Post impressionism

1. POST IMPRESSIONISM PRESENTED BY KEVAL CHHEDA (1024050) & KHUSHBOO BARARIA (1024025)

2. POST IMPRESSIONISM ABOUT HISTORY ARTISTS CONCLUSION

3. ABOUT POST IMPRESSIONISM The Post Impressionist period came when several former Impressionist painters became dissatisfied with the movements insistence on light and color. The post-Impressionists aspired to find more depth in the roles of color, form and solidity in painting . The term post-impressionism is used to denote the effort at self-expression , emotion, mood and rather than representation of object. ABOUT HISTORY ARTISTS

4. T he style of the work, developing a new method of paint application or viewing the piece from multiple angles, was more important than subject matter. Characteristics: -see brushstrokes -personally expressive -style over fidelity -no fleeting light or moment (multiple moments or angles) -bright palette -moved away from journalistic detail of earlier periods -art is for the artist’s sake ABOUT HISTORY ARTISTS

5. HISTORY The Post-Impressionists were several artists of the late 19th century, who saw the work of the French Impressionist painters and were influenced by them. Their art styles grew out of the style called "Impressionism". The word "Post" means after, so "Post-Impressionist" art came after "Impressionist" art. ABOUT HISTORY ARTISTS

6. history R elated to Pointillism, a technique of painting in which small, distinct dots of pure color is applied in patterns to form an image. Georges Seurat developed the technique in 1886, branching from Impressionism John Rewald , one of the first professional art historians to focus on the birth of early modern art, limited the scope to the years between 1886 and 1892 in his pioneering publication on Post-Impressionism ABOUT HISTORY ARTISTS

7. The sculptor Auguste Rodin is sometimes called an Impressionist for the way he used roughly modeled surfaces to suggest transient light effects. Pictorialists photographers whose work is characterized by soft focus and atmospheric effects have also been called Impressionists. French Impressionist Cinema is a term applied to a loosely defined group of films and filmmakers in France from 1919-1929, although these years are debatable. SCULPTURE PHOTOGRAPHY AND FILM ABOUT HISTORY ARTISTS

8. POST IMPRESSIONISTS Henri de Toulouse-Lautrec Disabled poster artist known as one of the first Graphic Designers Paul Cezanne Large block-like brushstrokes; Still life's, Landscapes Vincent Van Gogh Disturbed painter of loose brushstrokes and bright, vivid colors Paul Gauguin Rejected Urban Life and choose secondary-colored Tahitian women Auguste Rodin Bronze sculptor; Very loose and not detailed. “The Thinker” ABOUT HISTORY ARTISTS

9. PAUL CEZZANE (1839 – 1906) Often called the Father of Modern art. Influenced by the Impressionist Camille Pissarro, Cezanne was a master of still life, portraiture, genre-painting and landscape. Paul Cezanne painted more than 200 still-life compositions in his lifetime His works had a huge influence on the prototype Cubism of Picasso and Braque. ABOUT HISTORY ARTISTS

10. Auto-portrait Technique: Oil on painting ABOUT HISTORY ARTISTS

11. Apples and Oranges 1895-1900 Canvas Jeu de Paume , Paris ABOUT HISTORY ARTISTS

12. Vincent Van Gogh (1853 - 1890) An important contributor to the foundations of Modern art. Van Gogh suffered from temporal lobe epilepsy as well as other mental and physical conditions. He produced more than 2,000 artworks, consisting of around 900 paintings and 1,100 drawings. Vincent shot himself in France, but did not die until 2 days later at the age of 37. Today many of his pieces—including his numerous self portraits, landscapes, portraits and sunflowers—are among the world's most recognizable and expensive works of art and sketches. ABOUT HISTORY ARTISTS

13. Self-Portrait Technique: Oil on canvas ABOUT HISTORY ARTISTS

14. The Starry Night ABOUT HISTORY ARTISTS

15. Paul Gauguin (1848 – 1903) Eugène Henri Paul was a leading Post-Impressionist. An artist, painter , sculptor, printmaker, ceramist and writer. He was influenced by Camille Pissaro and Georgia O’ Keeffe and was a friend of Vincent Van Gogh Gauguin introduced exotic and primitive elements into the art of the time and his colour and symbolism gave his paintings great intensity. ABOUT HISTORY ARTISTS

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17. Auguste rodin (1840 – 1917) Generally considered the progenitor of modern sculptor. Departing with centuries of tradition, he turned away from the idealism of the Greeks, and the decorative beauty of the Baroque and neo-Baroque movements. His sculpture emphasized the individual and the concreteness of flesh, and suggested emotion through detailed, textured surfaces, and the interplay of light and shadow. ABOUT HISTORY ARTISTS

18. Gates of hell ABOUT HISTORY ARTISTS

19. The thinker (1902) ABOUT HISTORY ARTISTS

20. Henri de Toulouse-Lautrec W as a French painter, printmaker, draughtsman, and illustrator. He painted social taboos and sordid truths of Parisian life in a straightforward unsentimental manner. Throughout his career, which spanned less than 20 years, Toulouse-Lautrec created 737 canvases, 275 watercolours , 363 prints and posters, 5,084 drawings, some ceramic and stained glass work, and an unknown number of lost works In a 2005 auction at Christie’s auction house a new record was set when "La blanchisseuse ", an early painting of a young laundress, sold for $22.4 million U.S. ABOUT HISTORY ARTISTS

21. At the Moulin Rouge, The Dance ABOUT HISTORY ARTISTS

22. La blanchisseuse ABOUT HISTORY ARTISTS

23. CONCLUSION The transformed contrasting short brushstrokes of Impressionism into curving, vibrant lines of color, exaggerated even beyond Impressionist brilliance, that convey emotionally charged and ecstatic responses to the natural landscape. In general, Post-Impressionism led away from a naturalistic approach and toward the two major movements of early 20th-century art that superseded Cubism and Fauvism, which sought to evoke emotion through color and line. ABOUT HISTORY ARTISTS

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