam based architec-
tural studio, Kodde Architecten, before mov-
ing around Europe and working in Milan and
London. Now based in Berlin, she is the
founder of her own architectural firm. Her
specialism is in the preservation and resto-
ration of old buildings, adding a modern touch
to make them more valuable and give them a
new purpose. Through her work, Manon has
demonstrated a unique ability to blend the old
with the new, preserving the historical signifi-
cance of a building while incorporating mod-
ern design elements. Her designs are both
functional and aesthetically pleasing, reflect-
ing her commitment to creating sustainable,
innovative and timeless architecture.

21. XXI
THE JURY
TUC STUDIO
Giulio Ubini
[Milan, Italy]
Graduated as an Architect from Interior Ar-
chitecture from PoliMi, he took postgradu-
ate courses in Museography, Architecture
and Archaeology and Strategic Planning. He
founded Tuc Studio with Annalisa Trolli, Ar-
chitect graduated from Architecture in Po-
liMi. This project was set up with the aim of
combining design and Interior Architecture
within a single concept, linked by the highest
expression of design: desire, feeling not
linked to the most rational part of us. Their
project takes shape through an alchemical
and peremptory language, free from cen-
sorship, where every choice establishes its
expressive power. Mainly based in Milan, Tuc
Studio work in residential and commercial
reality with the aim of creating micro-archi-
tecture; conservation find their expression
alongside innovation and evolution, resulting
in projects made of unexpected choices,
memories and desires. Balance between
beauty and strictness, research for commu-
nication with spaces and materials.
ARR&D INTERIORS
Nadica Filipovic
[Belgrade, Serbia]
Nadica Filipovic was born in 1990 in Serbia.
She grew up in Cyprus after which she fin-
ished high school at British International
School of Belgrade, receiving an ECIS Award
for International understanding as the best
student of 2009. Following this, she moved
to Milan, Italy in 2009. In 2015 she graduat-
ed in Architecture achieving a Master’s de-
gree at Politecnico di Milano. Her profes-
sional experience begins in an Architectural
Studio A2T in Milan, in 2013, where she de-
velops luxury Interior design skills in the pri-
vate sector. Since 2016 and to present day,
she works as a Project Manager at ARR&D
Interiors, Milan, a company specialized in
Fit-Out works and Procurement. With this
role, she has developed great expertise in the
field of high-end Hotel industry, private lux-
ury Villas and Food & Beverage sectors. She
has successfully worked worldwide on differ-
ent Hotel and F&B projects in Spain (Ibiza
and Barcelona), UK, Italy, France, Germany,
The Netherlands, Czech Republic and Israel.
NEEDLE
Matteo Pettinaroli
[Milan, Italy]
Matteo Pettinaroli is a young Italian archi-
tect with a solid academic background. In
2015, he obtained a Master’s degree in Ar-
chitecture (PoliMi) after completing his
bachelor degree in Environmental Archi-
tecture. Since 2017, Matteo has been
co-founder and tech manager of Needle
Agopuntura Urbana: a group of profes-
sionals from various sectors, including ar-
chitecture, urban planning, sociology and
economics, which focuses on developing
urban regeneration projects in different
Italian cities. The main goal of Needle
Agopuntura Urbana is to improve the qual-
ity of life of citizens through the enhance-
ment of public spaces and the creation of
new cultural and social opportunities.
Thanks to his experience in architecture
and planning, he also works as a consultant
for private companies, helping them to de-
velop sustainable solutions in various fields
such as mobility, safety, environmental im-
pact and civic participation.
STUDIO ZETA
Zofia Kasińska
[Pszczyna, Poland]
Zofia Kasinska is a Polish architect based in
Italy. She graduated with an international
Masters degree in Architecture from the
Polytechnic University of Milan (Politecni-
co di Milano) with a thesis which focused
on the infrastructural landscape of Bang-
kok. After her studies and various experi-
ences with projects of different scales, she
found her passion for interior and exhibi-
tion design. During and after her studies
she participated in a variety of design and
architecture competitions, including Eu-
ropan 14 Norway - Seafactor(y): prese-
lected project; and Gampenpass- Passo
Palade: winner in collaboration with
AOUMM, Chiara Geroldi and Cez Calde-
ran Zanovello Architetti. In 2023 she
founded STUDIO ZETA with Lara Zentilo-
mo, a small interior design studio based in
Milan, while further continuing her collab-
oration with Studio 2046. She believes
that there are no rules during the process
of design.

22. XXII

23. XXIII
-[Terms & Conditions]-
- GENERAL RULES -
A. The competitions are open to students, architects,
designers, urbanists, engineers, artists, makers, activists
and anyone interested in the design and architecture
fields. The participant must be at least 18 years old;
B. Participants can join the competition either individu-
ally or in team. There is no restriction or limit to the
number of members that can compose a team. Teams
can be made up of members of different nationalities
and ages, but all members must be at least 18 years old.
The list of the team members cannot be changed after
the submission;
C. Participants must respect deadlines, procedures,
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complete any of these online procedures (also registra-
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case, for any technical difficulty or web malfunctioning;
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tion is available in the download section of the competi-
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lows to get a single identification code, except as pro-
vided for in the last sentence of point “e”. The registra-
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H. The jury is composed by experts of the fields of ar-
chitecture which are independent and impartial. The jury’s
decision is the result of a mere aesthetic evaluation and
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with a new member equally distinguished and impartial;
*
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terpretation, the English version shall prevail;
- INELIGIBILITY RULES -
The occurring of any of these cases will be ground for
the disqualification of the participant and/or their teams
without exception:
a. Any gross violation of the Terms and Conditions;
b. Submission of any material using a different procedure
from the one indicated in the submission requirements;
c. Submission of any material after the expiry of the
submission deadline;
d. Naming any file in a way which is different from the
one indicated in the submission requirements;
e. Submission of panels containing any reference to the
identity of the participants (e.g. name, office, university);
f. Submission of layouts containing texts not written in
English;
g. Submission of any material which is not in line with the
competition principles or that is considered incomplete;
h. Submitting a project which differs in a macroscopic
way from the purposes of the competition;
i. Participants having a family relation within the second
grade or direct professional relationship with any of the
jury members at the time of the competition and/or in
the two previous years;
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which is not the outcome of the intellectual activity of
the participants (i.e., does not belong to them);
k. TerraViva S.r.l., with a mere technical and objective
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publish in every media, display, reproduce and distribute
the project also for marketing and advertising purposes,
review the editorial, create works based on the project or
give the project or parts of it to third parties in any
means, way or through any technology also including the
freedom of panorama without any limitation in time or
place. The promoters of the competition (e.g. municipali-
ty) and the partners of TerraViva S.r.l. have the right to
use, publish, display, reproduce and distribute the proj-
ects. The authors of the projects that have been award-
ed, including mentions and shortlisted projects, commit
to provide TerraViva S.r.l., in due time, with any addition-
al graphic material which can be required by TerraViva
S.r.l.; TerraViva S.r.l. reserves the right to use the sub-
mitted material for paper or digital publications and exhi-
bitions, and the right to use, adjust, modify, publish,
show, reproduce and distribute the projects for market-
ing and advertising purposes in any way or form and with
any means of communication and/or support, according to
the “Reproduction right and Publication right” (art.12,
L.633/1941, i.e., Italian Copyright Law). TerraViva S.r.l. is
not responsible in case the intellectual property of the
uploaded projects does not pertain, fully or partially, to
the participants, or in case the candidates do not own
the rights of exploitation of the project, including the
right to take part in a competition of this kind;
- WITHDRAWAL AND REFUND -
In accordance with the Italian Consumer Code (D.lgs.
206/2005), the right of withdrawal is valid within 14
days from the day of the fee’s payment (weekends and
public holidays included). In any case, the right of with-
drawal cannot be exercised after the submission dead-
line, nor if the participant has downloaded the material
for the competition. Refunds are executed in the same
currency of the original payment and are therefore sub-
ject to cur-rency exchange rates. To exercise the right
of withdrawal, write to: [email protected];
- INDEMNITY -
Participants agree to indemnify and hold TerraViva S.r.l.
harmless from any cost or damage con-nected with the
infringement of any third-party intellectual property
right. By taking part in a com-petition and accepting its
rules and the Terms and Conditions, participants declare
to be authors (and/ or co-authors in case of a team) of
the uploaded materials. Participants accept to com-
pletely indemnify TerraViva S.r.l. and its members and
officers from and against all legal claims, liabilities, dam-
ages, losses, or any costs, expenses and any legal fees
that arise out of any activity stated in the Terms and
Conditions or from the participation in a competition;
- PRIVACY -
The processing of participants’ personal data will be car-
ried out, with both manual and digital means, by TerraVi-
va S.r.l. for the sole purpose of the participation in the
competition and distribu-tion of the prizes in compli-
ance with art.13, EU Reg. 2016/679. We invite all com-
petitors to read it carefully. Participants will be held ac-
countable for the data - including personal data - they
provide. TerraViva S.r.l. does not assume any responsi-
bility for wrong or false data provided. In any case, ac-
cording to privacy policies, TerraViva S.r.l. has the right
to verify participants’ personal data by requesting a copy
of an identity document that reports the same data en-
tered for the registration;
- WEBSITE -
The website and its contents cannot be copied, repro-
duced, published or distributed without the permission
of TerraViva S.r.l.; By submitting a project in any way to
TerraViva S.r.l. the individual or team accepts full re-
sponsibil-ity for the text, images, video footage and any
other form of media that is provided. TerraViva S.r.l. is
not responsible for the communications between users
and third parties on its website, nor can guarantee that
the website or the downloadable files are without viruses
or similar harmful software.