Jews museum ।। Daniel libeskind।। Deconstructivism

Daniel libeskind
Deconstructivism

1. Jewish Museum Berlin , Germany (Daniel Libeskind) The Jewish Museum Berlin was opened in 2001 and is the largest Jewish museum in Europe. On 3,500 square metres of floor space, the museum presents the history of Jews in Germany from the Middle Ages to the present day, with new focuses and new scenography Design Philosophy The new design, which was created a year before the Berlin Wall came down was based on three conceptions that formed the museum's foundation: first, the impossibility of understanding the history of Berlin without understanding the enormous intellectual, economic, and cultural contribution made by the Jewish citizens

2. Design Analysis Plan Section

3. Findings Memory Void and Shalekhet installation This long staircase leads from the lower level to the exhibition floors The Axis of Exile and the Axis of the Holocaust Daylight only penetrates the unheated concrete silo through a narrow slit The “Holocaust Tower” is an isolated structure

4. Conclusion Daniel Libeskind’s addition to the Jewish Museum Berlin utilizes symbolism and metaphor ,including fragmentation ,void and disorientation, in order to create a more substantial Museum experience for the visitor .Rather than presenting information as Museums often do ,Libeskind’s Jewish Museum Berlin the uses these effects to communicate the aspect’s of Jewish history ,especially the Holocaust ,which can not be expressed in only words. 1.The building overall composition is that of a distorted star of David, with a straight 2.”void”running through the length of the building 3.Heavy with symbolism and metaphor 4.The building uses fragmentation, void and disorientation to reflect three 5.Aforementioned aspects of Jewish history 6.Star represent Jewish history and culture throughout the history of Berlin and its absence in the present day city 7.Zig-zag line represents the atrocities done on Jewish Concept

5. GARDEN OF EXILE HOLOCAUST TOWER OLD BUILDING NEW BUILDING THE VOIDS OF MEMORY