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1. Presented By The FIVE HORSEMEN Anshuman Kumar Anshul Sitoriya Anshul Upadhyay Anubhav Parashar Anuj Choudhary

2. Starting the voyage : Indian Cinema Bal Gangadhar Tilak admired movies and supported Dadasaheb Phalke in his attempts in creating a swadeshi cinema. Dadasaheb Phalke , released his epochal feature film ‘Raja Harishchandra ’. Phalke made other films too- ‘ Shri krishna Janma (1917)’,’ Kaliya Mardan (1919)’. Baburao Painter and his Maharashtra film Company made‘kalyan khajina (1924)’,’ Shahala Shah(1925)’ and others.

3. The First Talkie The silent era came to an end when Ardeshir Irani produced his first talkie ‘ Alam Ara ’ in 1931. The first talkie film in Bengali was ‘ Jamai Shasthi ’, in Telegu ‘ Bhakta Prahlad ’ and in Tamil ‘ Kalidas ’.

4. The 1930s Three big banners – ‘ Prabhat ’, ‘Bombay Talkies’ and ‘New Theatres’ gave the lead in making serious but gripping and entertaining films. A number of films making strong plea Against social injustice like V. Santharam’s ‘ Duniya Na Mane’, Franz Osten’s ‘ AchutKanya ’. ggf

5. Apart from looks , actors needed a commanding voice but also singing skills,as music became a defining element in Indian cinema. The year also marked the begining of the Talkie era in South Indian films. The first talkie films in Bengali ‘ Jamai Shasthi ’, Telegu ’ Bhakta Prahlad ’ and Tamil ’ Kalidas ’ were also released in the same year.

6. For the first time Ardeshir Irani attempted a colour picture in 1937 with ‘ Kisan Kanya ’. The first talkie film in Gujrati ( Narasinh Mehta – 1932), Kannad ( Dhurvkumar – 1934), Oriya ( SitaBibaha – 1934), Punjabi ( Sheela – 1935).

7.   The Times Of World War 2 and The Independence In the middle of the Second World War in 1945, came ‘ Kismat ’ in 1943 starring Ashok Kumar which became One of the biggest hits in the History of Indian Cinema. At this time film-makers like V. Shantaram (Dr. Kortis Ki ‘ Amar Kahani ’), Raj Kapoor (‘ Barsaat ’ and ‘ Aag ’) and Mehboob Khan (‘ Roti ’) made their films.

8. The Golden Era of Music 1940s to late 1950s was the Golden Era of music. The duo Shankar Jaikishan (S-J), O.P. Nayyar , Madan Mohan, C. Ramchandra , SalilChaudhury , Naushad , S.D. Burman – all had their distinctivestyle . Each vied with the other to produce some of the unforgettable music

9. The Golden Era 50s and 60s were considered as a The Golden Age of Indian Cinema. The first Indian film festival held in India in early 1952 at Bombay(Mumbai) had a great impact on Indian cinema. The big turning point came in 1955 with the arrival of Satyajit ray and his classic ‘Panther Panchali ’ which opened up a new path leading Indain film to the International level.

10. International recognition came to it with The Cannes award for bes human document followed by an unprecedented crop of foreign and national awards. The impact of neorealism was evident in some distinguished films like Bimal Roy’s ‘Do Bigha Zameen ’, ’ Devdas’,’Madhumati ‘;Raj Kapoor’s ‘Boot Polish’,’Shri 420’,Mehboob’s ‘Mother India’;Gurudutt’s ‘ Pyaasa ’ and B.R.Chopra’s ‘ Kanoon ’.

11. Ritwik Ghatak was one of the talented Bengali film makers and script writer. Ghatak's first commercial release was ‘ Ajantrik ‘ (1958), a comedy-drama film with science fiction themes. Ritwik Ghatak directed eight full-length films. His best-known films, ‘ Meghe Dhaka Tara ’ (1960), ‘ Komal Gandhar ‘(1961),and ‘ Subarnarekha’ (1962). His last film was the autobiographical ‘ Jukti Takko Aar Gappo ’ (1974), in which he portrayed Neelkantha the lead character.

12. 1960s The sixties began with a bang with the release of K.Asif’s ‘ Mughal -E- Azam ’ which set a record at the box office. It was followed by notable productions which include romantic , musicals and melodramas of a better quality. Raj kapoor’s ‘ Jis Desh Mein Ganga Behti Hain ’ and ‘ Sangam’,Dilip kumar’s ‘ Ganga Jamuna’,Dev anand’s ‘Guide’, Bimal Roy’s ‘ Nandini ’, Sunil Dutt’s ‘ Mujhe Jeene Do’ and experimental ‘ yaadein ’.

13. Among the regional languages Malayalam cinema derived much of its strength from literature during the sixties. Malayalam cinema first hit the headlines when Rain Kariat’s ‘ Chemmeen ’ (1965) won the President’s Gold Medal. Towards the end of the decade,Mrinal Sen’s ‘ Bhuvan Shome ’ signalled the new wave in Indian cinema.

14. 1970s The 70s totally changed the way films were made,especially in hindi film industry. Changing social norms and changing economies influenced and the companies that made them. The popular Hindi hits of the decade include Kamal Amrohi’s ‘ Pakeeza ’ , Raj kapoor’s ‘Bobby’ , Devar’s ‘ Haathi Mere Saathi ’ , Ramesh Sippy’s ‘ Sholay’,’Zanjeer’,Yash chopra’s ‘ Amar Akbar Anthony’,’Dharamveer ’, ’ Muqaddar ka sikandar ’ and many more.

15. In this period Indian film industry was introduced by the angry young man The Great Amitabh Bachchan who became a Living Legend. While Dev Anand , Rajesh khanna,Jitendra and Dharmendra continued to bask in the glory of back to back hits , the actresses were not far behind.Right from the time of Savitri,Vyajanti Mala,Nargis,Sharmila Tagore to Sridevi , Rekha , Smita Patil became the main attraction of Indian film industry.

16. Down in the South, the new wave cinema originated in Karnataka and Kerala.Pattabhi Rama Reddy’s ‘ Samskara (1970)’ and Adoor Gopalakrishnan’s ‘ Swayamvaram (1972)’ were the trend setters in Kannada and Malayalam respectively. This continued with a socially conspicuous film like ‘ Chomana Dudi ’, ‘ Ghatasradha ’, ’ Arangetram’,’Chuvanna Vithukal ’ and many more.

17. The hindi new wave reached its bloom period towards the end of the seventies with the coming of film makers Saeed Mirza (Albert Pinto ko Gussa kyon aata hain , Aravind Desai ki Ajeeb Dastaan ), Rabindra Dharma raj’s ‘ Chakr ’ and Sai Paranjpe’s ‘ Sparsh ’.

18. 1980’s and 90’s The new cinema movement continued with full spirit in the next decade(1980s). Some important Films with new style of treatment include ‘ Damul ’, 36 Chowringhee Lane, Umrao Jaan , Andhi Gali , Ajka Robin Hood etc.

19. Some South Indian films also made some big impacts on Indian Cinema in 1980s. Such movies are ‘ Elippathayam ’, ‘ Pokkuveyil’,’Chidambaram ’, ‘ Oridath ’ and ‘ Piravi ’ etc.

20. In the late eighties and early ninties a group of musical love stories like ‘ Qayamat Se Qayamat Tak’,’Mr . India’ ‘Jo Jeeta Wohi Sikandar ’, ‘ Chandni ’, ‘Maine Pyar Kiya ’, ‘ Baazigar ’, ‘Hum Apke Hai Kaun ’ etc.

21. In 1990s stars like Sahrukh Khan, Rajnikanth , Salman Khan, Madhuri Dixit,Amir Khan, Juhi Chawla , Chiranjivi etc. enriched Indian Cinema with romantic, thriller , action and comedy films.

22. In 1990s many films of various languages across India had increased the glory of Indian Cinema. Some bengali films like ‘ Charachar ’, ‘ Bagbahadur ’, ‘ Uttoran ’, ‘ Unishe April ‘etc. South Malayalam Cinema presented some notable films like ‘ Vasthuhara ’, ‘ Videyan ‘ etc.

23. The best love story ever

24. The New Millennium Now the Indian Cinema has reached a new millennium and a revolution of sorts happened in terms of defining glamour, entertainment, commercial values and marketing.

25. Films like ‘Lagan’, ‘Salaam Bombay’ and ‘Monsoon Wedding’ making a international sit up and take definitely indicates that India is poised for bigger as far as cinema goes.

26. New concepts are being introduced in this period. Movies like ‘ Munna Bhai M.B.B.S’, ‘ Swades’,‘Rang De Basanti ’ and ‘Veer Zara’ have made a trademark in the Indian Film Industry.

27. Many new brilliant filmmakers like Anurag Kashyap , Rajkumar Hirani , Dibakar Banerjee , Vishal Vhardwaj , Anurag Basu,Sujoy Ghosh , Imtiaz Ali have changed the scenario of Indian Cinema globally.

28. Very few Bengali films has also made a landmark in the film Industry. Films like ‘ Bhooter Bhobishyot ’, ‘Hemlock Society’,’ Baishe Srabon ’,’ Autograph’, ‘ Dutta vs Dutta ’, ‘ Chander Pahar ’ etc. have set remarkable examples.

29. Business of Indian Cinema • "Films" contribute nearly 27% of the total revenues of the entertainment industry. India's film and television industry contributes an immense $6.2 billion (Rs 28,305 crores ) to the Indian economy, according to a new report released by PricewaterhouseCoopers. The report, titled Economic Contribution of the Indian Film and Television Industry, also finds that the sector has a total gross output of $20.4 billion (Rs 92,645 crores ). The combined revenues of the Indian film and television industry were over Rs. 35,000 crores (USD 7.7 billion) in calendar year 2008. These are expected to grow at a CAGR of 11.5% over the period 2009 - 2013, reaching a size of over Rs. 60,000 crores (USD 13.2 billion)

30. Indian cinema : Gifted or Cursed Gifts Movies have been the source of entertainment from time unmemorable.  This is considered as a family bonding time these days. Since its beginning with the film ‘Raja Harish Chandra’ (1913), the cinema has remained the most powerful media for mass communication in India. Cinema has truly played a major role in changing our society. Patriotic movies make us remember to love our nation. Good comedic movies have treated many patients through laugh therapy. Adventure movies have given us a sense of adventure to explore new possibilities. In literature, cinema ahs produced much which touches the innermost layers of the man. It mirrors the episodes in such a manner that leaves an impact on the coming generations. Movies bring out delicate things that are happening in the lives of people in a very artistic way.

31. Curses Some movies that are produced for commercial purposes having some sexual content to it, fascinating dream and stunt scenes adding flavor to the movie. Many young people have gone astray under the misleading influence of indecent pictures. Immoral and crime pictures very easily catch the imagination of impressionable youth. Such films can be accused of producing delinquency. The movies that depict extreme violence, murder cause mental harm to children. Now abuses are so common in almost all the films that even a kid of 10 years is able to speak such abusive language knowingly or unknowingly. In many films, stunts are being performed , the teenagers try to copy such stunts on their bikes and cars which many a times lead to severe accidents.

32. Blockbusters of New Millenium

33. Our Special Tribute to ‘The father of Indian Cinema’ Dadasaheb Phalke . ‘The father of science fiction in India’ Satyajit Ray ‘The eternal superstar’ Rajesh Khanna ‘The eternal hero’ Dev Anand ‘The living legend’ Amitabh Bachchan ‘The King of romance’ Yash Chopra