ReyannahJaneVillarie1
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May 19, 2024
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Language: en
Added: May 19, 2024
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BPE10 (PHILIPPINE TRADITONAL DANCES) SUMMER CLASS (8:00 – 10:00 AM Monday- Friday) TOPIC REPORT: ▪ PANDANGGO SA ILAW ▪ BINASUAN Reporter: REYANNAH JANE V. VILLARIEZ BPED-2C Professor: MELINDA DRILON LOPEZ
PANDANGGO SA ILAW P andanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. T h e dance is accompanied by castanets. This dance, together with the Jota, became popular among the illustrados or the upper class and later adapted among the local communities. In the early 18th century, any dance that is considered jovial and lively was called Pandanggo .
History/origin: T he term ‘ pandanggo ’ comes from the Spanish word ‘ fandango,’ which in Portugal is also a common dance, which is defined by marking time with the use of castanet clack, finger snapping, and triple-time rhythm stomping of the feet, a 3/4 time dance. The sentence sa ilaw is Tagalog for “in light” and relates to the three oil lamps to be balanced by a dancer— one on the head and one on each side on the back. The name of the oil lamp is tinghoy . Candles are sometimes used in lenses instead of an oil lamp. Pandanggo sa Ilaw is generally danced in couples, with traditional clothes for both women and men.The individual performing this graceful dance is often referred to as the’ pandanggera .’ Then the’ pandanggera ’ dances holding three oil lamps called the’ tinghoy .’ This dance originates in Oriental, Mindoro.
PURPOSE OF PANDANGGO SA ILAW Pandanggo sa Ilaw is a waltz-style, playful folk dance that exhibits a distinctive fusion of and western indigenous dance types. Pandanggo sa Ilaw simulates fireflies at dusk or dawn light and flight. It portrays a young man's courtship to a maiden who caught his interest. There is another version of this dance, and the dance is similar to the steps conducted by the’ pandanggo ’ singers. T he dance is called’ Oasiwas ’ and in Lingayen in Pangasinan this dance has its roots. This provincial town is renowned for its fishing industry and its pandanggo version is connected to the fishing industry. The fishermen in this town will generally celebrate right after their excellent catch by drinking wine and dancing, and swinging and circling on the dancers ‘ hands with the lighted lights. The dancers ‘ swinging and circular movements gave the name’ Oasiwas ’ which is known as’ swinging’ in the local dialect. In Oriental Mindoro, this festival is called the’ Pandang Gitab ’ or the’ Festival of Lights’ with the dance at the middle of everything. After the now renowned folk dance called the’ pandanggo sa ilaw ’ and the’ dagitab ’ or the flicker of light, this festival was invented and created.
Costumes: For men: For women: L ong red trousers or a pants and "barong tagalog “ The attire worn includes a Mestiza dress or in " balintawak ", The costumes used by this festival’s dancers may differ and some of the clothes will be simple and some will also be flashy. The dresses may also have floral prints, most of which are made in orange hues. The dance members endure the heat of the candles as they move through the capital’s 2-km stretch of road, carrying their candles in glass, bamboo and coconut shells. The event served not only to encourage tourism in the region, but also as a manner of promoting dance consciousness called “ pandanggo ”.
FORMATION: Partners stand about six feet apart facing the audience. The three lighted oil lamps are placed on the floor between them. The girl stands at partner's right.The oil lamps are of two sizes, the one to be placed on the head being larger than the two for the hands. Audiences will be captivated by the graceful twirling motions of candles used to simulate firefiles at dusk. Traditionally, dancers would balance three candles: one on the head and on each hand.
MUSIC: Castanets a form of percussion instrument is mainly used in this style of dancing. The music to which the pandanggo sa ilaw is now commonly danced was composed by Col. Antonio R. Buenaventura, a National Artist for Music and a native of Bulacan . He wrote the music sometime in the early 1930's while teaching at the Conservatory of Music at the University of the Philippines.
T his festival, which is organized in Oriental Mindoro, is held every second week of November, as part of the celebration of Oriental Mindoro’s founding centenary. The festival presents the province’s culture through dancing and is frequently attended by hundreds of artists and participants from the province’s many industries. The typical’ pandango sa ilaw ’ moved to beaches from coastal cities. The individuals in Oriental Mindoro province have taken their famous’ pandanggo sa ilaw ’ from the beaches and into their capital’s streets, Calapan . And with the dancers holding these lights, the roads leading to the capital can be compared with an oasis of light as these roads are covered by a number of dancers dressed in traditional ternos and barong clothes. The costumes used by this festival’s dancers may differ and some of the clothes will be simple and some will also be flashy. The dresses may also have floral prints, most of which are made in orange hues. The dance members endure the heat of the candles as they move through the capital’s 2-km stretch of road, carrying their candles in glass, bamboo and coconut shells. The event served not only to encourage tourism in the region, but also as a manner of promoting dance consciousness called “ pandanggo ”.
BINASUAN 10
Wh at is B inasuan dance? Binasuan is a Filipino dance style which literally means “With the use of drinking glasses”. This “folk” dance is said to have originated from the island of Luzon located in the Philippines. This dance style is mainly performed during festive occasions such as a marriage. Furthermore, in this dance style performers hold full wine glasses in their hands while dancing. Where did B inasuan originated? Binasuan is a traditional Filipino folk dance that originated in Pangasinan , a province located in the northern region of the Philippines. The dance involves dancers balancing three glasses or cups filled with rice wine in each hand while performing intricate steps and turns. The name “ binasuan ” comes from the Pangasinan term “ baso ,” which means “glass” in English. Today, the binasuan dance is a popular performance in cultural festivals and celebrations throughout the Philippines.
What type of folk dance is binasuan ? The glasses that the dancers gracefully, yet carefully maneuver are half-filled with rice wine or other liquids. They are placed on top of the head and each hand of the dancers as they dance performing balancing tricks. The arms are rotated over and under the shoulder keeping the palms facing up so as not to spill the liquid. Binasuan is a traditional folk dance from the Philippines. It is classified as a “glass dance” because the dancers balance three glasses or cups filled with rice wine in each hand while performing intricate footwork and graceful movements. The dance is typically performed at celebratory events and festivals, and it is known for its colorful costumes, lively music, and impressive display of skill and coordination by the dancers. Overall, binasuan is a popular and important part of Filipino cultural heritage.
Costumes used in the Binasuan Dance: T he traditional “ Balintawak ” costume is used by the performers in this dance form. Music involved in the Binasuan Dance: The musical instrument mainly used in this dance form is the Pitoy Oras .
Benefits of Binasuan Dance: Improves coordination and balance: The act of holding the coconut cups and performing the various steps and movements of the dance requires good coordination and balance. Regular practice of this dance can help improve these skills. 16 Ho w will you describe a binasuan dance? What is Binasuan dance? 'Folk' is the category under which this graceful dancing style falls. It basically involves the use of wine glasses, and is performed by both men and women. As the dancers perform balancing acts, they are positioned on top of their heads and each hand.