Photography as foundation of cinematography

1. PHOTOGRAPHY Maria Hervie S. Autor Discussant

2. PHOTOGRAPHY

3. Photography is the art , science , and practice of creating durable images by recording light or other electromagnetic radiation , either chemically by means of a light-sensitive material such as photographic film , or electronically by means of an image sensor . [

4. Human Locomotion Movement

5. Surveillance Recognition

6. To educate

7. Send messages

8. Capture moments

9. Preserve memories

10. Entertainment

11. Photography -The Foundation of Cinematography

12. Cinematography (from Greek , kinema "movements" and, graphein "to record") is the art or science of motion picture photography. [1] It is the technique of movie photography, including both the shooting and development of the film

13. Pointers in Photography

14. Lighting

15. Types of Film Lights Key light- main light on the subject Fill light- soften the hard edges of the key and balances the light Back light- light behind a subject creating a separation from the background

16. Color light -used in determining the time, mood and emotional effects

17. Tungsten lights A lamp that uses a tungsten filament. Also known as Hot lights.  Ideal for indoor locations

18. Fresnel Light -It’s a common   lantern  used in  theatre , which employs a  Fresnel lens  to wash light over an area of the  stage . -The lens produces a wider, soft-edged beam of light, which is commonly used for  back light  and top light .

19. HMIs are arc lights contained in a sealed capsule.The HMI (and the MSR version) its incredible efficiency; it can produce five times the light output of tungsten light per watt i.e. more of its power consumption is going into the actual light output HMI’s ( Hydrargyrum Medium-arc-length Iodide)

20. Backlight This painting by Caravaggio shows how some exceptionally moody lighting can be achieved without backlight (“The calling of Saint Matthew,” 1599-1600)

21. Silhouetting meaning dark subject against very bright background  

22. Putting real film lights outside windows instead of relying on natural light – always worth it

23. No color in your shots must ever be an accident

24. A beautiful blue can be achieved with HMI lights and a digital camera set to tungsten balance

25. A beautiful “Matrix”-style green can be achieved by shooting with regular fluorescent lights with the camera set to tungsten balance

26. Backlight vs. no backlight The effect of backlight is clear: it increases contrast, reduces “muddiness” and enhances perceived sharpness.

27. Bokeh consists of blurred point sources of light in the background. Bokeh makes images glamorous and visually appealing.

28. The Slanted Lens experimented with different aperture settings and subject/background placements to find these three principles for getting the most Bokeh : 1. Get as close to the subject as you can 2. Keep the background with the lights far away 3. Keep the aperture wide open

29. Film Cameras

30. Bolex - H-1616 mm

31. Arriflex -S The Arriflex -S is a vary popular camera because of it's very steady film movement .   This movement helps to create very high quality professional images

32. Mitchell 35 mm BNCR A true Hollywood Classic 35 mm studio camera The number one work horse of the movie industry in the US

33. Retro modern film camera Digital cameras are everywhere, but the appeal of shooting with film will never fade. Look to the retro-chic Lomography Belair Jetsetter X 6-12 if you want the analog shooting experience again. The beautifully designed medium-format camera takes standard 6x9 or panoramic 6x12 shots

34. Shooting at Natural Light

35. Tips in shooting with Natural Light

36. 1. Choose the right camera

37. 2. Pick the best lenses for the job

38. 1. 18-55mm This is your Focal Length.

39. 2. 10-22mm This is considered a Wide Angle lens.

40. Lens 10-22mm f/3.5-4.5 Focal Length 10mm

41. Telephoto Lens 70-200mm (and above) This lens zooms in more than the 18-55mm.

42. Macro Lens 100mm f/2.8 Macro Focal Length 100mm Allows you to zoom in closer

43. 3. Make the sun your back light

44. 4. Shoot during Magic Hour

45. Shooting at Night

46. Blue hour

47. Vancouver in the Night by Robin Ryan Water is your friend in night work

48. The Twilight Runner by Robin Ryan

49. The Rock by Robin Ryan

50. Cinematography Resources American Society of Cinematographers British Society of Cinematographers Australian Cinematographers Society Canadian Society of Cinematographers