"stick control" ejercicios de bateria
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Sep 07, 2011
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About This Presentation
Este es un metodo el cual ayuda a la evolucion del bateriasta, en todos los niveles, no solo novatos, es importante recordar que en la constancion se encuantra el exito de lo que hacemos.
Slide Content
(GBS OS BS a oo) ot) OHS A NS 6
É STICK CONTROL À
o
= for the E
E SNARE DRUMMER a
É STICK CONTROL À
o
= for the E
E SNARE DRUMMER a
PREFACE
It seems that there are too many drummors whose work is of a rough-end-roady varinty and whose tel
nical proficiency suffers in comparison with that of the players of ather instruments,
OF course, technical proficieney cun como only through continued, welldirected practiso. The more
practise one does the more proficieney ho acquires.
Many concort pianists practise hours and hours every day. They continue practising after they gradu
ate from the student porind and enter into the professional field, Violiuists;eoractists and the players
of other instruments do likewise. Through regular and systematic peaetiso they"keep in shape.
Ta the uninitiated, the art of drumming appears easy—so easy in fact thal unless the drum student
bas had the advantage of expert advice, ho may fail to realize the importance of the long buurs of
hard, painstaking practise that must be put In before he is technically prepared to exter the profes.
sional field with the confidence that his efforts will measure up to approved musical standards.
os in defeneo of the drummer ol it be noted thal while the plant and last have aces, 10
many burdreds of elementary and advanced teatro covering otr known branch uf thelr srs the
drummer’ library is limited to a score or so of instruction books, and not all of these containing the
specific typo. or generous amount al practise material nvcetary Lo the developmen of tat high de
gree of fondamerla] mechanical dxterly required from the modern drummer.
It is in realiention of this need and in answer to requests from drum instructors in all parts of the
country that this series of practise-rhythms has been propared and presented herewith under the title
or
TICK CONTROL- For The Snare Drummer”
‘STICK CONTROL" is a highly spevialized practise-book, dealing with just ono branch of the art nf
drumming. itis an advanced book,consisting of a progressive, highly concentrated collection rhythms.
arranged in enlishenie form, which, if practised regularly and intelligently, will enable one Lo acquire
control, speed, flexibility, touch, hyihm,ligbtaess, delicacy, power, endurance. preciseness of oxeculion
und muscular co-ordination to a degree far in oxcess of his present ability.
STICK CONTROL"is intended to develop finger, Wrist and arm muscles, which to the r
mor, playing in exhibition or contest, means speed, poser and endurance, and to the orchestral drummer,
specializing ia lighter types of playing, means clean, crisp execution, precise interpretation and floxibil-
ity of control, especially in “pianissimo" rolls and delicate shading.
“STICK CONTROL" contains a wealth of matorial for the development of tho drummer's wesk or
awkward hand (which lo tho right banded individual is bis loft), thereby enabling him to acquire
ombidextority in a sufficient degree for smooth, rhythmic hand-to-hand execution. [ls stick-work
being entirely mechanical in scopo, "STICK CONTROL” does not conflict with any of the know
“systems” of drumming, therefore any instructor may assign ils pages, at his discretion concurrently
wilh his regular assignment to the pupil. The expert instructor will find in the rhythms of
“STICK CONTROL” an abundance of material designed to make bis own dnily“work-oul'nore in-
teresting and productive
An hour a day with “STICK CONTROL” will work wonders for one, whether ho be rudimental ex-
hibitionist or concert drummer; student or expert; jaze drummor ur eymphonist.Thr only vital re.
quirement for this book (or, indeed, for any drum instruction book) is regular practises and, lo the
Student, the author recommends tho services of a local expert instructor,wheocver such services are
Available
GEORGE LAWRENCE STONE
It seems that there are too many drummors whose work is of a rough-end-roady varinty and whose tel
nical proficiency suffers in comparison with that of the players of ather instruments,
OF course, technical proficieney cun como only through continued, welldirected practiso. The more
practise one does the more proficieney ho acquires.
Many concort pianists practise hours and hours every day. They continue practising after they gradu
ate from the student porind and enter into the professional field, Violiuists;eoractists and the players
of other instruments do likewise. Through regular and systematic peaetiso they"keep in shape.
Ta the uninitiated, the art of drumming appears easy—so easy in fact thal unless the drum student
bas had the advantage of expert advice, ho may fail to realize the importance of the long buurs of
hard, painstaking practise that must be put In before he is technically prepared to exter the profes.
sional field with the confidence that his efforts will measure up to approved musical standards.
os in defeneo of the drummer ol it be noted thal while the plant and last have aces, 10
many burdreds of elementary and advanced teatro covering otr known branch uf thelr srs the
drummer’ library is limited to a score or so of instruction books, and not all of these containing the
specific typo. or generous amount al practise material nvcetary Lo the developmen of tat high de
gree of fondamerla] mechanical dxterly required from the modern drummer.
It is in realiention of this need and in answer to requests from drum instructors in all parts of the
country that this series of practise-rhythms has been propared and presented herewith under the title
or
TICK CONTROL- For The Snare Drummer”
‘STICK CONTROL" is a highly spevialized practise-book, dealing with just ono branch of the art nf
drumming. itis an advanced book,consisting of a progressive, highly concentrated collection rhythms.
arranged in enlishenie form, which, if practised regularly and intelligently, will enable one Lo acquire
control, speed, flexibility, touch, hyihm,ligbtaess, delicacy, power, endurance. preciseness of oxeculion
und muscular co-ordination to a degree far in oxcess of his present ability.
STICK CONTROL"is intended to develop finger, Wrist and arm muscles, which to the r
mor, playing in exhibition or contest, means speed, poser and endurance, and to the orchestral drummer,
specializing ia lighter types of playing, means clean, crisp execution, precise interpretation and floxibil-
ity of control, especially in “pianissimo" rolls and delicate shading.
“STICK CONTROL" contains a wealth of matorial for the development of tho drummer's wesk or
awkward hand (which lo tho right banded individual is bis loft), thereby enabling him to acquire
ombidextority in a sufficient degree for smooth, rhythmic hand-to-hand execution. [ls stick-work
being entirely mechanical in scopo, "STICK CONTROL” does not conflict with any of the know
“systems” of drumming, therefore any instructor may assign ils pages, at his discretion concurrently
wilh his regular assignment to the pupil. The expert instructor will find in the rhythms of
“STICK CONTROL” an abundance of material designed to make bis own dnily“work-oul'nore in-
teresting and productive
An hour a day with “STICK CONTROL” will work wonders for one, whether ho be rudimental ex-
hibitionist or concert drummer; student or expert; jaze drummor ur eymphonist.Thr only vital re.
quirement for this book (or, indeed, for any drum instruction book) is regular practises and, lo the
Student, the author recommends tho services of a local expert instructor,wheocver such services are
Available
GEORGE LAWRENCE STONE
HOW TO PRACTISE “STICK CONTROL”
1 will be noted that the practise rhythm in “STICK CONTROL"are numbered and are without
the customary musical ending, This is so that each rhythm may be practised over and over before
proceeding to the next one, which method of practise is the most conducive Lo quick and satisfactory
results,
‘Tho nuthor recommends that ouch rhythm bo pructised 20 TIMES WITHOUT STOPPING. Then go
on to tho next one. THIS IS IMPORTANT. "STICK CONTROL” cannot serve its purpose as well in
aa ofber way.
Practise with the motronema is also recommended, and at several difforet speeds, varying from ex
{reel slow tooxtremely fast; and agais without the metronome, In tho open and closed style. o.
slurting very slowly gradually acealerating to top spoed, then slowing down ago, finally ending at the
original tempo,
Practise at all times with relaxed muscles, stopping at the slightest feeling of tension. Remember, the
hy {hms Ip STICK CONTROL” are "conditiongrs." They are designed to give control. Contral begins
in museularly relaxed action.
A WORD TO THE ORCHESTRAL DRUMMER:—Do not let tho word “rudimentel” frighten you nor
prevent you from putting in a normal amount of practise on power, high- hand practise and the open
roll. This will not spoil tho light touch, dolicato shading or fine-grained effects demandod of you in
modern musical interpretation. To the contrary, by giving you a better control of tbe sticks, it will
enable you to produce oven finer and more delicato effects than heretofore
LIKEWISE, A WORD TO THE RUDIMENTAL DRUMMER: —Do not hositato to dovote a portion of
your practise period tolightness and touch, and especially to the playing of the closed roll, for if your
Practise is confined entirely to power and endurance your oxeeution will become ““ono-sidod)” heavy
ad clumsy. Strango to say, practise in lighter exeeution will, by giving you a fuller control of: the
sticks, help your power, endurance and spend.
Thet'open roll? roferred to throughout tho book (and beginning on page 11), 6 tho rudimontal roll of
two beats (no more) of each stick, in rhythmie alternation.
The closed roll? aotated on pago 12 and thereafter, is tho ono commonly used in light orchestral play-
ing. IL has several robounds to ach stick movomont, instead of just onos this being produced Ly a alight
sdditional pressure, applied to tho etieke as tho roll is executed. This closed roll is not to bo confused
‘with that oxaggerated typo of roll kaown as tho''serateh roll” produced by digging the stieks down in
to tho drumhond with muscles tonto, at ridiculously high rato of speod, for whieh nelthor tho author,
nor indond any musician, has any use,
Practise each rhythm 20 TIMES WITHOUT STOPPING. ‘Then go on to the next one.
1 will be noted that the practise rhythm in “STICK CONTROL"are numbered and are without
the customary musical ending, This is so that each rhythm may be practised over and over before
proceeding to the next one, which method of practise is the most conducive Lo quick and satisfactory
results,
‘Tho nuthor recommends that ouch rhythm bo pructised 20 TIMES WITHOUT STOPPING. Then go
on to tho next one. THIS IS IMPORTANT. "STICK CONTROL” cannot serve its purpose as well in
aa ofber way.
Practise with the motronema is also recommended, and at several difforet speeds, varying from ex
{reel slow tooxtremely fast; and agais without the metronome, In tho open and closed style. o.
slurting very slowly gradually acealerating to top spoed, then slowing down ago, finally ending at the
original tempo,
Practise at all times with relaxed muscles, stopping at the slightest feeling of tension. Remember, the
hy {hms Ip STICK CONTROL” are "conditiongrs." They are designed to give control. Contral begins
in museularly relaxed action.
A WORD TO THE ORCHESTRAL DRUMMER:—Do not let tho word “rudimentel” frighten you nor
prevent you from putting in a normal amount of practise on power, high- hand practise and the open
roll. This will not spoil tho light touch, dolicato shading or fine-grained effects demandod of you in
modern musical interpretation. To the contrary, by giving you a better control of tbe sticks, it will
enable you to produce oven finer and more delicato effects than heretofore
LIKEWISE, A WORD TO THE RUDIMENTAL DRUMMER: —Do not hositato to dovote a portion of
your practise period tolightness and touch, and especially to the playing of the closed roll, for if your
Practise is confined entirely to power and endurance your oxeeution will become ““ono-sidod)” heavy
ad clumsy. Strango to say, practise in lighter exeeution will, by giving you a fuller control of: the
sticks, help your power, endurance and spend.
Thet'open roll? roferred to throughout tho book (and beginning on page 11), 6 tho rudimontal roll of
two beats (no more) of each stick, in rhythmie alternation.
The closed roll? aotated on pago 12 and thereafter, is tho ono commonly used in light orchestral play-
ing. IL has several robounds to ach stick movomont, instead of just onos this being produced Ly a alight
sdditional pressure, applied to tho etieke as tho roll is executed. This closed roll is not to bo confused
‘with that oxaggerated typo of roll kaown as tho''serateh roll” produced by digging the stieks down in
to tho drumhond with muscles tonto, at ridiculously high rato of speod, for whieh nelthor tho author,
nor indond any musician, has any use,
Practise each rhythm 20 TIMES WITHOUT STOPPING. ‘Then go on to the next one.
Ganz Single Beat Combinations
AAA ,, Saas
/ MM mm
la pao ua
THOR CURE ADA TURE PRUE BORE RETO
j BD, SEL on Men
rs 1 eS aay
Po.
eal aad alata
y FD ooo
de El hu ati para ay
sn ld Soe com
CEE Se
Fein DFR RODE PERT TORE ARE CRDP TET
Ven ees mn ee E
1 psp Yip pb
ES TERT WORD WEED PTET REET
Acer ooo. oo ane Men!
3 Jo
Fr emFrerm Pe Ma!
ha PE
TREC WERT FREE RARE SURE RUDD REET WITT
cl FEHLERN [a= nnn M1
lso E q Pp
a ÉLER LEUR TRUER UWER RON DARA
PM =e eel Poo ern
À en. [proba
PRTC NOTE RECT BELO RR a
[a= FEB el FD FL
pa 24 ÉEPFERTE ES
ERA IRA URER CREE ERUC PERN TIER Tat
pou Repeat och azaci 20 timos
AAA ,, Saas
/ MM mm
la pao ua
THOR CURE ADA TURE PRUE BORE RETO
j BD, SEL on Men
rs 1 eS aay
Po.
eal aad alata
y FD ooo
de El hu ati para ay
sn ld Soe com
CEE Se
Fein DFR RODE PERT TORE ARE CRDP TET
Ven ees mn ee E
1 psp Yip pb
ES TERT WORD WEED PTET REET
Acer ooo. oo ane Men!
3 Jo
Fr emFrerm Pe Ma!
ha PE
TREC WERT FREE RARE SURE RUDD REET WITT
cl FEHLERN [a= nnn M1
lso E q Pp
a ÉLER LEUR TRUER UWER RON DARA
PM =e eel Poo ern
À en. [proba
PRTC NOTE RECT BELO RR a
[a= FEB el FD FL
pa 24 ÉEPFERTE ES
ERA IRA URER CREE ERUC PERN TIER Tat
pou Repeat och azaci 20 timos
Single Beat Combinations
“TERR DWAR CORR VARS Toh LEAL RLLR UDR
SA Sa pire Prec rr rarer
s2fE =: 3] 4, eS ee
TRU RAR TERR EU ES
DO up un
Ez 4
a 47 pa
— HH
Pr. == pS
“TERR DWAR CORR VARS Toh LEAL RLLR UDR
SA Sa pire Prec rr rarer
s2fE =: 3] 4, eS ee
TRU RAR TERR EU ES
DO up un
Ez 4
a 47 pa
— HH
Pr. == pS
Single Beat Combinations
jp SaaS Be
se os =
TERT RARE TDRD WERE TREC ERUR RUE CRUE
or (ser rer
jp SaaS Be
se os =
TERT RARE TDRD WERE TREC ERUR RUE CRUE
or (ser rer
8
(head ssenware)
NS
Se:
Triplets
Ca oe BE
x eno ee BEN =
N té A is E E
> tes e tras co e e
eet oe eo À nn re
~ 9 E: 20 Paba rere
5 +
ss
B N 15
WARE RAL RRL ARRL WAL RRL
pa
EDR CAD AER ULUR CRC AER
A
= 40 >
mA SAA»
,
Sn dee e do ye o y dedo
E a
+ a tome ove tp Wand render he fat ro est of et D
re ip
(head ssenware)
NS
Se:
Triplets
Ca oe BE
x eno ee BEN =
N té A is E E
> tes e tras co e e
eet oe eo À nn re
~ 9 E: 20 Paba rere
5 +
ss
B N 15
WARE RAL RRL ARRL WAL RRL
pa
EDR CAD AER ULUR CRC AER
A
= 40 >
mA SAA»
,
Sn dee e do ye o y dedo
E a
+ a tome ove tp Wand render he fat ro est of et D
re ip
Triplets
RURL RER UNL HORD MER TEL RER RLR DAL NERD RER TAL
vA os ns : Sih,
TORR URE RER TORR CRE RUN DORE UAL ROR URL WEN URE RER
ee A Ft Bb
Ey 33 oh oe =,
TREE RER UML WURR URE RER LALO WOR UND Run UND Rum =
Re po pe a
¡paa
A
a ee E NN TEN
(aaa aaa aa boob
THRE RER LHL BOLR URL AER LORE ALA CAL WUR URL ROW DRE
\ pote ep ee oe ee de et
DEEE eee SS,
WRGR LAL RER LURE RUR CAL RUN TRE WOR CRE WON EU WTR
AA ee
aaa pablo
TURE RUB LAL NOUR UAL RER CORE RUM UND NUR CRU RUN TRL
ia rene A 2
8 OR RS,
WHEL RGR UNE Kühe RUM DEL ROLL RER DRE RER URE RER CRE
o
TRER UNL ALA LAER URL AUR LARN CRD RER URL AUR UAT RER
RURL RER UNL HORD MER TEL RER RLR DAL NERD RER TAL
vA os ns : Sih,
TORR URE RER TORR CRE RUN DORE UAL ROR URL WEN URE RER
ee A Ft Bb
Ey 33 oh oe =,
TREE RER UML WURR URE RER LALO WOR UND Run UND Rum =
Re po pe a
¡paa
A
a ee E NN TEN
(aaa aaa aa boob
THRE RER LHL BOLR URL AER LORE ALA CAL WUR URL ROW DRE
\ pote ep ee oe ee de et
DEEE eee SS,
WRGR LAL RER LURE RUR CAL RUN TRE WOR CRE WON EU WTR
AA ee
aaa pablo
TURE RUB LAL NOUR UAL RER CORE RUM UND NUR CRU RUN TRL
ia rene A 2
8 OR RS,
WHEL RGR UNE Kühe RUM DEL ROLL RER DRE RER URE RER CRE
o
TRER UNL ALA LAER URL AUR LARN CRD RER URL AUR UAT RER
10
ead downward)
Short Roll Combinations (Single Best Rolle)
mae ssf
PAS
aay
paid
¡EEE
TRUER RU URL
FREE RIRE RUE
WEE RIRE AIR
TORS LALA DAUR
BEAR CALE UALR
Bene Laim TRL
RULE ımım UALR
==
[=== 1.2.
i 10
PEN
RE
WRUR UALR TRUE
SS.
TURE nn ALAS
Tepe Daun URL
=o,
ee 20
fata aa baa
los
FRRD RENE ALR
o fe
AAA EE
TEER UALR LAUR
FREE
DUR LALA ALA
O
de A
REET BERL He
SS.
BOOT BURL URL
FRERES
RELL ALRL RER
oo,
CS
ooo oe,
ee |
RAR UREA LAA
TERR URUR CLR
24
FD E,
Ss.
RARE UALR TALE
TEED BURL BERL
* Repeat ench exercis
20 tim
Tere ARE ROR
ead downward)
Short Roll Combinations (Single Best Rolle)
mae ssf
PAS
aay
paid
¡EEE
TRUER RU URL
FREE RIRE RUE
WEE RIRE AIR
TORS LALA DAUR
BEAR CALE UALR
Bene Laim TRL
RULE ımım UALR
==
[=== 1.2.
i 10
PEN
RE
WRUR UALR TRUE
SS.
TURE nn ALAS
Tepe Daun URL
=o,
ee 20
fata aa baa
los
FRRD RENE ALR
o fe
AAA EE
TEER UALR LAUR
FREE
DUR LALA ALA
O
de A
REET BERL He
SS.
BOOT BURL URL
FRERES
RELL ALRL RER
oo,
CS
ooo oe,
ee |
RAR UREA LAA
TERR URUR CLR
24
FD E,
Ss.
RARE UALR TALE
TEED BURL BERL
* Repeat ench exercis
20 tim
Tere ARE ROR
= >= eae Dane
; DIE a RER,
ET
TORE ARLE aa MRLR CERN DUR CURL BREE WL
BE. HSE
o RS
Pen = TAIL RUDE ann = a
iy
E da:
LARA ULAR ULAR RAR GUAR LAR UMAR EUAN LR CARE LORN LOR
SS oo |
RARE ULAR LER LULL RAUL Amen WORT VLAN CLR TELL ARLE ao
Meur)
; DIE a RER,
ET
TORE ARLE aa MRLR CERN DUR CURL BREE WL
BE. HSE
o RS
Pen = TAIL RUDE ann = a
iy
E da:
LARA ULAR ULAR RAR GUAR LAR UMAR EUAN LR CARE LORN LOR
SS oo |
RARE ULAR LER LULL RAUL Amen WORT VLAN CLR TELL ARLE ao
Meur)
Short Roll Combinations
gas le m oo ee
4 gees À
oc 4 4
¡Paz == wm Sia 3
Se WR TREN DATO REAL BOR R UREN DRED MERE
FI >. fase!
¡Pass RA e Et
|e te, See
8 ao]
RARE RUBE HERE RUBE
WERT RURE HART BORD
pais 4
a
TEER ran TEER Tee TEER Rtn DOOR RD
L— 8 E EY
Fi rer ee ERE
BOUL RURE RELL WERT Bott RIAL TLL aa
nn
Al 20! IES
TRE RIRE LRRR LALA TORE LALA TERA RER
fo m caca lana
Morse Eat aa] 4
af (Ser paga on aged ego edhe all)
WARE RER TD OU ALL
gas le m oo ee
4 gees À
oc 4 4
¡Paz == wm Sia 3
Se WR TREN DATO REAL BOR R UREN DRED MERE
FI >. fase!
¡Pass RA e Et
|e te, See
8 ao]
RARE RUBE HERE RUBE
WERT RURE HART BORD
pais 4
a
TEER ran TEER Tee TEER Rtn DOOR RD
L— 8 E EY
Fi rer ee ERE
BOUL RURE RELL WERT Bott RIAL TLL aa
nn
Al 20! IES
TRE RIRE LRRR LALA TORE LALA TERA RER
fo m caca lana
Morse Eat aa] 4
af (Ser paga on aged ego edhe all)
WARE RER TD OU ALL
19
Review of Short Roll Combinations
A AAA a Fe AAA
AAA
WORD RIAL URL REE MC
WERE ARC RUA, RUE RON REAL AIRE
a
DE.
HERE BURLADA MLRL URL ROR AIRE AUN LR
oS, 0 ES, AN, Ex,
mm id
TEER RIRE
Se
TER IRE URC
Rem ARTO NERY OUD RODD BURT ARILANLL WALD RAED WRU WHT
0 AA nn
Terre Ro
6
TRU URAC CD DO UOT LIRNTIRE LLER IRA DORN CER
Men a, D
E AAA
EAT AACR MURL MENU RT RT RL A BLAN MERE
RR UmLm GONG IDA RR AIBR
om
Mess SA 4 #
= rn BE 4 4
Moss + a =
ATRIL DADA CSCS TREE DADA IA
= = En
Ai 4 EE —
A SEND EERE NERC tar
à 5 BRA
TEER A RR UREN ORD TREN DATA
Review of Short Roll Combinations
A AAA a Fe AAA
AAA
WORD RIAL URL REE MC
WERE ARC RUA, RUE RON REAL AIRE
a
DE.
HERE BURLADA MLRL URL ROR AIRE AUN LR
oS, 0 ES, AN, Ex,
mm id
TEER RIRE
Se
TER IRE URC
Rem ARTO NERY OUD RODD BURT ARILANLL WALD RAED WRU WHT
0 AA nn
Terre Ro
6
TRU URAC CD DO UOT LIRNTIRE LLER IRA DORN CER
Men a, D
E AAA
EAT AACR MURL MENU RT RT RL A BLAN MERE
RR UmLm GONG IDA RR AIBR
om
Mess SA 4 #
= rn BE 4 4
Moss + a =
ATRIL DADA CSCS TREE DADA IA
= = En
Ai 4 EE —
A SEND EERE NERC tar
à 5 BRA
TEER A RR UREN ORD TREN DATA
Short Rolls and Triplets
4
5
nb
IEPIEZFFEFFE
[===
were
===:
1-8
SS:
ErEFSFEEFFE
En
BE
en = ty
E ss 3
sat
nanas A EL 7
sen
EA e +
= a pi
pat ==
2
+ Ben
a
4
5
nb
IEPIEZFFEFFE
[===
were
===:
1-8
SS:
ErEFSFEEFFE
En
BE
en = ty
E ss 3
sat
nanas A EL 7
sen
EA e +
= a pi
pat ==
2
+ Ben
a
22
RE:
TROL WALL ARE RUMR URE RUM
ES
22
TE
22
TREL RRL RRL
TROL RUBE BURR TRE RUE
2a|
HS,
ay
2al
o
A
TREE Weel BWR UMD RUN
TRAD nee,
RE:
TROL WALL ARE RUMR URE RUM
ES
22
TE
22
TREL RRL RRL
TROL RUBE BURR TRE RUE
2a|
HS,
ay
2al
o
A
TREE Weel BWR UMD RUN
TRAD nee,
Flam Beats
woe = DRLL FLAR QRLL
: z JA
Ger Dun Gee Gee TROL TROL enr Fr EL
A en
of Feil AAA
PSA erg
FoR @et FER Bet FRE PREL REL PRED
Ss,»
SS No crever) 7
“Gran Sram
SZ) Meccerecerrs
PRUE Gent
A AA
e ATA
RÉ paraban
uen PUR une Tuer Rues Orel FEU One
= =, — = — == =
A A DARA
Oria Ora Oria Onis An
FoR feu Fat Pee Fut rue rune Ones
6
ed fleet)
woe = DRLL FLAR QRLL
: z JA
Ger Dun Gee Gee TROL TROL enr Fr EL
A en
of Feil AAA
PSA erg
FoR @et FER Bet FRE PREL REL PRED
Ss,»
SS No crever) 7
“Gran Sram
SZ) Meccerecerrs
PRUE Gent
A AA
e ATA
RÉ paraban
uen PUR une Tuer Rues Orel FEU One
= =, — = — == =
A A DARA
Oria Ora Oria Onis An
FoR feu Fat Pee Fut rue rune Ones
6
ed fleet)
Flam Beats
er
Sn.
AAA
Der
CIO
PRO
PUL PLL Ri
pape te UE ÈS)
El
ES
OTE
en
Fin Pte ret TE:
LESEERR
poe Sy
20 as
so E E 40 AAA
Pur, Put FLLRÖRRL FARO LL PL Ownt
a ven;
PROL
FRA OLD
4
33
FRR Out
in en
PRE DEL Pune PERE Te ® ee TRA ORALE
Par Dir Fran Orio
FIR Onı TROL rio
er
Sn.
AAA
Der
CIO
PRO
PUL PLL Ri
pape te UE ÈS)
El
ES
OTE
en
Fin Pte ret TE:
LESEERR
poe Sy
20 as
so E E 40 AAA
Pur, Put FLLRÖRRL FARO LL PL Ownt
a ven;
PROL
FRA OLD
4
33
FRR Out
in en
PRE DEL Pune PERE Te ® ee TRA ORALE
Par Dir Fran Orio
FIR Onı TROL rio
Flam Beats
EA A
Lat Ori Fri Par rein ©
Ten pai TS
Fur Mav Feet eure ET Y Pri un
PER Dar reir Que PRE PRL PUL
a]
Prin ins
a o
pa
sw Stat da
PRL RL Fenn On PRUL Denn
sE ARA pu o
PRU FRE FREE PRD FLEUR Onkı
EA A
Lat Ori Fri Par rein ©
Ten pai TS
Fur Mav Feet eure ET Y Pri un
PER Dar reir Que PRE PRL PUL
a]
Prin ins
a o
pa
sw Stat da
PRL RL Fenn On PRUL Denn
sE ARA pu o
PRU FRE FREE PRD FLEUR Onkı
79
PEA pS
19
Flam Beats
at
FRE Our
PREP Oro en One Dani Porn
Sain Onin Ort rar Quin Oria
Se Ce,
D) yy
@uct Fire Dis ran Ones ruan
A mo
@ure Ora Our ree Gern Guru
AAA RE,
@aun vert
= 45
IA gy
Gran Orar
es nn
ins rare @it rer Orne rain
mn rer veer
PEA pS
19
Flam Beats
at
FRE Our
PREP Oro en One Dani Porn
Sain Onin Ort rar Quin Oria
Se Ce,
D) yy
@uct Fire Dis ran Ones ruan
A mo
@ure Ora Our ree Gern Guru
AAA RE,
@aun vert
= 45
IA gy
Gran Orar
es nn
ins rare @it rer Orne rain
mn rer veer
Flam Beats
or
pee BS AA
Gripen One rite Garris Out sers
= E =.
ee pay
Dur rrr QLLL FRRR @ır Bır ® LR Pri
= =. =.
MAA RE
Ori pin ® ve @ uw Oir Bır Gare Grew
= e ,
AA e pe a
TO ri ren @ tn rv av ®@ır ŒLR Onii Fura
i Eee pa
Dre Fin ORK ŒORLR Gir Bın Sire Dura
pa u EA
Dri rin ŒRLL PLRR Qin Dir ORLR FURL
EA up ER
tos PEA 2 E us [ES PERTE)
Sat ris ire Ger" Sin Gis Gınn Gran
ee
O ni rrr Œ®RLR FURL ®@ır @ır QLkL FRLR
ss EEE = Sy AAA
Orv tes Orne Gran Gin Dun Ges vit
SSSR pa PE
ORL rin ŒLRL PRLR Bir Dın ORAL Fin
107 [E = A] aso [E E
a rect Din dis Ort ren
=,
108 PEE op)
Dar Ton Gene rece Der re rer Orme
or
pee BS AA
Gripen One rite Garris Out sers
= E =.
ee pay
Dur rrr QLLL FRRR @ır Bır ® LR Pri
= =. =.
MAA RE
Ori pin ® ve @ uw Oir Bır Gare Grew
= e ,
AA e pe a
TO ri ren @ tn rv av ®@ır ŒLR Onii Fura
i Eee pa
Dre Fin ORK ŒORLR Gir Bın Sire Dura
pa u EA
Dri rin ŒRLL PLRR Qin Dir ORLR FURL
EA up ER
tos PEA 2 E us [ES PERTE)
Sat ris ire Ger" Sin Gis Gınn Gran
ee
O ni rrr Œ®RLR FURL ®@ır @ır QLkL FRLR
ss EEE = Sy AAA
Orv tes Orne Gran Gin Dun Ges vit
SSSR pa PE
ORL rin ŒLRL PRLR Bir Dın ORAL Fin
107 [E = A] aso [E E
a rect Din dis Ort ren
=,
108 PEE op)
Dar Ton Gene rece Der re rer Orme
Flan
m Beats
pa
=F
Teens |
sf
Guru Gt re
tedewtenwey
COME
ea 100 ee Fri
Sonn Dean vont Fuel
TIrrrerrert pracy
129)
180]
ES
|
Dors raum
Fur Grun
pa Pr |
Dia rom
=a
CON
Fran uen PERL Oria
of RTE
@ unr ae
Fe,
“eat rien
ee
PLew@ett PRL PROD
CEE
@uct Penn
FERW Druı nun Qunu
PA
PERL PURE
rome Bro ner Dinn
Fa@ı ar
ee y
Puce rar
Pune Owen
FURL FURL
Pp
Tino Onum
Tina Dai pans Dern
re: aay
Fort FEL
PELA PRL
POL ROL vine Dar
m Beats
pa
=F
Teens |
sf
Guru Gt re
tedewtenwey
COME
ea 100 ee Fri
Sonn Dean vont Fuel
TIrrrerrert pracy
129)
180]
ES
|
Dors raum
Fur Grun
pa Pr |
Dia rom
=a
CON
Fran uen PERL Oria
of RTE
@ unr ae
Fe,
“eat rien
ee
PLew@ett PRL PROD
CEE
@uct Penn
FERW Druı nun Qunu
PA
PERL PURE
rome Bro ner Dinn
Fa@ı ar
ee y
Puce rar
Pune Owen
FURL FURL
Pp
Tino Onum
Tina Dai pans Dern
re: aay
Fort FEL
PELA PRL
POL ROL vine Dar
Flam Beats
TROL TROL rain Dını
AAA y
soft
49
OL PRO: Fert Dunn
ne.
soot
7R@®L re@u rior Demo
PROL PROL rran Qutu
ris Denn
AR
Font Onın Peer Ounu
sofi
PERL OR LA rit OLA
ren Guns
Tann Obit
FURL @RUR Pier Oral
En pT
Daın Orion
Sau rımn
E
FURL Onın rara Dit
Oria Onın
Ours @ure
PRUL PRLL Fur ia
Oria Onın
Dare eRe
PES
ae nt
new nur
Orne Oran
TROL TROL rain Dını
AAA y
soft
49
OL PRO: Fert Dunn
ne.
soot
7R@®L re@u rior Demo
PROL PROL rran Qutu
ris Denn
AR
Font Onın Peer Ounu
sofi
PERL OR LA rit OLA
ren Guns
Tann Obit
FURL @RUR Pier Oral
En pT
Daın Orion
Sau rımn
E
FURL Onın rara Dit
Oria Onın
Ours @ure
PRUL PRLL Fur ia
Oria Onın
Dare eRe
PES
ae nt
new nur
Orne Oran
Flam Beats
ss
EZ
az
nf re
Onın Onin Orne race Bere Gira LRU eure
===
DIRELTERR pr CHÉCPEEE
ire bien ire Wenn
(DEEE res)
Dene rite
n ure @ern
Gary FURR RER rine
= ==
Panor.
Gian #
AAA
COIN
COI
Pr r = LEE
Orio pour Out rara
ss
EZ
az
nf re
Onın Onin Orne race Bere Gira LRU eure
===
DIRELTERR pr CHÉCPEEE
ire bien ire Wenn
(DEEE res)
Dene rite
n ure @ern
Gary FURR RER rine
= ==
Panor.
Gian #
AAA
COIN
COI
Pr r = LEE
Orio pour Out rara
Short Rolls in 6/8
TR CRT LRT URLS Bie URCAL WOW ess
REG Rununı WED AURDAL
==
Fr
5 TER EPIITE
AAA em
Era
TRE WEELR RT RRLLA
4
WEL RAR COR DORE
RAR LLRRLL RRR LLARLL BRR CORRE RHR LLRAL
«PESE si SER
Repeat ouch exorciso 20 times
TR CRT LRT URLS Bie URCAL WOW ess
REG Rununı WED AURDAL
==
Fr
5 TER EPIITE
AAA em
Era
TRE WEELR RT RRLLA
4
WEL RAR COR DORE
RAR LLRRLL RRR LLARLL BRR CORRE RHR LLRAL
«PESE si SER
Repeat ouch exorciso 20 times
Short Rolls in 6/8
TR URE AURERENE TOR URAL AL RO LALALA
4 3 20 b
WADE WEAUREAL HEU RUMURURE TET RER TRU RIADA
s A
Tow DRURURER CLR LRLRLALA TEL AiRGALA Don IRLALAL
—
TR URE AURERENE TOR URAL AL RO LALALA
4 3 20 b
WADE WEAUREAL HEU RUMURURE TET RER TRU RIADA
s A
Tow DRURURER CLR LRLRLALA TEL AiRGALA Don IRLALAL
—
Short Rolls in 6/
Mer ee) MI
WER TERRTER
Fran
Mer ee) MI
WER TERRTER
Fran
Short Rolls in 6%
ra =
See
aE
o so
ESS
ra =
See
aE
o so
ESS
Review of Short Rolls in 6/g
Review of Short Roll in 6/8
Se ft
A hatte
E
m er
a 2
sE
‘ B
Br
3 7
WON DEGRÉ RRLLARL RRLLARO ARLLARL
= ¡2 LA 2 HL #
AS
Re
paa # + 44
THD REND REA LA ımun A A ERUER
apa + AS |
8
Se ft
A hatte
E
m er
a 2
sE
‘ B
Br
3 7
WON DEGRÉ RRLLARL RRLLARO ARLLARL
= ¡2 LA 2 HL #
AS
Re
paa # + 44
THD REND REA LA ımun A A ERUER
apa + AS |
8
Combinations in 3g,
2
RE RE Ren TR ER ORT TLR R DRT BE wR ORD
2
RE RE Ren TR ER ORT TLR R DRT BE wR ORD
Combinations in 3/8
3 nm Woum
Gaara nase ary
3 nm Woum
Gaara nase ary
Combinations in %g
AAA
DIES
qn Es EA
AA pa
Pres FERMES lA
“Te LR EERE LU TERR re a re mu
O ERC (Ft me amı TR oR ER CR on OF
AAA
DIES
qn Es EA
AA pa
Pres FERMES lA
“Te LR EERE LU TERR re a re mu
O ERC (Ft me amı TR oR ER CR on OF
Combinations in 2/4
r eu ft
(ET |,
(A NE)
dof =
Ferere PT
BES iaa yy [eee
CREADA, Den
“e See
a ==
BREAD LEBER RRUAL ULAUE Reon CL RD ROR ET RT
r eu ft
(ET |,
(A NE)
dof =
Ferere PT
BES iaa yy [eee
CREADA, Den
“e See
a ==
BREAD LEBER RRUAL ULAUE Reon CL RD ROR ET RT
Flam Triplets and Dotted Notes
A Él
A Él
Flam Triplets and Dotted Notes
2 2
2 2
”
Flam Triplets and Dotted Notes
Flam Triplets and Dotted Notes
a
Flam Triplets und Dotted Notes
Porz: PEA
Den Gun Ore Dir
N
A
aa tae
Sun
Gur
Flam Triplets und Dotted Notes
Porz: PEA
Den Gun Ore Dir
N
A
aa tae
Sun
Gur
Short Roll Progressions
(era!
Re
jenen de
Siw wae!
WALT RARE TURK CURR
TELL eALER
4
SES ee
DONT
AA
WERR LLARLL BURR demie
EA
PE A
BURR LER
Dem)
TERN LEUR
je zu
PA A
RES,
pa —
BALL RUE Cons URE
ME z 2
LRM DRL RERA URE
‚Sn,
(era!
Re
jenen de
Siw wae!
WALT RARE TURK CURR
TELL eALER
4
SES ee
DONT
AA
WERR LLARLL BURR demie
EA
PE A
BURR LER
Dem)
TERN LEUR
je zu
PA A
RES,
pa —
BALL RUE Cons URE
ME z 2
LRM DRL RERA URE
‚Sn,
Short Roll Progressions
(TREE, en
Moser "SE q 2254
SS A Aa
== 4 (=a SS
a ee wa oS A
(TREE, en
Moser "SE q 2254
SS A Aa
== 4 (=a SS
a ee wa oS A
40
Short Roll Progressions
ATA
10
19
4
46
6
Me REA
PA
2
ALL RAUERA URED ARLLRE
22,
SER
2
2
a ELITE:
2
WoL oR GR LEnnLLRRLLER
AAA
BOR DL RR LIARLLARL
T RR bb RL OTLB BLD
= oo q op
# rum: 17 # rer
DIAS Deren!
2.
=> pt
THOR IRURDR LADA LALALA TRUE LAURIE LL LRLRLS
HA ES
Yo [Eset Et
ARE WERERE ARE RÉEL
WEL RUBLRL REEL MEL
‚Bet
s
y St
Short Roll Progressions
ATA
10
19
4
46
6
Me REA
PA
2
ALL RAUERA URED ARLLRE
22,
SER
2
2
a ELITE:
2
WoL oR GR LEnnLLRRLLER
AAA
BOR DL RR LIARLLARL
T RR bb RL OTLB BLD
= oo q op
# rum: 17 # rer
DIAS Deren!
2.
=> pt
THOR IRURDR LADA LALALA TRUE LAURIE LL LRLRLS
HA ES
Yo [Eset Et
ARE WERERE ARE RÉEL
WEL RUBLRL REEL MEL
‚Bet
s
y St
a
Short Roll Progressions
E E 5 RÍLR LRLRLAL == TRLALRL
TRE RURDRER DRL AUREALA RARE RLRLRLR LEEW URURDAL
Run [RRDERALURRLTRR
fe tat pe
TR Ef BRULHALURALTR® ı nm LT ARLERRLLARLLAR
‘a Tif e pale A
aaa ue
MA
E ,, pS —
s pb
ES TREL RURLALA LALL RLRLRLR URLL RLBLALR LRLL RLELRLR
s
Short Roll Progressions
E E 5 RÍLR LRLRLAL == TRLALRL
TRE RURDRER DRL AUREALA RARE RLRLRLR LEEW URURDAL
Run [RRDERALURRLTRR
fe tat pe
TR Ef BRULHALURALTR® ı nm LT ARLERRLLARLLAR
‘a Tif e pale A
aaa ue
MA
E ,, pS —
s pb
ES TREL RURLALA LALL RLRLRLR URLL RLBLALR LRLL RLELRLR
s
Short Roll Progressions
en ‚zz
em E
AE
een
co
A
‚Be iS
A
RR RADA
5
‚en
= 16
= ee =
A Tarın = : RL 4 =
SE com.
ENTERA RARLLL RM
en ‚zz
em E
AE
een
co
A
‚Be iS
A
RR RADA
5
‚en
= 16
= ee =
A Tarın = : RL 4 =
SE com.
ENTERA RARLLL RM
Short Roll Progressions
A
pr
z
7
E Rs
=
z
I
RENE RER ıkıanaı num
z z
IRIS
z z
z
q
A
pr
z
7
E Rs
=
z
I
RENE RER ıkıanaı num
z z
IRIS
z z
z
q
Short Roll Progressions and Triplets
EEE a en
HR.
HR
RSR
TORR TERRE BURR LUN LOA LALO MALER DELL RRL ERE
HI AAA
O O
eas 0
En F2 - oooh
nd disques
FERED DURS TURTER ELT WDB CAE ROL RAL
y A :
TERE TREN URL ALA LADA ER MERE mE DAL
ss Hart
EAS FFR_EFFH
Zone Te RR CENTER DRE RD OW FREE BRE RRL
ss s Par
EA
RÉ
poo ee.
ASA Sree Pree!
Bien ınLnL HERA URLS LRLL BTRUR LRLL ARL RAL
EEE a en
HR.
HR
RSR
TORR TERRE BURR LUN LOA LALO MALER DELL RRL ERE
HI AAA
O O
eas 0
En F2 - oooh
nd disques
FERED DURS TURTER ELT WDB CAE ROL RAL
y A :
TERE TREN URL ALA LADA ER MERE mE DAL
ss Hart
EAS FFR_EFFH
Zone Te RR CENTER DRE RD OW FREE BRE RRL
ss s Par
EA
RÉ
poo ee.
ASA Sree Pree!
Bien ınLnL HERA URLS LRLL BTRUR LRLL ARL RAL
ae nd
Ss
A al
WORE CURLER TALL EB LR ORCL AME AL
E Le
FREE Af PRD} URE AER CREATOR DHL REAL men
at se eh
i Pla]
24
se
Time RO
RER URL REE
A A
A [RURL AUR URL BERT RRLUARLLNRL ROME ROR EAC
AA AA
DATA GURALEAREDR
TRO® CAL AEN LADA LURALLARTLR UNUM UNE RER
Ss
A al
WORE CURLER TALL EB LR ORCL AME AL
E Le
FREE Af PRD} URE AER CREATOR DHL REAL men
at se eh
i Pla]
24
se
Time RO
RER URL REE
A A
A [RURL AUR URL BERT RRLUARLLNRL ROME ROR EAC
AA AA
DATA GURALEAREDR
TRO® CAL AEN LADA LURALLARTLR UNUM UNE RER
Short Roll Progressions and Triplets
23
=
23
=
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