Natya veda for global peace new

about the natya shastra and its importance

1. 1.Natya veda for peace of body and mind 2. Natya veda for Global peace 3. Natya veda for protect from negative elements. 4. Natya veda for Spiritual Powers. 5. Natya veda for Self realization THE ROLE OF VEDA IN NATYA By Vedic and Scientific Research Foundation

2. Lord Bramha created a fifth veda known as the Natya Veda, a veda about dance. While in meditation he extracted various parts of the other four Vedas. Rig Veda ………….. Pathyam /Recitation Yajur Veda…………. Abhinaya / Histrionic Representation. Sama Veda…………. Gitam /Melody Atharva Veda ………. Rasa/Sentiments.

3. Lord Natraj , also known as Shiva, saw this dance drama. Lord Shiva was very contented. Lord Shiva and his beloved spouse Mother Parvati started to teach their disciples dance. Shiva in the form of Natraj is the Hindu God of Dance. Natayam creates Vibrate the Body, Sensor, Nervous Deep Connect and stimulate between Five Sensor and Five Elements/ Puncha bhoothas .

4. Plan of Action 1. we make team of people those who really interest in this above topic 2. We give very higher spiritual vedic trainee for increase their mind and spiritual powers 3. we collect information from ancient text 4. we collect information from many dancers, music experts, vedic experts and etc., 5. We plan to take documentary film for each topic. 6. Study about gene theory, family back ground and etc.,

5. Science of Natya Veda . Natya is the science of micro/macro cosmology, with the physical space of the theatre also conceived as whole universe as one entity. Throughout the amazing understanding of the human anatomy consisting of 72000 nadis of which only 16500 nadis works dynamically, that this text reveals, a constant relationship is established between the Psychical, Physical and five elements.nine planetary positioning in the body.

6. Science of Natya Veda Based on the world view which considers the manifest and unmanifest as part of one unified reality, there is acceptance of what you are seeing not true yet true for that moment. multiple forms ( rupa ), formlessness ( arupa ) even going beyond form ( pararupa ). Bharata speaks of Natya as a discipline synthesizing all other art forms, encompassing in its totality the physical, the psychical and even the metaphysical. The truth of the life as a nut shell.

7. Smt. Padmaja Venkatesh a dancer/scholar Department of Philosophy, University of Mysore, 1. “Science of Tantra and the Art of Natya ”. 2. Tantra — which unfortunately has come to be associated in the popular mind more with specific formulae of worship for attaining superhuman, magical powers — has, like Natya . 3. Vedic origin covering mantras and yantras and “meditational aspects of the Tan- matras , and the Cakras which are traced to, and to which initiation is from a line of guru/ shishya parampara , much like Natya also is.

8. Maheshwara sutras

9. 4. Symbolism plays a large role in both Tantra Sastra and Natya Sastra . 5. Natya has the human body as instrument or yantra , while Tantra shakti uses many yantras — even kritis or lyrics like Muttuswami Dikshitar's Dhyana Kritis , and both need to be practiced by the initiated ‘ upasaka '. Both in their ultimate state, progressively, aspire to go beyond the yantra or instrument.

10. 6. If Natya aspires to a state of bodylessness with dancer becoming the dance, Mind, which contemplates through an instrument on a deity, is transformed into that which it is meditating on. 7. Hatha Yoga in Tantra , and mudras in Tantra have their counterpart in hastabhinaya in Natya . 8. The speaker referred to the Beejaakshara recitation in Tantra Cakra worship working on sound energy (which includes the important aspect of silence) and traced how the nattuvangam sollus in Natya are a manifestation of this practice.

11. 9. The Mantra, the kavutvams , which now on the proscenium stage have taken on a more decorative dimension, in their authentic practice in temple ritual were derived from beejaakshara mantras. 10. Speaking of the Kundalini Shakti being energized through Tantra , the dancer referred to distinct Natya forms like Koodiyattam which also are based on the same principle.

12. Beejaksharas being moola for mantra Importantly ome /aim/ hreem / shreem / kleem Sa/re/ ga /ma/pa/ dha / ni / sa being the sounds that are derived from the maheshwara sutra’s 14 sounds which were translated to single sound. The frequency levels of the sounds verying from 5hz-108hz. Every sound having definite weightage not less or more.

13. Maheshwara sutra being the moola There were 14 sounds that were derived and subsequently transformed to other various sounds. The frequencies were are already set by panini during the medieval times. For everything that came from the damarooka . Maheshwara sutra with shakthi is half hence without shakthi there is no shaktha and with without shaktha there is no shakthi , they work hand in hand

14. Prakrit lipi to sansarakrit lipi Initially there was only one language Prakrit lipi which was like making sounds and giving the idea which the miedival people so called gods whom we are treating today. Nw for a common man to understand this would be really difficult hence they came up with samsara krit language language . Now for the dance form they further transformed the words into saptha swaras with single word

15. Concept of ida / pingala / shishumna As per srividya sadhana there are three common nadis that work which are ida / pingala / shishumna For activating the same these are further subdivided into 3*3 that nine sections. Each section has three parts to activate through the sadhana . This in turn helps the body to get that vital energy force and keep you energetic all the life long.

16. Ardha narishwara roopa Our body is logically ardhanashiwara roopa logically : A) We have both the characters of male and female. B)We have all the nava rasas to express when it is needed C)Our brain is the central point that has two sides right and left which act according to our instructions from the liver.

17. Source for the energy The 50 beejakshras out of which only five ome /aim/ hreem / sheem / kleem really come into work. The primary source of the enrgy that a dancer gets from is the 5 beejaksharas that constitute the shloka generates certain energy which gets reflected to the body while dancing and thus there is large energy that is evolved which none of us can imagine.

18. Nava varana The nava varana of shrividya is nothing but the nava gruhas that rule our life. The navavaranas are the sources which actually controls our body/mind/soul as a whole. The only difference between normal person and practicing srividya upasaka is that srividya upasaka knows to control the nine avaranas who are the predominantly termed as the nine planets as per astrology.

19. Trantra Shastra/mantra shastra Dancer is practitioner of both tantra and mantra Shastra. Dancer dances to the tunes of the rhythmic hyms which evolved from beejamantras which again form a mantra which is recited while dancing for thirty minutes or one hour. This resulting in generating that positive energy and same is felt by the audience who see. This can be felt by the audience.

20. Veda/ upanishads Logically during the vedas and Upanishads are the translation of the scientific approach of an individual which if told that there is scientific reason, general public does not listen, so munis converted the same texts into the stories which entices the public, thus these epics are performed in the classical dance form using the expressions/hasta mudrikas as means for the presentation.

21. Hasta mudrikas The primary source for the energy to get emitted is the hasta mudrikas . There are reasons for the same : A) Every human fingers have certain strength or power. B)In music if you see sa /re/ ga /ma/pa/ dha / ni are tapped with different fingers reason being, there is some energy that is emitted through these fingers while singing which gets connected to the nadis that are there in our body.

22. Dancer performing hasta mudrikas As ther is some energy source that comes from the fingers the dancer while using the mudrikas generates certain energy from body which collides with the energy that is emitted through the music instruments that a percussionist plays. When bothe energies collide the positive energy emmited is enormous.Thus hasta mudrikas play a key role in one life.If you see a sree vidya upasak speaking he or she normally used fingers, this is the reason.

23. Bharat mahamuni’s natya Shastra emergence During that time there was lot of chaos around the people who were not knowing the true definition of the life’s existence/basic understanding of the morality meaning what is good and what is bad. Thus bharatmahamuni came up with an idea to present in the dance form by which atleast one out of hundreds will be benifitted with the positive note of life, where by he will be transferring the same to others in the public.

24. Bharat mahamuni’s natya Shastra emergence Thus he had created a medium called dance. Here just dancing vaguely will create false impression and from which public will get to learn nothing. Thus he came up with a standard guideline which in Sanskrit is called Shastra. Like it is done for learning vedas and Upanishads. This was done covering all the aspects of an individual.

25. Bharat mahamuni ‘s natya Shastra emergence Natya Shastra is also a kind of bhagvat geetha that is told to public by way of dance teaching the various aspects of understanding the life in very beautifull way. For this there has to be a medium like creating the melodies meaning which sama veda as per vedic terminology. The tunes cannot be modulated in any manner you want, which will create negative energy in the atmosphere

26. Bharat mahamuni ‘s natya Shastra emergence Thus every music note of saptha swara has to have some frequency level not less not more. In fact Late legend Mangalampally Baa Murali Krishna sir was working on thillanas which had a definite frequency levels which he was trying to do a research on the music therapy. This was also one reason for bharatha mahamuni to create a dance form to establish a connection with the human ailments and there is research going on.

27. Bharat mahamuni ‘s natya Shastra emergence There is still research going on for the same subject. In today’s digitized world unfortunately we are not able to show that invisible energy source which if proved requires a hard core proof. Now for the proof if it is proved there is nothing like it.

28. Focus 1. Avoid distraction from Our Five Senses/ eye, Nose, Ear, Mouth and Body. 2. Find out the Root cause of distraction. 3. Balancing Our Senses 4. Strong connection between Five Senses and Five Elements. 5. Balancing thought Process. 6. Steady mind and Spirituality.

29. Essential Qualities to Excel Brain Power Creativity Intuition Power Dedication Effective Decision Making Sustainability Strong Body 8. Stable Mind.