PANDYA AND
VIJAYANAGARA
GROUP MEMBERS--2013BAR004 ANUSHREE
2013BAR008 GOVIND
2013BAR010 NALINI
2013BAR014 RONIT
PANDYA STYLE--
Pandya comes after cholastlyefrom 1000-1250 AD;
Plan-usually rectangular but emphasize were
on the gateways; GOPURAM;
GOPURAM plan-rectangular in shape;
Ground floor--vertical built in stone;
First floor–vertical built in stone;
Above floors–pyramidal built in bricks (inclination of 25 degrees);
Pinnacles called shikharasare always used in odd numbers;
Niches --with heavily carved HINDU Mythologies sculptures;
12-tiered tower structure dedicated to the
Lord of Srivilliputtur, known as
Vatapatrasayee;
tower of this temple rises 192 feet (59m)
high
Pandyasinclude the famous Meenakshi
temple in Madurai.
SrivilliputturAndalTemple is the official
symbol of the Government ofTamil Nadu;
SRIVILLIPUTTURANDALTEMPLE
images of Panchamurtis, Thumburu,
Narada, Sanatkumara, KinnaraMithuna, the
Sun and the Moon are represented at his
feet;
sanctum sanctorum has three doorways
and Lord can be seen from them;
flight of stairs leads to the sanctum
sanctorum;
a large, impressive hall with detailed
wooden carvings depicting incidents from
thePuranas;
carvings act as support as well as decorate
the ceiling;
THIlLAINATRAJA TEMPLE
aHindutemple dedicated to LordShiva;
the "form" is a appearance ofNataraja,
called the Sakala-thirumeni;
the "semi-form" –the Crystal lingaof
Chandramaulishvara, the Sakala-nishkala-
thirumeni;
the "formless" --an empty space within the
sanctum sanctorum, the Nishkala-
thirumeni;
nine gateways, and four of these have
gateway towers orgopuramseach with 7
storeysfacing the East, South, West and
North.
Plan–27.5 m x 18 m;
VIJAYANAGARA STYLE—
Established by two brothers–HARIHAR I and
BUKKA I;
Vijayanagara–“the victory city”, located on
bank of Tugabhadrariver and granite hill on
the other;
Moderate size temples, rich in beauty, form
and proportion;
Elements–separate shrines, pillared halls,
pavilions and KALYAN-MANTAPA(marriage
hall);
Pillars are important feature here, monoliths of
granite blocks;
style was a combination of the styles developed in
South India
theYalicolumns (pillar with charging horse),
balustrades (parapets) and ornate
pillaredmanatapaare their unique contribution,
vibrant combination of
theChalukya,Hoysala,PandyaandCholastyles,
legacy of sculpture, architecture and painting
influenced the development of the arts,
stylistic hallmark is the ornatepillaredKalyana-
mantapa(marriage hall),Vasantha-mantapa(open
pillared halls) and theRayagopura(tower)
VITHAL TEMPLE--
By Krishna-Devaraya;
Dedicated to LORD VISHNU(in form of VITHAL and
VITHOBA);
70 m long and 8 m high with one storey;
Consists of garbhagriha, mantapa, ardh-mantapaand
rich maha-mantapa;
Maha-mantapa–56 pillars of 4m height, monoliths;
Single massive capital supports bracket and
entabulature;
Flat ceiling with richly ornamented lotus flowers;
Pillars–produces musical notes called musical pillars;
Mantapasbased on star plans;
Courtyard-152m x95m surrounded by three GOPURAMS;
Materials-whole is in stone but top-tower is in brick;
HAZARATEMPLE--
By Krishna-Devaraya;
It is also an VISHNU temple;
Small in size but heavily
ornamented;
Surrounded by 8m high wall, east
side entrance;
Walls are carved with animal
figures or epic story RAMAYANA;
Lower storeyis built in stone and
shikharain brick;
To the east there is a
small shrine perhaps
for an image
ofHanumanorGarud
a,
A road from
HANUMAN IMAGE
lined with shrines
dedicated to
different divinities
proceeds,
finally exits the
fortified zone at
Talarighatgate,