Presentation on De Stijl art's Manifesto V

e Stijl Manifesto V advocated for the integration of art and life through a purely abstract, geometric visual language. It called for the application of these principles to the built environment, promoting a universal aesthetic.

1. De Stijl
Manifesto V
Baibhav Bittu Tiwari
21218006
2nd Year | 4th sem

2. 'De Stijl' (also known as
Neoplasticism) was a group of
artists, architects, and designers.
Formed in the Netherlands in
1917.
They felt that traditional art forms
were too complex and lacked the
clarity and simplicity they sought.
Introduction

3. Key Group
Members
Theo Van Doesburg - Artist, designer, and Founder of the Destijl group
Antony Kok - known for his experiments with language and typography
Piet Mondrian - Painter and one of the pioneers of abstraction
J.J.P. Oud - known for creating a harmonious relationship between buildings and surroundings
Gerrit Rietveld - Architect and furniture designer
Vilmos Huszár - Painter and Designer known for innovative use of color
Jan Wils - Architect known for creating functional and affordable housing

4. De Stijl Movement
Started to publish Journal by the name "De
Stijl."
Published from 1917 to 1932.
Published Manifestos, each of which focused on
different aspects of the movement's principles
and goals.

5. Simplicity
Abstraction
use of primary colors
Simple geometric forms.
Focused Point

6. De Stijl V
Published as the heading of
"Towards Collective Building."
Collective Building means
constructive collaboration of
architects, sculptors, and
painters.
Cornelis van Eesteren, Gerrit
Rietveld and Theo van Doesburg
manifesto signed it

7. "Towards Collective
Building"
III. The mutual harmonization of color in space and
time creates a positive unity.
IV. Rendering space and time visible through color
produces a new dimension.
I. Architecture is a plastic unit of industry and
technology, resulting in a new style.
II. The laws of space and their variations can be
balanced into unity.
The Schroeder House by Gerrit Rietveld

8. "Towards Collective
Building"
VII. Color is given its rightful place in architecture,
and painting, separated from architectonic
construction, has no right to exist.
VIII. The time of destruction is over, and a new age
of construction is beginning.
V. A final method of constructing a unity is
discovered through the interrelationships between
dimension, proportion, space, time, and material.
VI. Breaking up enclosing elements eliminates the
duality of interior and exterior.

9. Even though they started a long time ago,
their ideas still have an impact on how things
are made and designed today.
They had some big ideas about how art and
buildings should look, and they wanted to
change the way people thought about design.
The De Stijl movement was really important
for art and architecture, and the things they
believed in still matter today.

10. Thank You