Neo classical architecture

This presentation details us about the culture, design style and philosophy of Neo-Classical Architecture

1. NEO-CLASSICAL
Architecture

2. NEOCLASSICAL ARCHITECTURE
Architectural Style produced by the neoclassical
movement
Lasted 1850-1900.
Reaction against the Rococo style of naturalistic
ornament
In its purest form it is a style principally derived
from the architecture of Classical
Greece and Rome and the
Architecture of the Italian architect Andrea
Palladio.

3. International movement-Neoclassical ideas in
architecture spread quickly throughout Europe.
Emphasize its planar qualities, rather than
sculptural volumes.
Projections and recessions and their effects
of light and shade are more flat; sculptural bas-
reliefs are flatter and tend to be enframed in
friezes, tablets or panels.
In form, Neoclassical architecture emphasizes the
wall rather than chiaroscuro and maintains
separate identities to each of its parts.
Clearly articulated individual features – isolated.


CHARACTERISTICS

4. Neoclassicism in architecture is evocative
and picturesque, a recreation of a distant,
lost world framed within the Romantic
sensibility.

Neoclassicism was symptomatic of a desire
to return to the perceived "purity" of the
arts of Rome

Palladian style-influenced architecture is
classified as Neoclassical.



The Style..

5. A Neoclassical building is likely to have some (but not
necessarily all) of these features:
* Clean, elegant lines
* Uncluttered appearance
* Free standing columns
* Massive buildings
* Symmetrical shape
* Tall columns that rise the full height of the building
* Triangular pediment

6. The ideal form that Neoclassical architecture looks at was the
temple. Which was represented classical architecture in its purest
form.
Columns were used to carry the weight of the building's
structure. But later they became used as a graphical element.
Roof is usually flat and horizontal and often is visible from the
ground.
Neoclassical architecture style had no domes or towers.
Building's facade is flat and long. Often having a screen of free-
standing columns.
Exterior was built in such ways as to represent classical perfection.
Doors and windows were built to represent that perfection.
Decorations were reduced to a minimum on outside.
There were often gardens around buildings completed in
geometric patterns.

7. THE CATHEDRAL OF VILNIUS

8. GEORGIAN STYLE
In Europe, the first phase of Neoclassicism was
influenced by the books of the Italian Renaissance
architect Andrea Palladio (1508-80).

In the second half of the 18th century Robert
Adam (1760-1792) first popularized a simpler, purer
Neoclassical style based on excavations in Herculaneum
and Pompeii.

Both Palladian and Adam variations of Neoclassicism are
also referred to in terms of the reigning monarch (1760-
1820) as George III, or simply Georgian.

9. NEOCLASSICISM IN THE US
In the U.S., Neoclassicism (both earlier Palladian and
later Adamesque) is referred to as "Colonial" (until the
Revolutionary War), and then "Federal" (after the
Revolutionary War).

The first example of Georgian style in America was
the Wren Building (begun in 1695) at the College of
William and Mary, and soon after that the Governor's
Palace and the Capitol in Williamsburg, Virginia.

Another excellent example of the style near Charleston,
S. C., is Drayton Hall (1738-42).
"Federal" style is Adamesque.

10. Giovanni Battista Piranesi (4 October 1720 – 9 November 1778)
An Italian artist who was very influential in spreading awareness of
Roman classical architecture through his etchings of the ancient
buildings of Rome.
Between1748-1774 he created a long series of “vedute” (views) of the
city which established his fame.
Piranesi also devoted himself to the measurement of much of the
ancient edifices: this led to the publication of his book Antichità Romane
de' tempo della prima Repubblica e dei primi imperatori ("Roman
Antiquities of the Time of the First Republic and the First Emperors").

11. Italian Renaissance architect.

Palladio's work is indebted the Roman
architect Vitruvius (The Ten Books on
Architecture) and Leon Battista
Alberti ( De Re Aedificatoria).

He published the first scholarly guide
book to classical Rome in 1554. He built
churches, town and country houses,
public buildings and bridges in Venice
and on the Venetian mainland.


Andrea Palladio, 1508-1580

12. •Often described as the most influential and
most copied architect in the Western world.
•Inspiration from classical architecture-
proportioned, pedimented buildings that
became models for stately homes and
government buildings in Europe and America.
•Palladio's Four Books of Architecture was
widely translated, and spread across Europe
and the New World.
Palladio, La Rotonda
ANDREA PALLADIO

13. FAÇADE ELEMENTS
Palladian window-
In Greek Revival style,
Palladian windows evolve
into rectangular tripartite
forms

Palladian door-A door
topped with a rounded arch
and flanked by vertical
rectangular areas of fixed
glass on each side that are
narrower than and usually
not as high as the door

14. ADAM STYLE (ADAMESQUE)

Based on the work of Robert Adam (1728-1792) and his
brothers
Basically Neoclassical; it also adapted Gothic, Egyptian and
Etruscan motifs.
His decorative motifs -- medallions, urns,
vine scrolls, sphinxes, and tripods -- were taken from Roman
art and, as in Roman stucco work, are arranged sparsely within
broad, neutral spaces and slender margins.
Robert Adam's interior/exterior decorative approach also
included the following:
Flat grotesque panels
Pilasters
Elaborate color schemes
Delicate painted ornament, including
Swags
Ribbons

15. Interiors by Robert Adam

16. ADAMESQUE
The style was predominant in England in the late
18th C. and strongly influential in the U.S.A., Russia.
and elsewhere.

Palladio studied Roman ruins; In the 18th century,
Robert Adam would study excavations at Pompeii
and Herculaneum and be more influential than
Palladio in the development of
English Neoclassicism and American Federal style.

It was enthusiastically embraced by Americans, who
then adapted it to suit their own tastes and
circumstances

17. PORTLAND PLACE, LONDON
STYLE: GEORGIAN / ADAMESQUE

The Adam
Brothers,
Robert and
James,
originally laid
this street out
in 1773.
Only a few of
the original
houses
remain.

18. ELEMENTS
entrance. The main
door is the principal
ornamental feature of
theGeorgian facade.
#43 fanlight Tuscan columns

Six-paneled door
... Traceried side
lights
Pilaster withComposit
e capital
Composite capital
fanlight

19. CHARLOTTE SQUARE, EDINBURGH,
SCOTLAND

20. Parapet: garland
s of foliage, the
so-called "swags"
Rounded Corinth
ian columns
suppoting
entablature
Parapet:
Garlandsof foliag
e
Balustrade
Sphinx
Garlands of folia
ge
Rusticatedlimesto
ne
Fanlightand side
lightssurround
main entrance
Rusticated limest
one
Fanlight
Rusticatedlimesto
ne
Fanlightand side
lights
Rusticated limest
one
Fanlight
Georgian House
Museum -
Adamesque style

21. NEOCLASSICAL- AMERICA-FEDERAL
Palladio's books influenced American architecture
in the late 18th century in America, as promoted
by Thomas Jefferson.

Jefferson's Monticello and the University of
Virginia are two examples of Palladian influence.

Two examples of early
Palladian Georgian buildings are the Governor's
Palace (1706-1714) in Williamsburg, Virginia,
and Drayton Hall (1738-42) near Charleston, S.C.

22. Jefferson was also responsible for the State Capital
building at Richmond, Virginia.
He had traveled extensively in Europe and was
deeply inspired by ancient Roman buildings,
especially the Maison Carree in Nimes, France, a
well-preserved Roman temple from 16 BCE.

23. WREN BUILDING, COLLEGE OF
WILLIAM AND MARY
WILLIAMSBURG, VA.
STYLE: COLONIAL (GEORGIAN)
The College of
William and
Mary's Wren
Building is the
oldest
academic
structure still
in use in
America.

24. GOVERNOR'S PALACE
WILLIAMSBURG, VIRGINIA

•Colonial / Georgian s
tyleFive bays.

•Three floors of about
3,380 square feet
each

•Row of
dormers in
the roof

•Balustraded deck

25. American statesman Thomas Jefferson borrowed Palladian ideas when
he designed Monticello, his home in Virginia, in the Greek Revival style.
Palladio, La Rotonda Jefferson, Monticello

26. END