MODUl Filipino Contemporary Artists.pptx

MODULE 4 Filipino Contemporary Artists.pptx

1. Filipino Contemporary Artists Prepared by Mary crish j. ranises MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

2. Learning objectives Recognize the achievements and expertise of Philippines National Artists and Gawad sa Manlilikha ng Bayan (GAMABA) Awardees and their influence to the arts and culture through a visual presentation. Explore the prior- cultural influences of the Philippine National Artists and GAMABA Awardees and how these have reflective on their work and have inspired contemporary art scene through a photo journal notebook. Interpret and relate the significance of art forms from the regions through a creative performance. Replicate the work of your preferred Philippine National Artists and GAMABA Awardees’ through an innovative output/collage Evaluate contemporary art forms from the different regions inspired from the National Artists and GAMABA Awardees works through a critique paper. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

3. The gawad sa manlilikha ng bayan awards or GAMABA is an award that acknowledges folk and indigenous artists who, despite the modern times, remain the true to their traditions. It is administered by the national commission for culture and the arts (NCCA) through gawad sa manlilikha ng bayan committee. GAMABA began as a project of the philippine rotary club makati- ayala. In 1992, it was adopted by the government and institutionalized through republic act no. 7335. This award aims to support and motivate these artists to preserve their artistic heritage for the present and future generations. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

4. Architecture and Allied Arts Juan F. Nakpil (1973 )   is a pioneer and inventor in Philippine architecture. His greatest contribution is espousing architecture reflective of the traditions and culture. He has integrated strength, function, and beauty in the buildings that are the country’s heritage today.   Nakpil major work’s are the Geronimo de los Reyes Building, Magsaysay Building, Rizal Theater, Capitol Theater, Captain Pepe Building, Manila Jockey Club, Rufino Building, Philippine Village Hotel, University of the Philippine Administration and University Library, the reconstructed Rizal House in Calamba, Laguna. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

5. JUAN NAKPIL WORKS U.P DILIMAN QUIAPO CHURCH MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

6. Pablo S. Antonio (1976)   Pioneered modern Philippine Architecture. His basic design is grounded on simplicity, no clutter, clean, smooth lines and curves, are made integral to the structure.   For him, function coma’s come first before elegance or form. An Antonio structure is the maximum use of natural and cross ventilation. He believes that buildings must be progressive, simple in design but dignified, true to a purpose without resorting to an applied set of aesthetics and should eternally recreate truth. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

7. Pablo S. Antonio WORKS FAR EASTERN UNIVERSITY WHITE CROSS ORPHANAGE MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

8. Leonardo V. Locsin (1990)   Has reshaped the urban landscape with a distinctive architecture reflective of Philippine Art and Culture. He believes that the true Philippine Architecture is the product of two great streams of culture, the oriental and the occidental.     His mastery of space and scale, with themes of floating volume, the duality of light and heavy, buoyant and massive. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

9. Leonardo V. Locsin WORKS SAINT ANDREW CHURCH IN MAKATI PHILIPPINE INTERNATIONAL CONVENTION CENTER MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

10. IIdefonso P. Santos, Jr. (2006)   Distinguished himself by pioneering the practice of landscape architecture. He produced exemplary and engaging work with a wide range of outdoor settings that have enhanced contemporary Filipino life.     He made his first mark where he introduced a new concept of outdoor shopping with landscaped walks, fountain and sculpture as accents. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

11. IIdefonso P. Santos, Jr. works SAN MIGUEL CORPORATION BUILDING MANILA HOTEL MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

12. 2. VISUAL ARTIST Carlos “Botong” Francisco (1973) Painting   singly- handedly revived the forgotten art of moral painting.     He turned fragments of the historic past into vivid records of the legendary courage of the ancestor of his race. Botong’s unerring eye for composition, the lush tropical sense of color and an abiding faith in the folk values typified the townspeople of Angono, Rizal, became the hallmark of his art. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

13. Carlos “Botong” Francisco WORKS MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

14. Guillermo Estrella Tolentino (1973) Sculpture   Is a product of the Revival period in Philippine sculptural art. The UP Oblation     His obra became symbol of freedom and offering of one’s dignity, patriotism and service. Bonifacio Monument in Caloocan stands as an enduring symbol of Filipino’s cry freedom MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

15. Guillermo Estrella Tolentino WORKS PHILIPPINE REVOLUTION MONUMNENT OBLIATION STATUE OF U.P MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

16. Napoleon V. Abueva (1976) Sculpture   Is the Father of Modern of Philippine Sculpture, who has helped shape the local sculpture scene utilizing almost all kind of materials. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

17. Napoleon V. Abueva WORKS SANDUGO SIYAM NA DIWATA AT SINING MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

18. Cesar Legazpi (1990) Visual Arts   Is remembered for his singular achievements of refining cubism in the Philippine context. His distinctive style and daring themes contributed significantly to the advent and eventual acceptance of modern art of the Philippines.   Legazpi made use of geometric fragmentation technique, weaving social comment and juxtaposing the mythical and modern into his overlapping, interacting forms with disturbing power of intensity.   MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

19. Cesar Legazpi WORKS THE GOLDEN SPRING TREE PLANTING MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

20. 3. Literature Nick Joaquin (1979)   Distinguish Filipino Writer in English writing so variedly and so well about so many aspects of the Filipino.   His significance in Philippine Literature involves his exploration in the Philippine colonial past under Spain and his proving in psychology of social changes as seen by the young. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

21. Nick Joaquin WORKS MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

22. Francisco Arcellana (1990)   Pioneered the development of the short story as a lyrical prose- poetic form. For Arcellana, the pride of fiction is “that is able to render truth that is able to present reality.   He has kept alive the experimental tradition in fiction, and has been most daring in exploring new literary forms express the sensibility of the Filipino people. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

23. Francisco Arcellana WORKS MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

24. F. Sionil Joses (2001)   Writing is the consistent epousal of the aspiration of the Filipino- for national soverinity     The Filipino for national and soverinity ang social justice. That guatantee the value of his euvre. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

25. F. Sionil Joses WORKS MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

26. Alejandro R. Roces (2003)   Has always focused on the neglected aspects of the Filipino culture heritage. He brought to public attention, the aesthetics of the country’s fiestas.     He was instrumental in popularizing several locals fiestas, notably, Moriones and Ati-atihan. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

27. Alejandro R. Roces works MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

28. 4. Dance Ramon Valera (2006) Fashion Design   Is said to have given the country its visual icon to the world via the terno.     He unified the components of the baro’t saya into single dress with exagerrated bell sleeves, ciniched at the waist , grazing the anckle up at the back.   MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

29. Ramon Valera works MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

30. Francisca Reyes Aquino (1973) Dance   Researched about folk dances on the unrecord forms of local celebration, ritual and sport. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

31. Francisca Reyes Aquino works MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

32. Ramon Obusan (2006) Dance   Had effected cultural and deplomatic exchanges using the maltifarious aspects and deminsions of the art of dance. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

33. Ramon Obusan works MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

34. 5. Music Antonio J. Molina (1973)   Is credited for introducing such innovation as the whole tone scale, pentatonic scale, excuberance of dominant ninths and eleventh cords, and linear counterpoints. MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

35. Antonio J. Molina works MODULE NO. 4 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS

36. assignments ACTIVITY 1: From your reading, creating a 10-15 photo journal/ scrapbook that integrates or includes all your learning with regards to the contribution of National Artists in Literature, Dance, Music . (Instructions: Take pictures or videos in your outputs and please attach them in google forms that I posted in our classroom.

37. quiz Prepare for our quiz on Friday